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Mary Ellen Matthews has been SNL's photographer for 25 years. In a new book, The Art of the SNL Portrait, she shares her most iconic celebrity photos, like Pete Davidson eating pasta.

A June incident where El Cajon police repeatedly declined to help a civilian crisis response team emphasizes the challenges tied to the department’s decision to stop responding to some crisis calls.

Estados Unidos y México han firmado un acuerdo que detalla pasos específicos y un nuevo cronograma para resolver el persistente problema del río Tijuana, el cual vierte aguas residuales a través de la frontera y contamina las playas de California, anunciaron funcionarios de ambos países el jueves.

Rosalio Chavarin, 80, wanted to play mariachi music since he was a kid. Thanks to the nonprofit Villa Musica, he's part of an ensemble that practices at the Logan Heights Library.

The National Working Waterfront Network’s Conference is the only national event that brings together people from across North America to connect with one another and showcase initiatives that protect and promote working waterfronts. Working waterfronts include waterfront lands, waterfront infrastructure, and waterways that are used for water-dependent activities, such as ports, marinas, small recreational boat harbors, and fishing docks. By design, the conference moves around the country to highlight the diversity of our nation’s working waterfronts; to foster a cross-fertilization of ideas, knowledge, and solutions; and to generate strategic partnerships. The National Working Waterfront Network is pleased to be partnering with California Sea Grant to host the 2025 conference. The conference will take place from February 4 to February 6, 2025 in San Diego, California, with pre-conference events occurring on February 3. Website registration is closed. Please contact Shannon at: iShannon.Hogan@umb.edu for tickets. Purpose of the Conference *To connect and unite stakeholders from across the U.S., and to showcase innovative, successful, and timely solutions to waterfront and waterway issues. *To provide attendees an opportunity to network with others who are involved in the same types of professional issues and, together, develop strategies, timelines, funding sources, and regional alliances to address them. Program Structure *Plenary Sessions, which will feature leaders and keynote presenters from the working waterfronts and waterways community. *Traditional Concurrent Sessions, which will include 15-20 minute speaker talks accompanied by PowerPoint presentations. Concurrent sessions will be arranged from individual abstracts submitted on similar topics. *Breakout “Panel” Sessions, which will include 90-minute breakout sessions with a panel of speakers on topics related to a specific theme. *Roundtable Discussions, which will include 90-minute breakout sessions of a facilitated and interactive discussion with engaged attendees on specific topics. *Formal Poster Session, which will feature all NWWN Conference poster presentations. *Creative Communication Installations, includes an individual or team presentation, discussion or performance of art, media, film, poetry, etc.

The decision means county mental health teams sometimes also can’t respond to crisis calls involving a threat to a single person or lack police support when they do.

NPR's Lauren Frayer plays the puzzle with MPR listener, Dave Scheid of Rochester, Minn., and Weekend Edition Puzzlemaster Will Shortz.

Hundreds of artists signed a letter sent to the National Endowment for the Arts asking it to reverse policy changes made as a result of recent executive orders issued by President Trump.

Extracting truths from family archives to inform present day stories is the subject of “Threads of Time,” an exhibit by Robin North that will open at on February 8 and run through Black History Month, ending on March 1. North, whose forebears worked as slaves in the cotton fields of Texas, has used photographs and old documents to show how his family’s personal history is interwoven with the larger history of cotton, a commodity that spelled wealth for some and bondage for others. “Two bodies of work within ‘Threads of Time’ explore the family histories of Americans of African descent, addressing forced migration, labor, land ownership, and modernity in rural, deep southern Texas,” says North, who had been working as a corporate information specialist when he decided to pursue fine art photography. Through conversations with family members and by studying old photographs and documents, he began to decode messages from the past and realized that there was more to those photos than met the eye. “Decolonized Aesthetics” presents portraits of black subjects using historical photographic processes and stresses the intercultural connections resulting from cotton commerce. Some subjects pose with a bale of cotton. “Part of what I want to do is take this fusion of culture and this cotton bale and bring them together, because the reason this even happened is because of cotton,” North says. “That’s how this body of work came to fruition.” In "A Way of Looking," North visits places in the rural South that are connected with his family’s past and links them to the present. “A lot of my work focuses on looking backwards,” North says, and consequently we see his back as he faces away from the camera and looks toward an old church, toward cemetery headstones, and toward an old school building that appears to be losing a battle with a devouring landscape. The church, the school, the cemetery are all part of North’s family history, which is part of the larger history of cotton’s role in a nation’s history. The Photographer’s Eye Gallery will exhibit “Threads of Time” from February 8 through March 1. North will conduct a walk-through of his art on opening day at 4 p.m., and the gallery will host a reception for the artist at 5 p.m. The gallery will also host an artist’s talk on February 9 at 10 a.m. The talk is free, but a reservation is required and can be made by going online to the website to reserve a space. The nonprofit gallery is open from 11 a.m. to 5 p.m. on Fridays and Saturdays, and by appointment by calling 760-522-2170. Free parking is available behind the gallery, and on the street. The Photographer’s Eye Collective on Facebook / Instagram

Join us at Artreach HQ for Open Studio! Use this time to finish any previous project started at an ArtReach workshop. Participants must have completed a workshop prior to signing up for an open studio session. Please email studiohq@artreachsandiego.org. Visit: Open Studio for All Ages ArtReach San Diego on Instagram and Facebook