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Just published this week: A portrait of the lucrative drug-treatment industry; a memoir of a female firefighter; debut fiction from an Emmy-winning TV writer; and a brand new Karin Slaughter thriller.

Rates of the world's deadliest cancer appear to be low in sub-Saharan Africa. But that statistic is masking the scope of the disease, doctors say.

Washington, D.C., Attorney General Brian Schwalb says Metropolitan Police Department officers must follow local policies that govern their policing, even as Trump vows to crack down on crime.

Fans who pre-ordered new albums by Lil Wayne and The Weeknd on vinyl got a rude awakening: More than half the songs that appeared on the streaming version were missing on the LP.

Illume Speaker Series Knapp Lecture On James Baldwin: Racial Progress without Redemption Melvin L. Rogers, PhD | Knapp Chair of Liberal Arts Thursday, February 27, at 6 p.m. IPJ Theatre, Joan B. Kroc Institute for Peace and Justice The lecture invites the audience to travel back to the 1960s and to think through the assumptions that frame our discussion about racial progress. Baldwin asks us to disentangle our preoccupation with redemption to achieve democratic progress. Advancing democracy through dialogue may mean we don’t completely forget our missteps and trauma. Advancing democracy may involve figuring out how to dialogue, given that the past and present trauma may persist. Melvin L. Rogers, PhD, is the Edna and Richard Salomon Distinguished Professor of Political Science and associate director of the Center for Philosophy, Politics, and Economics at Brown University. Co-sponsored by the Department of Political Science and International Relations and the Africana Studies Program.

News flash! The near future! New developments in artificial intelligence have gone… not as planned. And now the robots are taking over—unless plucky teen hacker, Jolie Daniels, screen-name Ha.G., and the bot she made from spare parts from her parent’s garage, can stop the armies of sentient appliances she accidentally loosed on the world. From Puppeteers for Fears, the company that brought you "Cthulhu: the Musical!," and "The Cabaret at the End of the World," comes a hilarious cyberpunk fever-dream: "ROBOPOCALYPSE: The Musical!" Featuring thirteen new songs, an analog synthesizer driven score, an all-puppet cast, more multimedia elements than you can shake a stick at, and a wickedly stylish 1980s visual aesthetic, "ROBOPOCALYPSE: The Musical!" is Puppeteers for Fears’ most ambitious show ever, and is sure to dazzle and astonish. Written and composed by Josh Gross. Directed by Hunter Prutch. Starring Alyssa Mathews, Forest Gilpin, Owen Webb, Rachel Routh, Alex Giorgi, Brianca Knight, and featuring special musical guest, Blunderbusst. Puppeteers for Fears is an Oregon-based comedy troupe, specializing in original horror and science fiction rock’n’roll musicals performed with puppets. The company was founded as a one-night-only cabaret show for Halloween 2015, but was so popular that it kept going and never looked back. In the time since, PFF has written and performed a half-dozen original feature musicals covering everything from supernatural monsters to killer robots to lonely sasquatches, performed all over the US on six tours, and sold out venues nationwide with its innovative and hilarious combination of puppetry, video, and live music. Time: Tueday, Aug. 26 8 p.m. (Doors 7 p.m.) Puppeteers for Fears on Facebook / Instagram

Two Another are Eliot Porter and Angus Campbell, a musical duo originating from Sydney, Australia. Their kaleidoscopic mix of Electronic, Alternate RnB, Indie Pop and Soul has been heard across the globe since joining forces in 2015, amassing a following of over 1.8 million monthly listeners and over 400 million streams to date, with tour dates spanning across Europe, the Americas, the UK and back home in Australia. Now based in Europe, the band’s global origin story lies under the Australian sun with Eliot and Angus meeting in their high school music program where they were taught audio production by hometown dance-music-icons Bag Raiders. The pair quickly bonded over a mutual love of D’Angelo, Daft Punk and Danger Mouse. “Growing up in that golden era of indie, Ed Banger and French Touch, we shared a love of 90s electronica, dance and hip hop, and our parent’s Motown records,” says Angus, “There was a lot to be inspired by.” The duo’s recordings have since gone on to achieve significant success, accumulating hundreds of millions of streams of their EPs "Another Tape" and "Two Sides," followed by their debut album "Back To Us." Their versatility is evident in their remixes and collaborations with artists like Young Franco, Portugal The Man, The Magician, and Claptone. On stage Two Another creates an undeniable connection with any audience they are put in front of. The live band elevates the catalog, taking their grooves, musicality and vocal-driven anthems to another level. Outside of headline tours of their own the pair have made their way onto stages around the world while supporting the likes of Rufus Du Sol, Flight Facilities, SG Lewis, Daniel Caeser, Cannons, and Roosevelt. 2024 is set to be the biggest year yet for the pair. They will release their second full length album, ‘SUBURBIA’ in the Fall alongside their first ever World Tour. The new album is a coming-of-age story that follows fictional characters through their challenges and triumphs of navigating the final four years of high school in the suburbs. This musical odyssey unfolds through four distinct EPs — "FRESHMAN," "SOPHOMORE," "JUNIOR," "SENIOR" — and culminates in the collected works released at the "SUBURBIA LP." Time: Saturday, Aug. 16 9 p.m. (Doors 8 p.m.) Two Another on Facebook / Instagram

Trump said Ukrainian President Volodymyr Zelenskyy was unlikely to be included in talks he described as a "feel-out meeting" to better understand Russia's demands for ending its war in Ukraine.

Rap Diego: An Audio Documentary uncovers the untold story of a significant music revolution in San Diego. It chronicles the underground rap movement that launched numerous artists into the spotlight and fostered a subculture that ultimately became mainstream and influential worldwide. This narrative unfolds in four acts, narrated by those who experienced it firsthand—producer Parker Edison; editor Chris Reyes; and cultural attaché J. Smith. Audiences will have the opportunity to hear early music and performances that have rarely, if ever, been heard by the public.

The Scopes Monkey Trial Transcripts come to life in a world-premiere event this summer! Join New Fortune as we celebrate the centennial (July 1925-July 2025) by recreating this epic event, "The Great Debate," where science, religion, education, and legislation collided in America's consciousness—100 years ago. Come hear the powerful speeches and passionate arguments made in the "courtroom" and enjoy the fair-like entertainments on the "courthouse lawn," including Live 1920s Music, Book Sales, Catapulting Monkeys, and much more. American Monkeys ain't Inherit the Wind. This here's the Truth of History. "We have done crossed the Rubicon!" Because New Fortune believes there should be no barrier to anyone being able to attend this great public event, we will not be charging admission. The event is free and all are welcome. Bring the kids. Bring the neighbors. Bring your sweetheart. Bring your friends. Donations are making this and future events like "American Monkeys" possible! So please consider donating at the event to show your support for New Fortune's Public Programming! Recommended donation $20 or “Pay The Fine to Violate the Law” $100. Thank you! The New Fortune Theatre Company on Facebook / Instagram