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  • For the first time, NPR's Student Podcast Challenge has a returning champion: a California fifth grader who explored a dark chapter in U.S. history during World War II.
  • NPR talks with Margus Tsahkna, the foreign minister of Estonia, about Russia's alleged incursion into Estonian airspace and NATO's response.
  • In making unsupported claims about autism, the Trump administration is "pointing the finger" at parents and making them feel guilty, says autism community advocate Colin Killick.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • On Saturday, March 22, 2025, the Escondido Union School District and the California Center for the Arts, Escondido Foundation will present the 13th annual smART Festival from 10 a.m. to 1 p.m. at the California Center for the Arts, Escondido (340 N. Escondido Blvd). The event is free and open to the public. Each year, the Center dedicates its Museum and Center Theater to celebrating the creativity of local youth, showcasing the impact of its long-standing partnership with the Escondido Union School District in bringing arts education to schools. This vibrant community festival highlights student achievements in the visual and performing arts. Artwork from students across all 24 Escondido Union schools will be on display, with two-dimensional and three-dimensional pieces featured in the Museum. Meanwhile, the Center Theater will host youth dance and music performances throughout the day.
  • Sazón Live 2025! A cultural convergence dance, music and multimedia arts showcase. Presented by Mexican folkloric dance ensemble Sazonadas. Adventure the human journey through Yucatan, Veracruz, Tamaulipas, Sinaloa, Jalisco and beyond! Featuring the vibrant zapateado rebelde of Mujeres en Resistencia and the authenticity of Elenco de Danzas Peruanas. Join us at the Centro Cultural de la Raza for an unforgettable in-person live on-stage show. Immerse yourself in the rich flavors and rhythms that will transport through the diversity of Latin cultures. A celebration for everyone. This unique experience will inspire your heart and move your feet. Bring your family, rally your squad, get your tickets today! Showcase runtime (including intermission): 90 minutes Sazonadas on Instagram
  • University City High School Drama department presents the story by S. E. Hinton about three orphaned brothers and their struggle with right and wrong in a society that labels them as Outsiders. Come see this rendition of the play arranged by Christopher Sergel performed by the students of UCH. Visit: https://uchs.sandiegounified.org/academics/programs/performing_arts University City High School on Instagram
  • Celebrating 10 years of experimental films, music and performances in sunny San Diego! Blocks of short films will be presented along with a projector performance by Erica Sheu. A screening of Anthony McCall's 1973 masterpiece "Line Describing a Cone". Musical performances will be held at The Brown Building during the evenings. Come to see the latest in films that have played IFFR, Sundance, Berlinale, Cannes, FIDMarseille! San Diego Underground Arts on Instagram
  • Are birthdays your nemesis or your best time ever? Members of Storytellers of San Diego will take your on a journey through the triumphs and trials of this much maligned celebration. Enjoy the best ever and worst yet versions of birthdays to remember and some best forgotten. Hosted by Linda Brown, and aided and abetted by Emily Stamets, David Schmidt and Arlyn Hackett. Indulge in some hot java, near the cool Pacific ocean, in an arts-filled atmosphere. For adults and ages 12 and up. Learn more: https://storytellersofsandiego.org/events.html
  • The Coronado Public Library and Coronado Art Commission invite you to step into the director’s chair with a hands-on film class with award winning producer and director, Tony Perri. In this collaborative class, aspiring filmmakers will work together to create a short film that will be submitted to the Coronado Island Film Festival. Participants will learn scripting, direction and every aspect of pre-production, production and post-production. The course will also provide opportunities to get-together outside of class to apply their new-found knowledge into the practical application of on-location filming, directing scenes, how to work a camera, light a scene and record audio. The team will learn the basics of editing and all post production tasks as well as how to distribute and market the final short film and process required for submitting the movie to film festivals. The course is eight weeks long and participants are encouraged to attend as many sessions as possible as the class will be working on a collaborative project. Classes will cover: Film Types and Production Overview: Through watching different types of short films, the class will decide what kind of movie it will produce. Story ideas will be discussed along with how to script the film, create storyboards and the production logistics needed to make the movie per their script, the storyboards created and the vision of production team. The Production Team: The roles of each of the following positions are explained and each class member will have the opportunity to work at every job and/or focus on specific roles which may interest them. Scripting, Storyboards, Casting and Pre-Production: The team will create a shooting script and storyboards. Through this, they may decide on filming locations, how to cast the movie, production planning as well as the equipment, crew and props needed for the on-location filming. Directing, Producing and Cinematography: How to direct both action and actors is reviewed along with the roles of the producer and cinematographer. Examples of great directing and cinematography are shown. The Art of Filming, Lighting and Audio Production: Scenes which can be filmed at or near the Library will be produced. Participants will learn how to operate different types of cameras, lights and microphones. Music, Special Effects, Editing and Post Production: As we watch various films, the class begins to understand the importance of music and how it fits into the post production process. They learn how to mix music, scenes and special effects in order to create the story they wish to share with the viewers. Mastering the Film and Distribution: Upon completion of post production, the class will discover the art of color-correcting the video, sweetening the sound and preparing the final film for screenings. The team will learn how to distribute the film digitally and submit it to film festivals. About Tony Perri: Tony Perri began his broadcast and film career at the Walt Disney Company as a producer, director and broadcast journalist. After Disney, Mr. Perri became producer and director at the nationally syndicated TV show, PM Magazine and the long-running local version at KPIX-TV (CBS), Evening Magazine. Tony went on to form the TV, film and digital media production company, Surf's Up Studios. His most recent films include the documentary, "School of Thought" with David Lynch, Paul McCartney and John Hagelin. His feature film, "Serotonin Rising" starring the Dalai Lama and Deepak Chopra won the prestigious "Audience Choice Award" at the Estes Park Film Festival. "Serotonin Rising" sold out its world premiere at the Vail Film Festival where actor and Vail Film Festival award-winner. Mr. Perri is an executive producer and director with Surf's Up Studios, which produces movies, music videos, webisodes, news reels and all forms of social and digital media. Tony also teaches a workshop he developed called "Backpack Journalism" at the University of California at San Diego, Digital Arts Center. He is also an adjunct professor at the University of Colorado where he teaches documentary production, TV production, on-air technique and broadcast journalism.
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