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  • They want the city to make sure all 15 have striped crosswalks, countdown signals and sounds letting pedestrians know whether to wait or go.
  • "Coastal flooding threatens our homes, businesses and overall quality of life," said Imperial Beach Mayor Paloma Aguirre. "This grant allows us to develop targeted strategies to adapt to rising sea levels and improve our community's resilience, ensuring a safer, healthier and more sustainable future for all our residents.
  • In the post-pandemic market for maximalist entertainment, America's "capital of entertainment" has found itself at the center of a cultural revival with A-list residencies at its core.
  • Hola Friends! Port of Entry is showcasing LGBTQ+ stories of the region. In this edition, we sit down with Xaime Aceves Equihua, a therapist, and Drag Artist from the San Diego Tijuana region. Due to rejection he faced early in his life, Xaime found it challenging to allow himself to be who he was until he found an outlet: Drag. He now leads a series of Drag Story Time in the region with his duo, Francisco, to promote visibility and acceptance of queer youth in the region. You won't want to miss this inspiring story! @portofentrypod Xaime is an associate clinical counselor who is providing in-person and telehealth sessions in San Diego, California. Xaime specializes in gender-affirming and bilingual therapy. For more information you can contact by email: xaecounseling@gmail.com Special thanks to Paul Detwiler, Director of the short film “La Reina de los Cuentos” and Fernando Garcia, Editor for allowing us to feature parts of the documentary. ************** Port of Entry has whole new set of stories for you, this time centered around LGBTQ+ issues. This season we dive with our guests on what it means to be queer in the borderlands, finding yourself and fighting for your rights. Follow hosts Natali Gonzalez and Alan Lilienthal as they sit down with these fascinating people who share their stories. Listen in and join us! If you like this episode, show us some love @portofentrypod. ************** From KPBS and PRX, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Find us on Facebook. Find us on Instagram. Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Feedback is a gift. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show. Email us at podcasts@kpbs.org. Port of Entry'' is written, produced and directed by Julio C. Ortiz Franco. Adrian Villalobos is our technical producer and sound designer. Alisa Barba is our editor. Episodes are translated by Julio C. Ortiz Franco and Natali Gonzales. Elma Gonzalez is our Spanish editor. Lisa Morrisette-Zapp is director of audio programming and operations and John Decker is the director of content development. This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people.
  • Conservatives on the court expressed varying degrees of skepticism about the charge of obstructing an official proceeding.
  • A former Venezuelan political prisoner got the idea to create a virtual reality tour from the Anne Frank museum.
  • Join us for an evening of music featuring kotoist June Kuramoto and keyboardist Kimo Cornwell, two artists from the renowned jazz and fusion band Hiroshima. Born in Japan (just outside of Tokyo), and raised in the Crenshaw district of Los Angeles, June epitomizes America's evolving art and music culture. As a child, she longed to return to Japan and found comfort in playing an ancient Japanese instrument– the koto. Almost by destiny, a renowned koto master, the madame Kazue Kudo, protege of Japan's most famous kotoist and composer, Michio Miyagi, relocated to the United States, and began teaching koto– in June's family home. Using her grandmother's koto, June, only six years old, found a 'connection' for her life in the instrument and Japanese music. June has subsequently received all the classical degrees of koto through Kudo-Sensei and authorized by the Miyagi School of Koto in Japan. Along the way, she performed with some of the greatest musicians in the classical world, from Japanese masters to Ravi Shankar. But June is an American artist. She wanted somehow to integrate this music that is her life– with the American culture and music that she loves. June met an eccentric artist-musician named Dan, and they began merging June's koto music with the diverse musical environment of Los Angeles. This was the beginning of Hiroshima. June has since been the driving artistic force of Hiroshima, creating a multi-cultural music statement, while growing into one of the world's greatest kotoists. Keyboardist Kimo Cornwell was born in Honolulu, Hawaii, and of Hawaiian, Chinese and English ancestry. He grew up in Kalihi and graduated from Farrington High School. His love for music made him become an active keyboard player on the islands. After playing and recording with a number of groups in Hawaii, Kimo and his wife Debbie, moved to Los Angeles to try his hand in the 'mainland' music scene. Discovered by touring groups, Kimo hit the road first with Cheryl Lynn, and then with a succesion of artists including Ronnie Laws, Al Jarreau, Maze Featuring Frankie Beverly -- and off and on with L.A. band Hiroshima. Throughout the mid-1980s, Kimo was being pulled by Hiroshima, then Jarreau, then Maze, then Hiroshima, then Maze then . . . you get the picture. Eventually, his head gave way to his heart, and he became th e full-time mainstay with Hiroshima. Working in the capacity of keyboardist, composer, arranger, and producer, he has become part of the heart and soul of their music. Hiroshima is on Facebook Museum of Making Music on Facebook
  • NASA and other federal agencies recently did a tabletop simulation of an Earth-threatening asteroid to see how they'd handle it
  • Relatives of overdose victims felt uncertainty and frustration after the Supreme Court overturned a controversial settlement with Purdue. It could delay funds for communities battling addiction.
  • Join us for an afternoon of music composed or arranged for the Baroque lute on Sunday, January 21, at 2:30 p.m. at the Scripps Miramar Ranch Library Center. The "Pleasure of Your Company" concert series presents lutist Eric Dickerson performing works by Sylvius Leopold Weiss and Johann Sebastian Bach plus other composers. Eric Dickerson holds a Master's Degree in Music Performance from San Diego State University. With over 20 years of musical experience, he has committed himself to preserving the art of Historical Performance Practice, performing Early Music on historical lutes, guitars and mandolin. There is no charge for the concert, which is sponsored by the Scripps Ranch Friends of the Library, although donations are appreciated. Masks are recommended but not required at this time. Scripps Miramar Ranch Library Center is located at 10301 Scripps Lake Drive. Overflow parking is available on Meanley Drive off Scripps Ranch Blvd., from which the library can be easily accessed via a paved walkway. It should be noted that due to a parking lot expansion project, onsite parking is currently somewhat limited. Visit www.srfol.org or call (858) 538-8158 for information.
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