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  • Drop in Play: Sensory Art Exploration is a fun and engaging art class for toddlers ages 1-3. In this introduction to creative play, children are free to explore various art materials in a safe, open environment with no formal instruction. Little artists can move between different sensory stations at their own pace, sparking their curiosity and creativity. This class encourages hands-on discovery, allowing children to experience art through touch, color, and texture. Visit: Drop in Play for Toddlers ArtReach San Diego on Instagram and Facebook
  • Martin Cooper changed the world when he invented the portable phone. The Motorola company’s four-pound box has evolved into a global army of powerful smartphones weighing ounces.
  • California lawmakers could set new education requirements for police officers, but the bill has critics from all sides — including former Assemblymember Reggie Jones-Sawyer, who authored the state’s watershed 2021 police reform bill.
  • The Hotel Oloffson in Haiti's capital, Port-au-Prince, long a haven for artists and writers, poets and presidents, a symbol of Haiti's troubled politics and its storied past, has been destroyed by gangs.
  • San Diego's local booksellers and librarians reveal their most anticipated book releases for 2025 — perfect for fans of mystery, fantasy, nonfiction and more.
  • Join us for an immersive performance by Mohammad Khodadadi, an acclaimed Persian composer and performer on the ney, an ancient end-blown cane flute that plays a central role in Persian mysticism. The sound of the ney is said to express the human soul’s longing for union with God, drawing listeners into an introspective, contemplative state. Born in Iran, and trained by masters of Persian music, Mohammad weaves the haunting sounds of the ney with the dynamic energy of Iranian bagpipes, blending traditional Persian melodies with his own innovative compositions. Mohammad will invite the audience to experience the expressive range of Persian music, enhanced by his deep knowledge of both Western and Persian classical traditions. This close-up encounter promises an evening of captivating sounds and spontaneous musical exchanges, offering rare insight into Iran’s musical heritage through the artistry of one of its most dedicated performers. In a Q&A after the performance, we’ll have the chance to engage directly with the artist and explore his creative process and inspirations. Expect an evening that draws you closer to the beauty and depth of this captivating musical tradition. About the artist: Mohammad Khodadadi, born in Bushehr, Iran, started his musical journey on the ney at age 15, He trained rigorously under master musicians, later studying the Persian radif (traditional repertoire) and vocal techniques alongside piano and composition in Iran and Austria. He is currently pursuing Western composition studies at the University of Anton Bruckner in Linz, Austria, and has expanded his expertise to include conducting. Mohammad performs as a soloist and composer across Europe and Iran and organizes seminars to promote Persian classical music in the West. He teaches Persian music fundamentals in Austrian institutions, along with individual classes in ney, Persian singing, and music theory. His work bridges cultures, blending the depth of Persian musical heritage with Western classical influences, bringing traditional Persian sounds to global audiences with fresh and innovative expressions. Visit: The Art of the Ney: Contemporary Sounds of Iran with Mohammad Khodadadi Mohammad Khodadadi on Instagram and Facebook
  • San Diego Potters Guild is a juried membership of thirty-nine local clay artists. Twice a year on the second full weekends of June and November, potters fill the Spanish Village patio with thousands of handcrafted pots. Visitors may meet potters and watch demonstrations on the wheel. After the show pots from the Patio Show are available in Studio 29. Themed shows rotate throughout the year in the center gallery, surrounding shelves also display member work. The Potters' Guild is a working studio where the public can watch artists work on the wheel and hand build forms, decorate and glaze. Visit: sandiegopottersguild.org San Diego Potters' Guild on Facebook / Instagram / X
  • The DOJ has sued the entire federal district court in Maryland over an order that puts a temporary hold on deportations, intensifying a confrontation between the Trump administration and the courts.
  • Our 10 finalists for the best college podcasts in the country include students from some familiar schools, and a few surprises.
  • How do we soothe ourselves in the age of efficiency? How do we find time for care in the age of speed? How do we transform healing into daily acts of resistance and revolution? Join artist Maria Antonia Eguiarte in an object-making workshop that plants the seeds surrounding these questions through the creation of a self-soothing artifact. Using fiber, wire, and other materials, we will create a hand-held object informed by mindfulness and awareness of the needs of our bodies, souls, and beings. This program is intended for adult audiences. Capacity is limited to 25 participants. Program: 11AM: Learn about Eguiarte’s art practice and how she explores expressions of vulnerability and care through her performance and object-making. 11:30AM: After a guided mindfulness exercise, Eguiarte will lead participants in creating hand-held objects that provide calm and tranquility when held in our hands. About Maria Antonia Eguiarte: Maria Antonia Eguiarte is an interdisciplinary artist born in Lansing, Michigan and raised between Mexico City and California. She is currently based in San Diego, California. Eguiarte is engaged in gesture-based performance and object-making. Since the start of her artistic exploration, she has been drawn to vulnerability and care as radical political weapons for quiet, gestural revolution. This has been the main focus of her practice as an artist, caregiver, hybrid storyteller, student, and teacher, which centers on the possibilities of a transnational body that carries multigenerational knowledge of care. Using textiles, fibers, and threads, Eguiarte draws from personal narrative, family and nation myths, and non-linear and anti-hierarchical ways of knowledge to disrupt her relationship with care, community, and self.
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