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President-elect Donald Trump has said multiple times that the U.S. should buy Greenland, an autonomous territory of Denmark. The sparsely populated island is geopolitically important and mineral-rich.

The U.K. used coal power to drive the Industrial Revolution and expand the British Empire. It's now the first major economy to quit the fossil fuel, a primary contributor to global warming.

A long-awaited ceasefire in Gaza began after a three-hour delay as Hamas named the three female hostages it plans to free later on Sunday.

On October 4, Birch Aquarium at Scripps Institution of Oceanography at UC San Diego will unveil their latest exhibition blending art and science into one unique experience with "Embodied Pacific: Ocean Unseen" "Embodied Pacific: Ocean Unseen" invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. These installations offer guests the chance to engage in scientific exploration through immersive, interactive experiences. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries. 18 artists across 10 projects come together in one immersive exhibition. Installations include: Archiving an Aquarium, Hans Baumann and James Nisbet + Birch Aquarium Birch Aquarium uses technology to pump, filter and adjust seawater for its animals, simulating a real ocean experience. In this installation, artists Hans Baumann and James Nisbet explore how this technology shapes our understanding of ocean ecologies. Using archival footage and blueprints from the 1992 Hall of Fishes they create a “virtual aquarium” that highlights the evolution of the aquarium's efforts to bring the ocean to the public. Fish Phone Booth, Ash Eliza Smith and Robert Twomey Ash Eliza Smith and Robert Twomey create an interactive audio and sensory media experience where storytelling meets a guided sound bath. This project brings research from ocean acoustics and the internet of animals to life, translating data from outside the limits of human perception into bodily and sonic experiences. How to Look Into the Ocean, Claudine Arendt + Zooglider Large-scale biomorphically shaped sculptures draw us into a dimly lit space. The sculptures, created by Claudine Arendt in collaboration with Scripps Oceanography scientists Mark Ohman (PI of the California Current Ecosystem project) and Sven Gastauer, are snapshots of plankton drifting through ocean water. Guests will interact with these sculptures by touch to bring them into the world of these tiny organisms. Kumeyaay Ha Kwaiyo, Stan Rodriguez with Priscilla Ortiz, Andrew Pittman and Nan Renner In the Ha Kwaiyo installation, a mid-size tule boat (by Priscilla Ortiz) hangs above guests, as if floating on the ocean surface. A nearby film by Andrew James Pittman tells the behind-the-scenes story of how boatmaking embodies Indigenous resilience, resistance and revival. La Jolla Forest, Dwight Hwang and Oriana Poindexter + Mohammad Sedarat of the Smith Laboratory La Jolla Forest is an immersive artwork created by Oriana Poindexter and Dwight Hwang to highlight both the beauty and the fragility of Giant Kelp. The installation draws attention to the biodiversity of La Jolla’s marine ecosystems by blending their expertise in cyanotype creation and traditional Japanese Gyotaku fish printing. Mosaic Ocean, Judit Hersko + Jaffe Laboratory In Mosaic Ocean, Judit Hersko explores the diversity of zooplankton by blending traditional and cutting-edge technology. In this installation, guests view images of plankton through the portals of multiple stereographic lenses, a plankton-observation methodology developed by Scripps Oceanography researcher Jules Jaffe. Our Worlds, Catherine Eng and Kilma Lattin Our Worlds is an immersive storytelling application by Catherine Eng and Kilma Lattin that uses augmented reality technology to overlay interactive Indigenous narratives onto real-world locations. Through this app, guests will unlock stories, videos and 3D models of tule boats and Kumeyaay oceangoing stories, narrated by Embodied Pacific artist and educator Stan Rodriguez. Passengers of Change, Danielle McHaskell, Joe Riley and Audrey Snyder + the Smith Laboratory An invasive species can act as both a “driver” and a “passenger” in ecosystems. In this collaboration with marine ecologist Danielle McHaskell, the artists investigate whether global shipping has turned the algae Wakame into a major invasive species. Guests will explore how human trade affects marine ecosystems and reflect on our role in this process. R/P FLIP R.I.P., Rachel Mayeri + FLIP The FLoating Instrument Platform (FLIP) debuted in 1963 as a first-of-its-kind strategy for understanding ocean water columns. To shed light on FLIP’s second act as a marine acoustics platform, Rachel Mayeri – in collaboration with humanities scholars Deborah Forster and David Serlin and Scripps staff – produced a large-scale triptych video artwork to take us inside the recently decommissioned vessel through new and archival footage. Superradiance. Embodying Earth., Memo Akten and Katie Peyton Hofstader + SOARS Superradiance. Embodying Earth. is a data dramatization of complex ocean simulations, distilled and re-imagined in the form of abstract visuals and sounds inspired by the Scripps Ocean Atmosphere Research Simulator (SOARS). SOARS is a 120-foot-long wave tank researchers use to replicate and study air and sea interactions under controlled laboratory conditions. Unbleached, Scott McAvoy + Sandin and Smith Laboratories Unbleached is a digitization and visualization of key coral reef environments over time. Projected video re-creates coral clusters at Palmyra Atoll, a small island in the central Pacific Ocean, on a 3D printed reef to explore changes to the reef over time. This installation was created in collaboration with the Sandin and Smith Laboratories and archaeologist Dominique Rissolo and the 100 Island Challenge. "Embodied Pacific: Ocean Unseen" is one of the six locations of "Embodied Pacific" which features projects by 30 artists working with researchers in laboratories, field sites and archives in Southern California and the Pacific Islands. This partnership between UC San Diego Visual Arts and Birch Aquarium at Scripps invites immersive engagement in oceanography, Indigenous design and critical craft through exhibitions, workshops and programs. "Embodied Pacific" is among more than 70 exhibitions and programs presented as part of PST ART. PST ART is a groundbreaking cultural collaboration.  Every five years, PST ART unites hundreds of artists around a single, electrifying theme at more than 70 exhibition spaces. While the theme is different each time, the heart of PST ART is always the distinctive cultural identity of Southern California, and the universal hunger for artistic and intellectual discovery. In a region famed for its films and theme parks, PST ART provides a different kind of gripping experience — and the most distinctively Southern Californian of all. Birch Aquarium is open daily and "Embodied Pacific: Ocean Unseen" is included with General Admission. Visit aquarium.ucsd.edu for more information including the Daily Schedule. Birch Aquarium at Scripps on Facebook / Instagram

About Jonesy Jones Jonesy Jones is an internationally touring entertainer who indulges in her craft to provide a phenomenal experience for the audience. For over 10 years, she has been a vocalist, trombonist, bongocera artist, tap dancer, radio voice over artist, model, and the lead vocalist for the Crowned Jewelz Band. Her high flying energy on stage can be felt throughout the entire performance, and her soulful rhythm and melodies are sure to lull any audience into a feel good vibe. Jonesy Jones has been involved in dance since the age of 10. Yolanda began teaching beginner Tap dance and Hip-Hop dance under Lynn Brown at Prima Dance Studios at the age of 16. She also taught modern hip-hop and Tap Dance at Midtown Dance Studios and Mobile Contemporary Dance Studios. Stay Connected with Books & Records on Facebook!

In bringing the Smithsonian’s "The Bias Inside Us" exhibition to campus, California Western School of Law (CWSL) is creating the space for critical conversations on the intersections of bias, privilege, law, and justice. As part of this ongoing community engagement project, CWSL is proud to announce that we will be hosting a panel featuring Professor Emily Behzadi Cárdenas and George Fatheree, in which they will discuss the long-term impacts of bias and racial discrimination on property ownership and what can be done to shift the material conditions of historically marginalized communities. George Fatheree is a social impact entrepreneur and trailblazing attorney committed to closing the wealth gap through home ownership. He is most notably recognized for securing the landmark return of the Bruce’s Beach property, marking the first time that the U.S. government has returned property taken by racially motivated eminent domain. Professor Behzadi Cárdenas’s scholarship revolves around the convergence of cultural heritage law, human rights, and social justice. Her recent publication, National Security or National Origin? The Implications of Florida’s Alien Land Law Under the Federal Fair Housing Act, addresses ongoing efforts to codify discriminatory housing practices, exposing the cultural biases that underly them. This event is both in-person and virtual. Virtual registrants will receive the Zoom link prior to the event (MUST RSVP to receive the link). This event is made possible in part by the Law, Equity, Inclusion, and Diversity fund. "The Bias Inside Us"—an exhibition and community engagement project from the Smithsonian—is an exploration of the science and consequences of implicit bias and an opportunity to learn how to challenge bias in the world through awareness of one’s own bias. Disclaimer: Photographs and/or videos will be taken at this event. By taking part in this event, you consent to having your image captured by official photographers and videographers for California Western School of Law (CWSL). You also grant CWSL, the Smithsonian, and their exhibition partners full rights to use the resulting images for publicity or other purposes, without any compensation to you. This might include (but is not limited to), the right to use images in printed and online publicity, website, social media, and press releases. If you do not wish your image to be captured at this event, please alert the Marketing and Communications team (communications@cwsl.edu). Credit: "The Bias Inside Us" is organized by the Smithsonian Institution Traveling Exhibition Service. Major support is provided by The Otto Bremer Trust. Local support provided by San Diego Foundation and the Law, Equity, Inclusion, and Diversity fund. For more information visit: cwsl.edu

NPR's Leila Fadel speaks with Amanda Cote of Michigan State University about Princess Zelda being cast as the protagonist for the first time in a main "Legend of Zelda" game.

The move could save money and increase water reliability for both communities.

Moldovans will vote for a new president and on a constitutional amendment regarding its path to the EU. Both votes will take place amid accusations of Russian meddling, vote buying and disinformation.

It's common for young people leaving jails and prisons to end up back behind bars, often after lapses related to untreated mental illness or substance abuse. A new law will help them get Medicaid.