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An entire industry wouldn't exist without him, yet few know his name. In his songs, Knott challenged the faithful to examine their faults and hypocrisies.

Crowds and clouds didn't stop people from gathering across the path of totality. Viewers craned their necks and clapped as skies briefly darkened, a sight the U.S. won't see again until 2044.

The judge wrote in his latest ruling that "the ammunition background checks laws have no historical pedigree."

Woods signed a five-year deal worth $40 million when he turned pro in 1996 after his unprecedented third straight U.S. Amateur title. It was shocking money at the time.

"Okalolies" ring in the new year on the world's most remote inhabited island by visiting the population of not quite 250 in masks and making mischief, an annual chance for the community to come together.

As the jolt of adrenaline lit by the clash between the two biggest rappers of a generation fades, it's worth holding onto the possibility — however slim — that something new can grow from the chaos.

A familiar rap character, the Cali hustler cruising in a low-rider, has faded in the 21st century. On new albums by G Perico, Mozzy and Gangrene, that figure is alive and well, living in the margins.

Moumen Nouri left Morocco in search of new experiences in the US. His American dream soon turned into a nightmare after getting into some serious financial trouble in order to keep his San Diego restaurant above water. Moumen talks to us about growing up in Morocco and how a move to Valle de Guadalupe gave him a second chance to fulfill his dream of owning his restaurant. Tune in! @portofentrypod ************** Port of Entry is back after a long hiatus and is excited to share a whole new set of stories with you, this time centered around food and migration. This season we share several stories about how food has changed cities in the borderlands, including episodes on folks who have made Valle de Guadalupe, the famous wine region of northern Baja, their home. Follow hosts Natali Gonzalez and Alan Lilienthal as they sit down with these fascinating people who share their personal and family stories. Listen in and join us! If you like this episode, show us some love @portofentrypod ************** From KPBS and PRX, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Find us on Facebook at www.facebook.com/portofentrypodcast Find us on Instagram or at www.instagram.com/portofentrypod Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Feedback is a gift. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show. Email us at podcasts@kpbs.org. “Port of Entry'' is written, produced and directed by Julio C. Ortiz Franco. Luca Vega is our Technical Producer and Sound Designer. Alisa Barba is our editor. Episodes are translated by Julio C. Ortiz Franco and Natali Gonzales. Elma Gonzalez and M.G. Perez are our Spanish Editors. Lisa Morrisette-Zapp is Director of Audio Programming and Operations and John Decker is the Director of Content Development. This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Students say they suffered broken bones, concussions and other injuries from allegedly aggressive police action breaking up pro-Palestinian protests last week.

The compromise funding package will keep the federal government running through the end of the fiscal year on Sept. 30.