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  • Assata Shakur, a Black liberation activist who was given political asylum in Cuba after her 1979 escape from a U.S. prison, has died. Officials in New Jersey, where Shakur had been arrested, convicted and imprisoned, said she was 78.
  • The major broadcasting groups said in statements the late-night talk show will return to their TV stations on Friday.
  • On April 18 and 19, the California Center for the Arts, Escondido (CCAE) invites the community to witness the mesmerizing art of live glassblowing in the Cal Club Courtyard. This two-day demonstration, led by renowned glass artist James Stone of Stone & Glass, will showcase the precision, artistry, and transformative beauty of molten glass in motion. As part of Arts, Culture, and Creativity Month, this event is more than just a demonstration—it’s a celebration of community, accessibility, and artistic exploration. Guests will have the opportunity to engage with six talented glass artists, including 55Acre Project, each displaying and selling their handcrafted works. This interactive experience provides a rare glimpse into an ancient art form while fostering a deeper appreciation for creativity in all its forms. Hot Glass, Cold Beer: A Fundraiser for the Arts In the spirit of community support and cultural engagement, we are excited to host “Hot Glass, Cold Beer,” a special fundraising initiative benefiting the CCAE Foundation. James Stone and participating artists will generously donate hand-blown glass cups, which will be given away with a complimentary drink ticket in exchange for a $25 donation. This initiative not only raises vital funds for arts programming but also offers guests a one-of-a-kind keepsake—an artistic reminder of the power of creativity. Visit: https://artcenter.org/event/live-glassblowing-at-the-ccae-a-dazzling-celebration-of-art-community-creativity-2/ California Center for the Arts on Instagram and Facebook
  • A new Netflix show by the creator of Peaky Blinders fictionalizes the battle for control of the venerable Irish brewing company. Family drama comes to a foamy head in this eight-part series.
  • KPBS Explores Hidden San Diego shows us a butterfly garden with a unique past.
  • Since childhood, Joshua Roman's life revolved around the cello. But when long COVID forced him to set his cello aside, he had to rethink his approach to life, faith and music.
  • Join us for the official launch party of the Afrodiaspora Festival, a Juneteenth-adjacent celebration of Black arts, culture, food and music. This is your chance to get a taste of the excitement to come at the main festival in June! What to Expect: - Live Music: Groove to the sounds of Afrobeats, Afrohouse, Dancehall, Amapiano and more! - Delicious Food: Savor mouthwatering dishes from local vendors showcasing the diverse flavors of the African diaspora. - Games & Activities: Enjoy interactive games and activities for all ages. - Community Vibes: Connect with fellow festival-goers and be part of a vibrant celebration of culture and unity. Get your tickets now before prices go up. Tickets will be available at the door but will be higher so don’t wait. This event is curated by Afropanda Entertainment, Yeahhhmayne, Quartyard, Global Therapy and Plural Music. 21+ | No Refunds Quartyard on Facebook / Instagram
  • Etiquette expert Elaine Swann tackles tricky questions about staying at a loved one's place. Is it OK to borrow their car? Extend your stay? Show up empty-handed? Advice on how to be a star guest.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • The 2025 San Diego Book Crawl highlights the region’s thriving independent bookseller community, including its newest addition, Hey Books! in East Village.
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