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We are excited to announce the Opening Reception for Casa Familiar’s 18th Annual Dia de la Mujer Exhibition titled «Visions of a Future» and curated by Claudia Cano. This year, the exhibition seeks to examine imaginary spaces, and alternative realities that may be fictional, fantasy, and futuristic, to empower the most vulnerable and offer a form of escape from the impending uncertainty. Visions of a Future seeks entries in all media by women and non-binary artists who use their creativity to highlight alternative realities. Visit: Casa Familiar’s 18th Annual Dia de la Mujer Exhibition at The Front Casa Familiar on Instagram and Facebook

From 2015 to 2022, there were 46 accidents involving cyclists in Imperial Beach, according to data from SANDAG. Imperial Beach says the aim of the new project is to make streets safer for pedestrians and cyclists, however critics have questioned how frequently the lanes are used.

The series continues on Wednesday, April 9, at Scripps Research with the Bill Frisell Trio, featuring Frisell on guitar, Thomas Morgan on bass, and Rudy Royston on drums. Frisell’s career as a guitarist and composer has spanned more than 40 years and many celebrated recordings. Recognized as one of America’s most vital and productive performing artists, Frisell has contributed to the work of a staggering array of collaborators, including Paul Motian, John Zorn, Elvis Costello, the Los Angeles Philharmonic, Rickie Lee Jones, Vinicius Cantuária, Marianne Faithfull, John Scofield, Bono, and Brian Eno, to name only a few. This work has established Frisell as one of the most sought-after guitar voices in contemporary music. Stereophile wrote, “Bill Frisell has quietly been the most brilliant and unique voice to come along in jazz guitar since Wes Montgomery.” The New Yorker noted, “Bill Frisell plays the guitar like Miles Davis played the trumpet: in the hands of such radical thinkers, their instruments simply become different animals.” His 2020 Blue Note Records release, Valentine, featuring his trio with Morgan and Royston, has been hailed as “a masterpiece” by DownBeat. “They consistently and strikingly play as one, voices intertwined, completing phrases as if sharing a single thought … the performances represent jazz playing at its most sublime.” The concert will be in person at the Scripps Research Auditorium (10620 John Jay Hopkins Drive, San Diego, CA 92121, north of Genesee Avenue in Torrey Pines Mesa). There are no physical tickets for these events. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. Priority seating will be given to Donor level members and above. Ticket Confirmation Notice: Your reservation is not complete until you receive an email confirmation. If you do not receive a confirmation email, your tickets have not been reserved. Please check your inbox and spam/junk folder or contact us at info@ljathenaeum.org or (858) 454-5872 to ensure your booking is finalized. Visit: https://www.ljathenaeum.org/events/jazz-25-0409 Bill Frisell on Instagram

Omar Sosa Quarteto Americanos | Athenaeum Jazz The spring series opens on Thursday, March 27, at Scripps Research with a long-anticipated local debut as a leader of acclaimed Cuban composer-pianist-bandleader Omar Sosa and his Quarteto Americanos, featuring Josh Jones on drums, Ernesto Mazar Kindelán on bass, and Sheldon Brown on sax, clarinet, and flute. Sosa is widely celebrated as one of the most versatile jazz artists on the scene today. His musical trajectory traces the African diaspora from Cuba to Brazil; from Central America to Ecuador’s African-descent communities; from San Francisco and New York to his current home base in Barcelona. True to his Afro-Cuban origins, Sosa fashions a spirited vision of uncompromising artistic generosity that embraces humanity at large. Nominated for seven Grammy awards and twice for the BBC World Music Awards, Sosa received a lifetime achievement award from the Smithsonian Associates in Washington, D.C., for his contribution to the development of Latin jazz in the United States. The New York Times wrote, “Sosa's music is the unifying sort, yoking together Africa and jazz and Latin America and hip-hop. He makes it work, being one of those rare birds whose keyboard skills are near those of Chick Corea and Chucho Valdes.” Billboard commented, “Sosa is one of the truly illuminated minds of world jazz. He is shaping a new synthesis of Latin and American jazz.” The concert will be in person at the Scripps Research Auditorium (10620 John Jay Hopkins Drive, San Diego, CA 92121, north of Genesee Avenue in Torrey Pines Mesa). There are no physical tickets for these events. Your name will be on an attendee list at the front door. Doors open at 7 p.m. Seating is first-come; first-served. Priority seating will be given to Donor level members and above. Ticket Confirmation Notice: Your reservation is not complete until you receive an email confirmation. If you do not receive a confirmation email, your tickets have not been reserved. Please check your inbox and spam/junk folder or contact us at info@ljathenaeum.org or (858) 454-5872 to ensure your booking is finalized. Visit: https://www.ljathenaeum.org/events/jazz-25-0327 Omar Sosa on Instagram and Facebook

Tijuana-based dancer, choreographer and educator Pamela Macías is co-director of ConnectArte, and the company is choreographing a piece for San Diego Dance Theater's annual Trolley Dances program.

California is one of the few states with building codes for wildfire protection, because using fire-resistant materials helps homes survive. Now, more than 500 additional homeowners rebuilding after Los Angeles' Eaton Fire are being required to use them.

Challenging perceptions of the US-Mexico border: A new Texas art project uses music, photos and storytelling to highlight the the rich cultural tapestry beyond headlines of migration and enforcement

President Trump has long been a critic of NATO and believes Europe does not contribute enough to its own defense. NATO Secretary General Mark Rutte agrees, and says 'that is going to happen.'

Painting using imagery in art is a fun way to tell a visual story.  We use black and white photocopies of ancestors, found or real, as the underlying source to paint.  This is a way of creating expressive and fun art that can stand up to any other art form.  In this workshop, learn how to paint over a photocopy and how to properly adhere paper seamlessly to a substrate without bubbles or creases.  Students will walk away with a painting or two and an understanding of this fun process. Materials: $25 fee includes images, mediums, varnish, and substrates; use of brushes, palette knife, palette paper, varnish, markers, burnishing tool, paints. You may bring your own black and white 8" x 10" photocopy, brushes, paints, palette paper, apron, gloves, or any of the above listed supplies. Monday–Wednesday, 10 a.m. - 2 p.m. December 2–4 (3 days, 8 total hours of instruction. December 3 is open studio time without instruction) La Jolla Studio $140/160 + $25 materials fee paid to instructor Lisa Bebi, since a small child, has loved two things: looking through snapshots in her family album and painting as expression. For over three decades, the San Diego native has married these two things together, and her work has received international awards and recognition for its content, style, and color. Lisa received her BA in fine arts from San Diego State University (SDSU), where she developed as a colorist, straddling representation with abstraction. Daughter of a journalist, Lisa always finds ways to tell the untold story she sees in snapshots. “I love the authenticity of the snapshot. It’s a single moment in time, but by painting it I can extend that moment, revel in it, and bring to life characters and scenarios that I fancy. Working this way gives me enormous pleasure.” She extracts the “behind, the behind” using innovative techniques and finesse. Over the course of her life she has received awards, accolades, and endorsements. She has been a longtime contributor to many international mixed-media magazines and several books; has taught in artist residencies locally and internationally; is a Golden Paints educator; and is often a local juror. Visit: https://www.ljathenaeum.org/class/83 Athenaeum Music & Arts Library on Instagram and Facebook

Thomas' work puts Black women front and center. "We've been supportive characters for far too long," she says. "I would describe my art as radically shifting notions of beauty by reclaiming space."