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In bringing the Smithsonian’s "The Bias Inside Us" exhibition to campus, California Western School of Law (CWSL) is creating the space for critical conversations on the intersections of bias, privilege, law, and justice. As part of this ongoing community engagement project, CWSL is proud to announce that we will be hosting a panel featuring Professor Emily Behzadi Cárdenas and George Fatheree, in which they will discuss the long-term impacts of bias and racial discrimination on property ownership and what can be done to shift the material conditions of historically marginalized communities. George Fatheree is a social impact entrepreneur and trailblazing attorney committed to closing the wealth gap through home ownership. He is most notably recognized for securing the landmark return of the Bruce’s Beach property, marking the first time that the U.S. government has returned property taken by racially motivated eminent domain. Professor Behzadi Cárdenas’s scholarship revolves around the convergence of cultural heritage law, human rights, and social justice. Her recent publication, National Security or National Origin? The Implications of Florida’s Alien Land Law Under the Federal Fair Housing Act, addresses ongoing efforts to codify discriminatory housing practices, exposing the cultural biases that underly them. This event is both in-person and virtual. Virtual registrants will receive the Zoom link prior to the event (MUST RSVP to receive the link). This event is made possible in part by the Law, Equity, Inclusion, and Diversity fund. "The Bias Inside Us"—an exhibition and community engagement project from the Smithsonian—is an exploration of the science and consequences of implicit bias and an opportunity to learn how to challenge bias in the world through awareness of one’s own bias. Disclaimer: Photographs and/or videos will be taken at this event. By taking part in this event, you consent to having your image captured by official photographers and videographers for California Western School of Law (CWSL). You also grant CWSL, the Smithsonian, and their exhibition partners full rights to use the resulting images for publicity or other purposes, without any compensation to you. This might include (but is not limited to), the right to use images in printed and online publicity, website, social media, and press releases. If you do not wish your image to be captured at this event, please alert the Marketing and Communications team (communications@cwsl.edu). Credit: "The Bias Inside Us" is organized by the Smithsonian Institution Traveling Exhibition Service. Major support is provided by The Otto Bremer Trust. Local support provided by San Diego Foundation and the Law, Equity, Inclusion, and Diversity fund. For more information visit: cwsl.edu

About Jonesy Jones Jonesy Jones is an internationally touring entertainer who indulges in her craft to provide a phenomenal experience for the audience. For over 10 years, she has been a vocalist, trombonist, bongocera artist, tap dancer, radio voice over artist, model, and the lead vocalist for the Crowned Jewelz Band. Her high flying energy on stage can be felt throughout the entire performance, and her soulful rhythm and melodies are sure to lull any audience into a feel good vibe. Jonesy Jones has been involved in dance since the age of 10. Yolanda began teaching beginner Tap dance and Hip-Hop dance under Lynn Brown at Prima Dance Studios at the age of 16. She also taught modern hip-hop and Tap Dance at Midtown Dance Studios and Mobile Contemporary Dance Studios. Stay Connected with Books & Records on Facebook!

The air has improved in the LA region as firefighters get blazes under control, but there are questions about how safe the air actually is.

A large area of greater Los Angeles had unhealthy air Friday, due to particulate matter from large wildfires. Here are tips for breathing cleaner air indoors if it's smoky outside.

President-elect Donald Trump asked the Supreme Court on Friday to pause the potential TikTok ban from going into effect until his administration can pursue a "political resolution" to the issue.

Questlove's newest documentary features interviews and clips from 50 years of musical performances on Saturday Night Live.

On October 4, Birch Aquarium at Scripps Institution of Oceanography at UC San Diego will unveil their latest exhibition blending art and science into one unique experience with "Embodied Pacific: Ocean Unseen" "Embodied Pacific: Ocean Unseen" invites you to explore Scripps Institution of Oceanography and Indigenous science through the eyes of contemporary artists. These installations offer guests the chance to engage in scientific exploration through immersive, interactive experiences. Collectively, the exhibition asks us to consider how ocean science technology is not just about “high-tech” but also very much about the tools we use to shape our understanding of the ocean’s unseen mysteries. 18 artists across 10 projects come together in one immersive exhibition. Installations include: Archiving an Aquarium, Hans Baumann and James Nisbet + Birch Aquarium Birch Aquarium uses technology to pump, filter and adjust seawater for its animals, simulating a real ocean experience. In this installation, artists Hans Baumann and James Nisbet explore how this technology shapes our understanding of ocean ecologies. Using archival footage and blueprints from the 1992 Hall of Fishes they create a “virtual aquarium” that highlights the evolution of the aquarium's efforts to bring the ocean to the public. Fish Phone Booth, Ash Eliza Smith and Robert Twomey Ash Eliza Smith and Robert Twomey create an interactive audio and sensory media experience where storytelling meets a guided sound bath. This project brings research from ocean acoustics and the internet of animals to life, translating data from outside the limits of human perception into bodily and sonic experiences. How to Look Into the Ocean, Claudine Arendt + Zooglider Large-scale biomorphically shaped sculptures draw us into a dimly lit space. The sculptures, created by Claudine Arendt in collaboration with Scripps Oceanography scientists Mark Ohman (PI of the California Current Ecosystem project) and Sven Gastauer, are snapshots of plankton drifting through ocean water. Guests will interact with these sculptures by touch to bring them into the world of these tiny organisms. Kumeyaay Ha Kwaiyo, Stan Rodriguez with Priscilla Ortiz, Andrew Pittman and Nan Renner In the Ha Kwaiyo installation, a mid-size tule boat (by Priscilla Ortiz) hangs above guests, as if floating on the ocean surface. A nearby film by Andrew James Pittman tells the behind-the-scenes story of how boatmaking embodies Indigenous resilience, resistance and revival. La Jolla Forest, Dwight Hwang and Oriana Poindexter + Mohammad Sedarat of the Smith Laboratory La Jolla Forest is an immersive artwork created by Oriana Poindexter and Dwight Hwang to highlight both the beauty and the fragility of Giant Kelp. The installation draws attention to the biodiversity of La Jolla’s marine ecosystems by blending their expertise in cyanotype creation and traditional Japanese Gyotaku fish printing. Mosaic Ocean, Judit Hersko + Jaffe Laboratory In Mosaic Ocean, Judit Hersko explores the diversity of zooplankton by blending traditional and cutting-edge technology. In this installation, guests view images of plankton through the portals of multiple stereographic lenses, a plankton-observation methodology developed by Scripps Oceanography researcher Jules Jaffe. Our Worlds, Catherine Eng and Kilma Lattin Our Worlds is an immersive storytelling application by Catherine Eng and Kilma Lattin that uses augmented reality technology to overlay interactive Indigenous narratives onto real-world locations. Through this app, guests will unlock stories, videos and 3D models of tule boats and Kumeyaay oceangoing stories, narrated by Embodied Pacific artist and educator Stan Rodriguez. Passengers of Change, Danielle McHaskell, Joe Riley and Audrey Snyder + the Smith Laboratory An invasive species can act as both a “driver” and a “passenger” in ecosystems. In this collaboration with marine ecologist Danielle McHaskell, the artists investigate whether global shipping has turned the algae Wakame into a major invasive species. Guests will explore how human trade affects marine ecosystems and reflect on our role in this process. R/P FLIP R.I.P., Rachel Mayeri + FLIP The FLoating Instrument Platform (FLIP) debuted in 1963 as a first-of-its-kind strategy for understanding ocean water columns. To shed light on FLIP’s second act as a marine acoustics platform, Rachel Mayeri – in collaboration with humanities scholars Deborah Forster and David Serlin and Scripps staff – produced a large-scale triptych video artwork to take us inside the recently decommissioned vessel through new and archival footage. Superradiance. Embodying Earth., Memo Akten and Katie Peyton Hofstader + SOARS Superradiance. Embodying Earth. is a data dramatization of complex ocean simulations, distilled and re-imagined in the form of abstract visuals and sounds inspired by the Scripps Ocean Atmosphere Research Simulator (SOARS). SOARS is a 120-foot-long wave tank researchers use to replicate and study air and sea interactions under controlled laboratory conditions. Unbleached, Scott McAvoy + Sandin and Smith Laboratories Unbleached is a digitization and visualization of key coral reef environments over time. Projected video re-creates coral clusters at Palmyra Atoll, a small island in the central Pacific Ocean, on a 3D printed reef to explore changes to the reef over time. This installation was created in collaboration with the Sandin and Smith Laboratories and archaeologist Dominique Rissolo and the 100 Island Challenge. "Embodied Pacific: Ocean Unseen" is one of the six locations of "Embodied Pacific" which features projects by 30 artists working with researchers in laboratories, field sites and archives in Southern California and the Pacific Islands. This partnership between UC San Diego Visual Arts and Birch Aquarium at Scripps invites immersive engagement in oceanography, Indigenous design and critical craft through exhibitions, workshops and programs. "Embodied Pacific" is among more than 70 exhibitions and programs presented as part of PST ART. PST ART is a groundbreaking cultural collaboration.  Every five years, PST ART unites hundreds of artists around a single, electrifying theme at more than 70 exhibition spaces. While the theme is different each time, the heart of PST ART is always the distinctive cultural identity of Southern California, and the universal hunger for artistic and intellectual discovery. In a region famed for its films and theme parks, PST ART provides a different kind of gripping experience — and the most distinctively Southern Californian of all. Birch Aquarium is open daily and "Embodied Pacific: Ocean Unseen" is included with General Admission. Visit aquarium.ucsd.edu for more information including the Daily Schedule. Birch Aquarium at Scripps on Facebook / Instagram

President Joe Biden is moving to ban new offshore oil and gas drilling in most U.S. coastal waters, an effort to block possible action by the incoming Trump administration to expand offshore drilling.

Don't buy, sell, or invest in real estate without watching this webinar live on Wednesday, Oct. 25 at 5:30 p.m.! Tune in for all New Data and insights into the economy and how it is impacting our real estate market. ⁠You can't afford to miss this! The information shared here has helped people become multi-millionaires - it is essential insights you won't hear anywhere else. We'll cover:⁠ Interest rates - where are they headed and how does this impact real estate? San Diego real estate prices - will they ever go down? Inventory - when will there be more? Sales prices - are they going down this year? Big military and corporate developments - where are all the jobs at and why does this matter for real estate?⁠ Investment mindset - is now still a good time to invest?⁠ Remember the key -- real estate is hyper-local. It's essential you block out the national noise and tune into local data to know what is happening in our market now. ⁠ During this interactive and engaging webinar, Patrick Kappel of the Kappel Realty Group will paint an economic picture of the San Diego market utilizing the latest data, graphs, charts, and information collected from numerous sources to provide you with a clear image of the current real estate market and San Diego's economic outlook for the year. Hear all new data and forecasts! After this webinar, you will better understand: San Diego's Local Economy How the national and local economy impacts real estate Demographic and industry trends and why this influences our local real estate market Top areas for development The Kappel Realty Group is a Platinum Real Estate Team in San Diego County, placing it in the top 1% percent of all real estate groups in the County and top 1% in the United States. This webinar is taught by Patrick Kappel, named by the San Diego Business Journal as one of the 50 most influential residential real estate leaders of 2021. Patrick is a top 1% Realtor in San Diego County and the 2020 San Diego Team Realtor Leader of the Year by the San Diego Association of Realtors. He graduated from the U.S. Naval Academy with a Bachelor's degree and continued his education at UCLA, where he received his MBA with a focus on finance and entrepreneurship. He then earned a Masters Degree in Real Estate from the University of San Diego. His combined years of academic and practical knowledge have given him the necessary skills to become a trusted teacher and advisor to his clients. Patrick Kappel⁠, Kappel Realty Group, Compass "We use data and education to move you" patrick.kappel@compass.com⁠ www.kappelrealtygroup.com DRE#: 02017034⁠ Equal Housing Opportunity For more information visit: kappelrealtygroup.com/webinars Stay Connected on Facebook

Leonard Riggio transformed the publishing industry by building Barnes & Noble into the country’s most powerful bookseller before his company was overtaken by the rise of Amazon.