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At this time of year, the flor de izote blooms in Los Angeles. The Salvadoran-American chef Karla Tatiana Vasquez says the flowers are both a delicacy and a connection to her identity.

In Lesotho, a style of traditional accordion music called Famo has become entangled with deadly gang rivalries. Once the soundtrack of shepherds and migrant workers, today it's linked to killings, government bans — and a fight over cultural identity.

El Departamento de Transporte de Estados Unidos endureció el viernes los requisitos para que los no ciudadanos obtengan licencias de conducir comerciales después de que ocurrieran tres accidentes fatales este año, los cuales, según las autoridades, fueron causados por conductores inmigrantes.

The Coronado Art & Wine Festival is a collaboration between the Coronado Schools Foundation & the Coronado Chamber of Commerce, two nonprofits bringing together vital areas of our community: the schools, the arts & local businesses. Visit: https://coronadoartandwinefestival.com/?utm_source=SDTA+Calendar&utm_medium=sandiego.org&utm_id=SDTA+Calendar+Via+Discover+Coronado

California se convirtió en el primer estado de Estados Unidos en prohibir que la mayoría de las fuerzas del orden, incluidos los agentes federales de inmigración, cubran sus rostros cuando realizan actividades oficiales, según un proyecto de ley firmado el sábado por el gobernador Gavin Newsom.

Gov. Gavin Newsom will have to decide soon if renters can fight eviction if their Social Security checks are disrupted during President Trump’s second term.

UNID@S is a performance that brings together artists from 3 states—California, Arizona, and Baja California, Mexico. The performance includes a fusion of M A L U’s violin sounds mixed with electronica; a call for equity, projections of Hugo Crosthwaite’s visual art with visual director Kijohote; a call for freedom from discrimination, Pita Zapot’s contemporary dance; a call for protection under law and the whispering voice of a poet, Zale; a call for equal rights. UNID@S will open in the silo courtyard with a multi-instrumentalist Maki & Delion performing saxophone, clarinet and voice, a second opener in the silo room by Medical Grade performing a hardcore-analog set and will close in the silo courtyard with Katja, a violist with electronica. The Silo Room on Instagram Visit: https://thesocietyofmastercraftsmen.com/index.html

Ahead of the leaders' meeting on Monday, the White House released its peace plan to immediately end Israel's war in the territory, boost aid to Gaza and require Hamas to release Israeli hostages.

Kneebody is keyboardist Adam Benjamin, trumpeter Shane Endsley, saxophonist Ben Wendel and drummer/bassist Nate Wood. The band has no leader or rather, each member is the leader; they’ve developed their own musical language, inventing a unique cueing system that allows them each to change the tempo, key, style, and more in an instant. The group met in their late teens while at The Eastman School of Music and Cal Arts, became fast friends, and converged together as Kneebody amid the vibrant and eclectic music scene of Los Angeles in 2001. Since then, each band member has amassed an impressive list of credits and accomplishments over the years all while the band has continued to thrive and grow in reputation, solidifying a fan base around the world. The group’s first full-length album, Chapters, mixes deep grooves and deft melodies with a wide range of guests, including Becca Stevens, Gretchen Parlato, Michael Mayo, Gerald Clayton, and Josh Dion. Kneebody on Facebook / Instagram

Rooted in African-American freedom struggles and Igbo cosmology, The Skeuomorph unfolds as a poetic meditation on technological agency and the myths we encode in our machines. At the center of the exhibition stands BLKBX (BB)—a sculptural object, a "smarter" speaker and a speculative AI entity trained on documents of African American and African Diasporic histories, biographies and philosophies of freedom. Through a multisensory installation featuring reimagined political speeches, archival fragments, and layered sonic environments, the exhibition invites visitors to consider how history reverberates in the present—shaping the voices we amplify, the ones we silence, and the futures we imagine. Co-sponsored by the Department of Visual Arts Visiting Speaker Series, this event includes panel discussion with Louis Chude-Sokei, Professor and George and Joyce Wein Chair of English and Director of the African American and Black Diaspora Studies Program at Boston University; in addition to recently publishing The Sound of Culture: Diaspora and Black Technopoetics (2015), Chude-Sokei collaborated with Berlin based electronic artists Mouse on Mars, with whom he produced the album Anarchic Artificial Intelligence (2021). Event moderated by Amy Alexander, Professor of Visual Arts and Gallery QI committee co-chair and Robert Twomey, Assistant Teaching Professor of Visual Arts and Committee Member of the Department of Visual Arts Visiting Speaker Series. Chude-Sokei and Mendi Obadike will participate via Zoom. Gallery QI on Facebook / Instagram