Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • The video game Citizen Sleeper critiques the gig economy in a cyberpunk "post-capitalist" future
  • The pressure is high for both squads, but the United States already has relieved some of that tension by moving into the tournament's second round, an accomplishment some observers did not expect.
  • By the middle of 2020, the Queens Football League had six teams: the Cats, Ravens, Blue Jays, Valkyries, Black Scorpions and Wolverines. Then the pandemic ground everything to a halt.
  • After several years of planning and a complete remodel of its physical space, you are invited discover the newly renovated Museum of Making Music. The Museum of Making Music is an inviting and engaging place for families and individuals alike. It’s a place where the creative relationship between people, musical instruments, and music is explored. See hundreds of instruments on display from the last 150 years and hear a vast sampling of musical styles from yesterday and today. Experience an immersive panoramic multimedia display, then play on a variety of hands-on interactive musical instruments. Reflect on what it means to make music in your life and in the world today. The Museum of Making Music is open Tuesday through Sunday from 10 a.m. to 5 p.m. The Museum is closed on Mondays and major national holidays: Christmas Day, New Years Day, Independence Day, Thanksgiving Day. Admission: $10-$15 Visit www.museumofmakingmusic.org or call 760-438-5996 / Museum of Making Music on Facebook Parking is free at the Museum of Making Music. The parking lot is reserved for museum visitors and is located directly behind the building. The lot also includes two spaces reserved for bus and RV parking.
  • Let’s ease back to in-person performances with our first in a series of shows at Bread & Salt Gallery, starting with a night of electroacoustic music! Admission is $5 at the door (cash/Venmo/PayPal), and masks will be required indoors. RELATED: San Diego Weekend Arts Events: Photography, art, electroacoustic music, Palestininan poetry and two local-style Christmas plays (KPBS arts segment) About the performers: Francisco Eme is originally from Mexico City currently living and working in San Diego, CA. Francisco is a composer and multimedia artist. He creates music, sound and multimedia installations, interventions and performances. His work is driven by a deep observation of the culture he lives in, the social interactions and everyday situations. He strives to start a conversation with the audience concerning relevant issues of our time: art, society, technology and science blend together in his practice. Joe Cantrell is a digital artist specializing in sound art, installations, and performances inspired by the implications of technological objects and practices. By using the physical remnants of these processes as raw materials, his work investigates the incessant acceleration of technological production, ownership, and obsolescence. He has performed and installed at numerous venues in the US and abroad, and has been honored with grants by New Music USA and the Creative Capital foundation, among others. Joe holds a BFA in music technology from Cal Arts, an MFA in digital arts and new media from UC Santa Cruz and a PhD in music from UC San Diego. John Jolley is a born and raised San Diegan musician and DJ who's been performing locally for 15 years. A gigging musician since high school, John left the UC Riverside music program to join and tour with local rock group Hargo, and went on to host, organize, and perform at several weekly and monthly local electronic music events, including Radiation at The Stage (now Atomic) and Acid Varsity at Kava Lounge. A lifelong synthesizer enthusiast, John performs live synth music solo and with the trio Warranty Void. A frequent performer at local festivals and undergrounds, John's DJing tends towards the experimental and rarely is confined to specific genres or tempos. Having just joined local industrial group Shaolin Signal on bass guitar, and with Acid Varsity having moved to Ken Club following the closing of Kava Lounge, fans and curious parties should have many opportunities to experience his playing in 2022 and beyond. Nathan Hubbard’s solo music is an amalgam of his work as an improviser, composer and instrument builder. Using acoustic and amplified instruments and a wide range of electronics, Hubbard creates a soundworld of multiple layers, where the music changes definitions of form, shape and outcome. This music has been presented in a wide variety of contexts, from concert halls and festivals to freeway underpasses and desolate mountain roads, and is documented on the recordings Born On Tuesday (2004, Circumvention Music), Blind Orchid (2007, Accretions Records), as well as a two volume compendium of live performances entitled Cascadia Calling (live solo works 2000-2014) Volumes One and Two. Pablo Dodero is an experimental musician from Tijuana, Mexico. He is currently pursuing a Ph.D at UCSD in Integrative Studies. He performs and releases music under the monikers Les Temps Barbares (ambient / noise) and Adiós Mundo Cruel (techno) using mainly hardware synthesizers and drum machines. Related links: Project [BLANK] on Instagram Project [BLANK] on Facebook Project [BLANK] website
  • Fashion brands are betting people will spend on virtual outfits in the immersive digital world known as the metaverse.
  • It was an abrupt reversal for the school, which had condemned the views of Gavin McInnes even as it said free speech required it to host the event. Protesters confronted each other and police.
  • Vladyslav Krasnoshchok describes himself as a "geopolitical surrealist" painter. Since Russia's invasion of Ukraine began, he's been photographing the war with a vintage Olympus 35 mm camera.
  • Method acting is more than mining personal experiences to play a character — or physically transforming for a role. Author Isaac Butler traces the history of the technique in The Method.
  • In 1955, a 14-year-old Black boy was lynched in Mississippi. Till tells the story of Mamie Till-Mobley, whose insistence on an open-casket funeral helped ignite the civil rights movement.
301 of 1,325