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  • The judge gave Khalil until April 23 to request a stay of his deportation and said that if his attorneys miss the deadline, she will order him deported either to Syria or to Algeria
  • The programs provide research opportunities, stipends and tuition discounts for students pursuing science education.
  • Anne Banfield left West Virginia in early 2022 and is now an OB-GYN in Maryland. As the 2024 election approaches, she fears more change and uncertainty is on the way.
  • At least ten news organizations have retracted or amended their stories after an NPR investigation showed that a man they featured as a bold Chinese dissident was accused of being a conman.
  • LIVE at the Howard Brubeck Theatre! Back on Stage and In Person! Palomar Performing Arts Proudly Presents CONCERT HOUR Every Thursday at 1 p.m. Emilia Lopez-Yañez is an award-winning singer and oboist. Raised in a musical family, Emilia began performing at a young age and proceeded to continue her musical journey professionally. After earning her Bachelor’s Degree at Chapman University in both vocal and oboe performance, she went on to receive her Masters in oboe performance at the University of Southern California while simultaneously starting a career as a freelance performer. Lopez-Yañez has performed up and down the west coast with the Pacific Symphony, Bay Philharmonic, San Diego City Ballet Orchestra, and Palimpsest, in addition to international performances in Mexico, the Czech Republic, and India. As a Grammy member, Emilia has collaborated on projects with international artists Dan Aykroyd, Julian Lennon, Ricky Kej, Rupam Sarmah, and Allan White of YES. She was the featured oboist on the Chill instrumental single, Distorted Time which charted on the Billboard Charts. Through these recordings, she hopes to expand the musical genres in which oboe can be found, including Jewish-Indian fusion, Chill, House, and Children’s Music. Emilia is an adjunct faculty member at Palomar and Mira Costa Colleges and maintains a large private teaching studio. Ruth Weber has performed internationally as a pianist and been an accompanist/coach with numerous organizations including the Los Angeles Philharmonic Institute, Opera Aguascalientes, and California State University, Northridge. She was a recording artist with the Music-Minus-One division of the Marantz Corporation, and an Artistic Director/coach for operatic productions presented by Jean Will Presents. Ms. Weber is the director of the award-winning and Billboard charting San Diego Jewish Men’s Choir, and an accomplished composer whose music has won the John Lennon Songwriting Competition, the Global Peace Song Awards, the Shalshelet Music Festival, the Hollywood Music in Media Awards, and more. Her compositions have appeared on recordings, in films, in print music with Alfred and Hal Leonard publishing companies, and have been performed by the Omaha, Virginia, Rochester and Nashville Symphonies. Ruth is presently the Applied Music Coordinator and an adjunct faculty member at Palomar College in addition to teaching music courses at S.D. Miramar College.
  • In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.
  • Earthaven Ecovillage fared remarkably well after Hurricane Helene. The community had backup power and water systems, as well as food supplies, but members also knew how to work together in a crisis.
  • Trump said the U.S. would use "overwhelming lethal force" until Iranian-backed Houthi rebels cease their attacks on shipping. The Houthis said nine civilians were killed.
  • Brittany dives into the economy behind Christian contemporary music
  • National Cathedral Organist Thomas Sheehan to Perform at St. James by-the-Sea Following President Carter's State Memorial Service Three days after performing at President Jimmy Carter's state funeral, Thomas Sheehan, Cathedral Organist and Interim Director of Music at Washington National Cathedral, will present an organ recital at St. James by-the-Sea Episcopal Church in La Jolla on Sunday, January 12, 2025, at 5:30 p.m. The recital will showcase St. James' magnificent new Rosales/Parsons pipe organ, dedicated in 2023. The instrument represents a remarkable collaboration between two distinguished organ builders: Manuel Rosales of Los Angeles and Parsons Organ Builders of Canandaigua, New York. This masterpiece of craftsmanship features 65 voices, 79 ranks, 102 stops, and 4,551 pipes, making it a landmark instrument in North America. The program will feature the grand Praeludium in G Major by Nicholaus Bruhns, Sasurai, a virtuosic piece by 20th-century Japanese composer Takashi Sakai, and variations on the beloved hymn tune Engelberg by Mark Miller. Following this performance, Sheehan returns to Washington to prepare for the 2025 presidential inaugural prayer service at the National Cathedral. Dr. Sheehan brings an impressive musical pedigree to this performance. As the Cathedral Organist at Washington National Cathedral, he has performed at numerous significant national events, including the virtual service celebrating President Biden and Vice President Harris's inauguration. His distinguished career includes positions at Harvard University's Memorial Church, Saint Mark's Church in Philadelphia, and Trinity Episcopal Church in Princeton. A graduate of the prestigious Curtis Institute of Music with diplomas in both organ and harpsichord, Sheehan holds a Doctor of Musical Arts degree from Boston University and degrees from Westminster Choir College. In 2016, he was recognized as one of The Diapason's "20 under 30," marking him as a rising star in the organ performance world. His international performance career has taken him across the United States, Canada, and Europe, with notable appearances in Reykjavík, Toulouse, and Montréal. The concert is part of the St. James Music Series. Admission is free, and all are welcome to attend this extraordinary musical event. Visit: National Cathedral organist Thomas Sheehan in concert
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