Search results for

Make a Turkey Wing Hand Broom! March 9, from 1-4 p.m. A Turkey Wing hand broom is an epic example of Appalachian folk art. It could be considered a functional tool or a decorated art piece. These brooms are made with natural broomcorn. Instructor AB will teach you the traditional techniques for binding and shaping the broomcorn, which is made from sorghum, to create a fun and unique experience…others call it a spiritual occurrence. Let’s sweep it up. Ages 13+ years and up is recommended. Materials fee: $10 (cash) to be paid to instructor at the start of the workshop • Military, first responders and sibling discounts. • Scholarships available. • Homeschool funds accepted. • If this class is full, join the Interest List to be notified. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates or spaces are available.

How do you heal the wounds of war? That is the mission of Dr. Ghassan Abu-Sittah, a reconstructive and plastic surgeon at the American University of Beirut Medical Center.

The open letter and accompanying petition asking publishers "to make a pledge that they will never release books that were created by machines" garnered more than 600 signatures within a few hours.

After Hurricane Katrina, many New Orleans charter schools united in a mission to send more students to college. Today, some of those students, now adults, wish they'd been given more options.

Beginner workshops are perfect for you to grab your friends, grab a drink and come make tiny trees! We’re bringing the awesome art of bonsai out of the hedged in gardens and into the streets! Or at least into your favorite bars/breweries/pubs. Bonsai Bar is a night of fun you don’t want to miss. Learn the fundamental skills and techniques behind the art of bonsai while enjoying a night out with friends! Our teachers will introduce core concepts and guide your experience as you pot, prune, and design your very own bonsai tree! Our Guarantee: These tiny trees are so hardy we guarantee you can keep yours alive, or we’ll replace it. This workshop will be hosted at Local Roots Kombucha. Local Roots began with the simple goal of creating a better-for-you alcohol that gives back to the local community as much as it does your gut. The name Local Roots was derived from our passion for bringing people together, sharing and instilling a sense of community. The word ‘local’ is defined by belonging or relating to a particular area or neighborhood, while ‘roots’ is defined as being established deeply with a purpose. Our name is our badge on honor and our brand ethos is centered around always abiding by the culture personified in our brand name. Under 21 policy: Please contact Local Roots Kombucha for details regarding underage entry Visit: Bonsai Workshop at Local Roots Kombucha Bonsai Bar on Instagram and Facebook

Art historian Zaixin Hong examines the enduring significance of the soundscape of music and calligraphy. The soundscape of calligraphy and music is a hallmark of Chinese civilization. This lecture explores their intricate connections and shared purpose, exemplified by Professor Lei Liang’s award-winning “A Thousand Mountains, A Million Streams,” and delves into Chou Wen-chung’s question, “When is a line not a line?” From Confucius’ “Six Arts” to modern masters like Huang Binhong, Pan Tianshou, Zao Wou-ki and Wang Dongling, the connections across centuries between music and calligraphy have bridged tradition and contemporary expression. In the age of AI, celebrating this human spirit becomes more vital than ever. The lecture will feature a special presentation of Huang Binhong’s masterpiece “Landscapes,” shown in stunning 4K projection with original music composed by Liang. Kuiyi Shen, professor of Asian art history, theory and criticism from UC San Diego, will provide a short commentary. Please join us for these events: Lecture in English, 4–5 p.m. Reception, 5–5:30 p.m. Lecture in Chinese, 5:30–6:30 p.m. (Professor Hong will deliver the lecture again in Chinese after the reception. Bilingual audiences may opt to register for either the English or Chinese lecture.) This public lecture is co-sponsored by the 21st Century China Center (21CCC) at the UC San Diego School of Global Policy and Strategy (GPS) and Haili Foundation. For more information on China activities, please visit china.ucsd.edu. If you have any questions, please contact GPS Events Coordinator Susan Zau at jszau@ucsd.edu.

Current and former Microsoft employees were among those arrested. Microsoft has said it is reviewing a report that Israel has used its platform to facilitate attacks on Palestinian targets.

The National Bonsai and Penjing Museum marks the 400th anniversary of the Yamaki Pine, an ancient tree that survived the 1945 bombing of Hiroshima and has since become a symbol of peace.

The Mainly Mozart All-Star Orchestra Festival returns to San Diego June 18 to June 28, 2025. The annual summer festival is a highlight of the classical music calendar and the country’s largest gathering of concertmasters and principal players from the nation’s top orchestras. Under the baton of Maestro Michael Francis, who returns for his 11th year as music director and conductor, the 2025 festival features six, unique performances at two venues, The Conrad Prebys Performing Arts Center and the UC San Diego Epstein Family Amphitheater. The festival, the largest Mozart celebration in North America, opens with a must-hear performance of Mozart’s newly discovered Serenade in C Major. Featuring musicians from top U.S. orchestras including the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra and more, Mainly Mozart’s All-Star Orchestra is the only orchestra of its kind in the country. At The Conrad Prebys Performing Arts Center in La Jolla, each concert will be preceded by new Mozart-themed pre-concert talks or mini-concerts at 6 p.m. in The JAI, which will be included in the base ticket price. At the UC San Diego Epstein Family Amphitheater, attendees will now be able to bring in their own food and (non-alcoholic) beverages. Guests are also welcome to bring their own picnic spreads, with new grass-seating areas, and picnic music provided by Mainly Mozart Youth Orchestra ensembles throughout the venue. Time: All concerts start at 7 p.m. Where: June 21 and 28: Epstein Family Amphitheater | 9500 Gilman Dr, San Diego, CA 92093 June 18, 20, 24 and 26: The Conrad Prebys Performing Arts Center | 7600 Fay Ave, La Jolla, CA 92037 Cost: boxoffice@mainlymozart.org Single tickets for individual concerts at The Conrad range from $65-$149. Single tickets for individual concerts at Epstein Family Amphitheater range from $25 -$149. Ticket Link: https://www.mainlymozart.org/allstar Box office phone: (619) 955-8273 or boxoffice@mainlymozart.org Mainly Mozart on Facebook / Instagram

In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.