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California lawmakers are rushing to extend the state’s landmark cap-and-trade climate program through 2045 amid opposition from unions and industry.

Tuesday marks 60 years since Sandy Koufax threw a perfect game at Dodger Stadium. The 1-0 victory over the Chicago Cubs is still considered one of the best games in baseball history.

Co-organized with SD Arts and Commission. We invited Far South Border North artists and cultural practitioners to present their campaigns. Visit: Creative Action: Far South Border North Initiative Catalyst of San Diego & Imperial Counties on Facebook

Leatherworking Workshop: Craft Your Own Leather Masterpiece! Discover the craft of leatherworking in this engaging, hands-on workshop designed for ages 8 to 108! Over the course of two hours, you’ll learn the basics of leather crafting and create your very own handmade item to take home. What to Expect: Hour 1: Watch and learn as we demonstrate how to shape, form, and work with leather. Then, roll up your sleeves and try it for yourself! Hour 2: Enjoy a fun and creative leather stamping activity where everyone will design and craft their own personalized keychain. This workshop is all about having fun, getting creative, and discovering a timeless craft. Whether you're 8 or 108, no experience is needed—just bring your enthusiasm, and we’ll provide the rest! By the end of the session, you’ll walk away with a finished leather keychain and a deeper appreciation for this traditional craft. About the Artist: Kerianne Quick is a nationally recognized craftsperson, Associate Professor of Jewelry and Metalwork at SDSU, and co-founder of Secret Identity Projects and Craft Desert. Highlights from their exhibition record include Craft in America Gallery, the Museum of Art and Design (NYC), Museo Franz Mayer (CDMX), the National Museum for Women in the Arts (D.C.), and Salon del Mobile (Milan). Their work is included in the collections of the LACMA, MFA Houston, and the Netherlands Design Museum (Stedelijk). They have received numerous grants, including a Kinley Fellowship and a National Endowment for the Arts Visual Arts Grant. Visit: https://www.hisawyer.com/artreach/schedules/activity-set/1306184?day=2025-03-29&view=cal&source=activity-schedule

Get ready to mix, shake, and sip your way to good fortune at our Cocktail Class – IRISH Edition! Join one of our expert mixologists and learn the art of crafting delicious Irish cocktails, each with a touch of LUCK in every sip. The experience also includes an Irish whiskey flight tasting. Seasons Restaurant on Facebook / Instagram

SDSU's 53rd Annual Pow Pow will be held on April 12, 2025. The San Diego State University Pow Wow is a cultural and social event held annually to bring together the Native American community at SDSU. SDSU has the reputation of having one of the longest-running pow-wows run by a university in California. This event is open to the public and is a partnership between the Native Resource Center, the SDSU American Indian Studies Department, the Native American Student Alliance, and the American Indian Alumni Chapter of SDSU. Saturday, April 12, 2025 at SDSU Main Campus - REC Field 103 11 a.m. - Gourd Dance - Open Session Noon - Grand Entry 1 - 6 p.m. - Dance Exhibitions & Honorings 6 p.m. - Bird Singing 8 p.m. - Approximate End The pow wow includes dance contests, cultural displays, arts and craft booths, food vendors, and various informational booths. There will be a Master of Ceremonies and Arena Director who help run the event. The MC works with the Arena Director to keep the pow wow program organized and running smoothly. The SDSU pow wow kicks off with Kumeyaay Bird singers followed by the Gourd Dance and Grandy Entry which signals the official start of the festivities. Kumeyaay Bird Songs have been passed down through generations and are used in times of celebration or grief, to sing, dance, and share culture in the company of friends.Bird Songs are used in the place of a written history and record an oral history and way of life for Kumeyaay people. Through the use of animal metaphors and allegory, the songs are used to instruct and imprint collective teachings about practical things such as food, the environment and geography, as well as history, customs, and social/moral values. The Gourd Dance is a Kiowa Tribe ceremonial dance that honors warriors or veterans. Many of those that dance this style are veterans and the idea is to honor all warriors alive or fallen for their service. Most notable of the gourd dance is the use of either a gourd rattle or metallic salt shaker rattle and a red and blue wool blanket draped over the shoulders. Grand Entry is the official start of the pow wow and all dancers enter the arena. During the grand entry, the color guard brings in the Eagle Staff which is a symbol of American Indian Nations, the U.S flag, state and veterans flags are also represented. This is also a time when we introduce our honored Head Staff and other important guests.

Many of New Zealand's unique birds are heading toward extinction. So the country is taking on an ambitious conservation project: eradicating the invasive species that prey on them.

In the last few months, bands including Hotline TNT and King Gizzard & the Lizard Wizard have pulled music from Spotify in a new wave of artist-led protests against the platform.

Grammy-winning artist Rhiannon Giddens brings Biscuits & Banjos, a music festival that features Black musicians on guitars, fiddles and banjos, history, dancing and more, to Durham, N.C.

Over the past decade, artist Math Bass has developed a lexicon of symbols in the series Newz!—letters, bodily forms, architectural fragments, animals, bones—arranged in a variety of scores, each symbol an empty space of meaning, filled in by the context in which it finds itself. Repetition of these symbols, rather than codifying them into one solid signification, exposes the difference at the heart of each iteration; there is always a gap in meaning, something unnamable left out of and left over in the viewer’s reading—a jouissance. It is this gap in the symbolic where Lee Edelman states queerness lies—not as an easily categorized liberal identity but as a process of unmaking and undoing that leaves (gendered) subjectivity as we know it in question. That these symbols are familiar only heightens our unsettling; the negative space of these compositions, a major player in Bass’s practice, adds further to the gap. Visit: https://mcasd.ticketapp.org/portal/product/250/event/1cb10d96-4a87-4377-b9ba-31ee5ff70842 MCASD on Instagram and Facebook