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  • Join us on Free Third Thursday, September 19 from 11 a.m. – 8 p.m. for the free public opening of "For Dear Life: Art, Medicine, and Disability," the first exhibition to survey themes of illness and impairment in American art from the 1960s up to the COVID-19 era. Enjoy free admission, a double feature screening, and more! No reservations are required for Free Third Thursday admission. Free Public Tour: Highlights of the Exhibition 5PM: A general tour guiding visitors through "For Dear Life," focusing on key themes and highlights of the exhibition. Limited capacity. No RSVPs required. Meet in Browar Lobby. Blue/ Blue Screening: Liza Sylvestre’s Blue Description Project (2024) & Moyra Davey’s Notes on Blue (2015) 5PM: Blue/ Blue Screening in Jacobs Hall About The Blue Description Project (BDP) The Blue Description Project (BDP) (2024) is an audio description and captioning project—produced by Crip*—Cripistemology and the Arts in collaboration with Voices in the Gallery— that engages Derek Jarman's Blue (1993) via expanded and critical accessibility. As Jarman wrote in Chroma (1994): “If I have overlooked something you hold precious—write it in the margin.” BDP takes up this invitation by creating a new, experimental iteration of Blue on the 30th anniversary of its release and Jarman’s death. The BDP iteration features creative captions and audio description that have been sourced from numerous contributors. It attempts to convey, express, engage, respond, evoke, articulate, replicate, translate, transmogrify, channel, and transcend what Blue is/was/could be. Courtesy of Artist & Sarah Hayden. About Notes on Blue Moyra Davey's new 28-minute video is a lyrical film essay that interweaves various biographies-including those of Derek Jarman, poet Anne Sexton, writer Jorge Luis Borges, and the artist herself-to explore blindness, color, and identity. We encourage to come early to grab refreshments from The Kitchen before entering the museum. No RSVP needed. Entry will be first come first serve. About the exhibition In recent years, the art world has seen an explosion of activity confronting issues of illness and disability. Set in motion by disability justice movements of the twenty-first century, this development accelerated with the onset of the 2020 COVID-19 pandemic. Contemporary artists with disabilities and chronic illnesses have produced influential bodies of art, often working collaboratively with peers and institutions to highlight relations of mutual dependence and negotiate practices of care. Such artists have dramatically expanded discourse about access, while reframing disability as a refusal to conform to the pace, architecture, and economic conditions of contemporary life. "For Dear Life" explores how this turn was preceded by the work of artists and activists beginning in the 1960s and 1970s. Informed by intersecting movements that included civil rights, antiwar, women’s and gay liberation, and disability rights, artists of that era approached the body—in all its variance—as a field of inquiry. This exhibition explores artistic responses to disease, disability, and forms of unruly embodiment more broadly, tracing genealogies of art that have shaped contemporary currents. Inhabiting seven galleries at MCASD, "For Dear Life" is accompanied by a rotating program of film and video. A lavishly illustrated publication published by Marquand Books and distributed by the University of Texas Press will be available for purchase. About PST Art Southern California’s landmark arts event, PST ART, returns in September 2024 with more than 60 exhibitions from museums and other institutions across the region, all exploring the intersections of art and science, both past and present. Dozens of cultural, scientific, and community organizations will join the latest edition, PST ART: Art & Science Collide, with exhibitions on subjects ranging from ancient cosmologies to Indigenous sci-fi, and from environmental justice to artificial intelligence. Art & Science Collide will share groundbreaking research, create indelible experiences for the public, and generate new ways of understanding our complex world. PST ART is presented by Getty. For more information about PST ART: Art & Science Collide, please visit pst.art "For Dear Life: Art, Medicine, and Disability" is organized by MCASD Senior Curator Jill Dawsey, PhD, and former Associate Curator Isabel Casso. "For Dear Life" is among more than 60 exhibitions and programs presented as part of PST ART: Art & Science Collide, presented by Getty. Major funding for this exhibition is provided by the Getty Foundation and The Henry Luce Foundation. Individual support for the exhibition is provided by Brook Hartzell and Tad Freese. Financial support is also provided by the City of San Diego through the Commission for Arts and Culture. VISIT: https://mcasd.org/events/for-dear-life-opening
  • Walk in ART is a monthly event hosted in Hillcrest in Mural Alley (South of University between 4th and 5th St) directly behind The Studio Door art gallery and studios. Expect a night filled with lively entertainment, art, food, and music in and around Mural Alley. Mural Alley is a classic urban alley that has been fully transformed and adopted by muralists. Walk in art features unique vendors, creative food offerings with a range of delicious dishes, music, and surprise performances. Collaboration with Hillcrest Business Association. Gallery is open until 9 p.m. while the party in the alley goes until 10 p.m. Visit: https://www.hillcrestbia.org/mural-alley
  • Michigan's Slotkin — a centrist with deep national security credentials — delivered the Democrats' rebuttal to Trump's speech, highlighting bipartisanship and the "core beliefs" most Americans share.
  • Whether we were paying attention or not, 2024 was filled with good news. In case you weren't, NPR's member stations have been keeping track. Here are some of the stories that made us smile this year.
  • The donations are seen as the latest example of tech moguls' changing stance toward the incoming president. During his first administration, Trump clashed with Bezos and Zuckerberg.
  • Health officials in Louisiana say a person there has died after catching bird flu. This marks the first reported death in the U.S. from the virus during the current outbreak.
  • In 1980, violent clashes between government forces and pro-democracy demonstrators in the southwestern city of Gwangju created lasting scars that continue to shape South Korea to this day.
  • The 22-year-old nursing student's death fueled an emotional and politically charged debate over immigration and crime after authorities said the suspect was a man who entered the U.S. illegally.
  • You know that feeling when someone you're dating does this one thing that you just can't look past? Here's what scientists say about why we react this way and whether the feeling is reversible.
  • Charlene is a German-American artist based in San Diego. She received her BA in Studio Arts from San Diego State University. Mosley’s current work discusses the importance of looking into one's self and allowing it to emerge in daily life. So often in a society that has certain standards and expectations, a lot of our true self is hidden or tamed to fit in, to appear a certain way or to belong. Her body of work is meant to inspire the viewer to live as courageously as a tiger, as resilient and freeing as a butterfly and to shed in renewal, like a snake. The wild animals reveal a unique connection to each person they are portrayed with. They embody attributes such as courage, strength, transformation, and reinvention, offering a sense of empowerment by their sheer presence. Mosley's work often depicts people of color surrounded by plants and beautiful stoic animals that harmoniously charge each other in vibrant color. With an interplay of expressive brushwork and texture Mosley evokes movement and excitement, capturing the viewer’s eye in a journey of discovery. Mosley has exhibited in both national and international exhibitions and won several awards. She also works as a freelance artist on a multitude of projects, including: murals, commissions and book illustrations; with a specialty in children’s books. In 2016, Mosley was one of the contributing artists of “Loving Vincent“, the 1st fully painted, Oscar-nominated feature film. This opportunity was the artist’s first time working in animation. Creating 250+ frames for the film, “was life-changing and a motivation to keep pursuing my passion as an independent artist”, notes Mosley. Mosley has travelled extensively to work on projects with national as well as international clientele. She is currently represented by Sparks Gallery in southern California. Her solo exhibition, “Embrace The Inner Wild” will open this September 1st, 2024 and will last one month. Visit: https://www.artweek.com/events/united-states/art-exhibition/san-diego/embrace-your-inner-wild#
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