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  • Macabre Mysterium Presents: "Love at first SLASH!" Roses Are Red, Violets Are Black, Watch Your Step—There’s a Slasher in the back! This Friday the 13th, love comes with a scream. Step into a night where Valentine’s lace tangles with campy slasher bloodlust—because romance has never been so deadly. Date & Time: February the 13th, 2026 | 5 p.m. – 10 p.m. 20+ vendors with eerie, twisted, and heart-stopping creations. The Body Art Bus returns with killer flash tattoos. Blasting rad tunes all night long. Raffles & frightful fun await. New Location: The Lost Abbey 1347 Keystone Way, Ste C Vista, CA 92081 Come dressed in your blood-stained best—whether you’re a doomed lover, final girl, or masked killer, the night is yours to slay. Because sometimes… love doesn’t just break your heart. It slashes it. Visit: https://www.eventbrite.com/e/love-at-first-slash-tickets-1751796353049?aff=ebdssbdestsearch
  • D.K. Harrell Guitarist, vocalist and songwriter D.K. Harrell, one of the most formidable young stars of the current blues resurgence, sounds like no one else on the scene today. With his stinging, single-note string bending, deep soul vocals, and attention-grabbing original songs, the 27-year-old Harrell—a major draw at blues festivals around the world—is already in a league of his own. Now, with his Alligator Records debut album, "Talkin’ Heavy," D.K. Harrell cements his place among the leading voices of the new generation of blues players. This Blues Music Award-winning guitarist with a soul man’s voice and a well-earned reputation as a mesmerizing live performer delivers fresh, emotion-packed blues informed by the tradition he loves and played with the foot-pounding fervor of a revival tent preacher. "Talkin’ Heavy" continually surprises with twelve instantly memorable original songs filled with Harrell’s biting guitar work and authoritative, church-born vocals. Produced by studio wizard and musician Christoffer “Kid” Andersen and recorded at Andersen’s now-famous Greaseland Studio, the album shows Harrell as a generational guitar talent with a wide-eyed vision and a street-smart singing style bringing life to the timeless songs he’s writing. He goes deep on the title track, taking a hard look at his surroundings before declaring, “the world is just heavy with the blues.” From blazing album opener "A Little Taste" to the proudly taking-care-of-business "Grown Now" to the feel-good groove of "Vibe With Meto" the foot-stomping closer "Praise These Blues," "Talkin’ Heavy" is an affirmation of the sheer power of modern blues. "With every exuberant turn of phrase, and each sharp guitar lick, the Louisiana born showman displays a pure joy in performing that’s hard to resist. 'Talkin’ Heavy' combines all manner of sounds in one supremely satisfying, engaging package…robust yet relaxed singing and fluid yet piercing fretwork. Ultimately, Harrell’s greatest talent is just being his own larger-than-life self.
" –No Depression "The tube-cookin’, Louisiana-bred guitarist brings the sizzle to 'Talkin’ Heavy,' his new album of Delta-meets-Chicago blues. Harrell makes his mark by wringing every ounce of emotion from a single note before extending the thought with the first of many lyrical, slow-burning, well-crafted guitar solos." –Guitar World "'Talkin’ Heavy' is the joyous sound of a one-man revival. Harrell’s vocals are smooth yet forceful, and his authoritative guitar work — stinging and soulful leads that serve as memorable songs within songs — hits the sweet spot every time." –Guitar Player "Jubilantly raucous, musically adventurous, biting and exploratory…enriched by unselfconscious virtuosity…a leading light of the younger generation of the younger generation of blues artists" –Living Blues "D.K. Harrell is a fast-rising blues dynamo…One of the most talented and exciting young blues artists to emerge in decades." –San Diego Union Tribune TARYN DONATH DUO An accomplished musician who has been performing professionally for over 25 years, Taryn has an incredibly commanding performance style….each live performance is exciting and spontaneous. Her piano playing is tenacious and purposeful, while her voice is smooth, sultry, and unique to her. Taryn lights up the stage every time she plays. Currently, Taryn has been performing as a duo with a drummer… Fresh, unique and exciting the two play anything from 60’s soul jazz, funk, jump/swing, Latin, and their own term of beatnik blues taking the listener on a musical adventure. With an unwavering left hand, a right hand that weaves in and out effortlessly, and a backbeat as solid as a rock, the Duo has a sound larger than life. Each performance is different from the last, capturing the moods of the players. The two are not bound by rules, but instead have a desire to express their own musical voice and deliver something captivating. “I look forward to creating something unique each time I play.”- Taryn D.K. Harrell on Facebook / Instagram
  • Jan. 10, 2026 from 10 a.m. – 6:30 p.m. An intimate short film festival, listed on IMDb, The San Diego Short Film Festival (SDSFF) celebrates the art of storytelling through short films of various genres, showcasing the work of talented filmmakers from San Diego and around the world. From thought-provoking dramas to captivating animations, the festival presents a rich tapestry of storytelling, offering a platform for emerging and established filmmakers to showcase their craft for fellow film enthusiasts. SDSFF consists of five distinct blocks of short films. Several of the filmmakers and industry professionals will be in attendance to discuss their work and answer a few questions during festival red carpet interviews and social events. Block I: 10:00 a.m. to 11:30 a.m.“Right On!” (14:55) directed by Dave Rosas “Betty & Mary: The Actors Prepare” (11:41) directed by America Young “Lone Crew” (17:06) directed by Gabriel Fontes “Nectar” (2:34) directed by Lucas Arthur Massolo & Hannah Tacher “The Shell” (6:22) directed by Marco Santos “The Family Photo” (8:48) directed by John Norris Ray & Maria Victoria Sanchez “Deficit” (2:20) directed by Jacob Willett “Greyson 2.0” (26:19) directed by Clarke M. Smith Intermission (15 minutes) Block II: 11:45 p.m. to 1:15 p.m.“Refuge” (7:57) directed by Joaull Bazil “Head” (6:00) directed by Keith Ruggiero “Our Place” (8:41) directed by Jacob Willett “Let Me Go” (6:34) directed by Diego McNally “The Distance of Time” (1:54) directed by Mitch Greer “Redraw” (14:25) directed by Marcos Rangel “Small Things”(11:30) directed by Angela Andronache “Strange Anomalies” (33:00) directed by Kevin Gray Intermission (15 minutes) Block III: 1:30 p.m. to 3:00 p.m.“Unfrayed” (7:40) directed by Michelle Muldoon “No Worries!” (2:00) directed by Chris Dicker “Sunny-Man” (6:59) directed by Sandeep Reddy Sama “Soda Gardocki – Waltzes, Trains, Wires & Wood” (3:15) directed by Jessica Moncrief “Memory Room” (15:40) directed by Dan McCabe & Raanan Hershberg “Date” (10:25) directed by Soufiane Benyoucef “Out of the Box” (15:10) directed by Hsu Chien “Buddah Made me Do This” (5:00) directed by Julie Li “XOXOXO” (13:08) directed by Dylan Baldoni “Believe In Love” (5:05) directed by Stacey Simon “Scaffold” (6:00) directed by Chris Chichester Intermission (15 minutes) Block IV: 3:15 p.m. to 4:45 p.m.“Why Dogs Howl” (4:51) directed by Sandi Johnson “Test” (15:30) directed by Mikaeel Dayani “Homecoming” (8:12) directed by Joaull Bazil “Lotería” (1:51) directed by Nathan Gibbs “Hooper’s Hope” (7:58) directed by Stuart Todd Stolp “Ana Sofia” (20:00) directed by Beto Besant & Mayara Magri “Windansea” (11:21) directed by Trevor Eisner “Press Record” (14:00) directed by John Mollison & Dalton Coffey “The Tower” (7:50) directed by Ethan Zell Intermission (15 minutes) Block V: 5:00 p.m. to 6:30 p.m.“Who Did This?” (3:50) directed by Zhang Qu “You Are My Sun” (5:02) directed by Bobby (Shibo) Yu “The Shallow End” (6:50) directed by Eddie Kisfaludy “Happy Ending” (6:39) directed by Ethan Kinney “Hitman Ex” (5:37) directed by Jamon Holmes “Ominous” (8:52) directed by Archita Mandal “Still” (15:21) directed by David M. Parks “The Perfect Fit” (7:20) directed by Warren Workman “The Sea Never Forgets” (12:30) directed by Thomas Pace “Brinquedoteca, Mauro’s Magical Workshop” (20:00) directed by Marcio Rosario
  • Jan. 8, 9 & 10, 2026 Concerts Begin at 7:30 p.m. Doors Open at 7 p.m. The annual soundON Festival returns! Presented by San Diego New Music and the Athenaeum Music & Arts Library, this year’s lineup showcases cutting-edge contemporary music by a global roster of composers, along with music by friends of the festival, such as Juan Campoverde Q. Authors like Roberto Calasso, J.R.R. Tolkien, and Robert Graves impress upon us the vitality of a grammar of mythologies, not just as fantasy, but as a way of contemplating our own nature, identity, and destiny. Sometimes we create our own myths—stories in our consciousness that stand the test of time—that inform our beliefs, attitudes, and values. The territory spanned by the corridor of our existence may be bordered by history on one side and myth on the other. Through three nights of captivating music, the 18th edition of the soundON Festival will travel this enigmatic terrain. Athenaeum Music & Arts Library on Facebook / Instagram
  • Join us for an opening reception for "Lightwall," an interactive installation that explores perception, presence, and the evolving relationship between humans and responsive technologies. Developed by artist Rita Sus in collaboration with technologist Zach Rattner and students from California State University, Fullerton, "Lightwall" integrates kinetic sculpture, custom electronics, and artificial intelligence to create an environment that responds in real time to visitors’ movement and sound. As audiences engage with the installation, shifting light patterns and rotating prisms generate continuously changing visual conditions, positioning the viewer as an active participant in the work. The opening reception offers an opportunity to experience "Lightwall" firsthand and to engage with a project that reflects the Museum’s commitment to presenting contemporary art at the intersection of art, technology, and education. This event is free and open to the public. California Center For The Arts, Escondido on Facebook / Instagram
  • All aboard for the Jingle Belle Family Cruise featuring Santa – a San Diego holiday tradition on Mission Bay! Delight in the sounds of cheerful Christmas carolers and visit the cash bar for fresh-baked cookies and seasonal sips. Little ones can dive into interactive holiday crafts, while the whole family captures the magic with a special photo alongside Santa himself. This merry cruise is the perfect way to create lasting memories together. A portion of the event's proceeds benefits Mama's Kitchen, a San Diego nonprofit that provides medically tailored meals to individuals and families vulnerable to malnutrition due to critical illness. Visit: https://www.bahiahotel.com/event/jingle-belle-cruise Bahia Resort Hotel on Instagram and Facebook
  • February 7 – March 8, 2026 Donald and Darlene Shiley Stage Old Globe Theatre Conrad Prebys Theatre Center World premiere: "Henrik Ibsen’s Hedda Gabler" In a new version by Erin Cressida Wilson Directed by Barry Edelstein Film, television, and stage star Katie Holmes (Broadway’s "Our Town," Off Broadway’s "The Wanderers") brings to life a landmark role in one of the defining masterpieces of world drama. Hedda and Tesman have just returned from their honeymoon—and the cracks in their marriage are already showing. Bored and restless, Hedda tries to control those around her. But as her schemes tighten, her own world begins to unravel. Artistic Director Barry Edelstein, reuniting with Holmes in a vivid new version by Erin Cressida Wilson ("Secretary," "The Girl on the Train"), brings a fresh and emotionally charged lens to this Ibsen classic. "Henrik Ibsen’s Hedda Gabler" is supported by Presenting Sponsors Jean and Gary Shekhter, Lead Production Sponsors Elaine Bennett Darwin, The Sheryl and Harvey White Foundation in honor of Harvey White, and The Erna Finci Viterbi Artistic Director Fund, Production Sponsor Darlene Marcos Shiley, and by Lead Artist Sponsor George C. Guerra (for Katie Holmes as Hedda Gabler). The Old Globe is funded in part by City of San Diego Cultural Affairs. The Theodor and Audrey Geisel Fund provides leadership support for The Old Globe’s year-round activities. Tickets go on sale Friday, Jan. 9, 2026 at Noon. You can secure your seats now with a season subscription, which offer discounts and exclusive benefits. Click here for more information. BOX OFFICE PHONE: (619) 234-5623 The Old Globe on Facebook / Instagram
  • Open Studio: Farshid Bazmandegan Saturday, January 10, 2026 | 5 p.m. — 7 p.m. Location: CH Visual Art Studio (In the Administration building across from the Museum) The California Center for the Arts Museum invites the public to a culminating open studio with Farshid Bazmandegan, marking the conclusion of his 2025—26 artist residency. This open studio offers visitors an opportunity to engage with Bazmandegan’s research, materials, and work in progress, providing insight into an evolving practice shaped by memory and displacement. During the residency, Bazmandegan has been developing a new body of work rooted in a childhood memory of a painting of a black horse that once hung in his family home in Iran. Through sculpture and digital media, he explores fantasy as a method for navigating exile and imagining return. The works on view during the open studio represent an active phase of inquiry rather than a finished presentation. Bazmandegan will continue to develop this project over the coming year, with the completed body of work to be presented as part of the 2025–26 In Studio Artist Residency exhibition, opening June 5, 2026. Farshid Bazmandegan on Instagram
  • Philip Petrie and Jim Richerson have been in dialogue about art and museum installations for over 30 years but this is the first time these two artists have exhibited together. Both are interested in ambiguities of meaning and form and how these ambiguities can yield new meanings. Richerson, a sculptor, has created a whole series of works around the word “if” which play with scale and materials (including mirrors) to express the possibilities implied in that word. The pieces are concrete and formally precise but suggest a slippage in terms of identity and, with that, humor. Petrie’s black and white drawings are part of a series he calls “Epic Fail” which reference our troubled times. He tackles political, religious, and personal elements which are translated into dream images that are dark, surrealistic, and abstracted. Showing together both artists hope to point out similarities and differences between the works which deepen the viewers’ experience and reference the particular hinge moment that we live in. Gallery Hours: Thursdays 2-5 p.m. and Saturdays 2-5 p.m. and by appointment Opening Reception: Sat. Jan. 17 2-5 p.m. Closing Reception: Sat. Feb. 28 2-5 p.m.
  • First, we tell you the factors that led to the city entering into 2026 with a budget deficit. Then, a KPBS analysis found a big change and shift between Imperial County’s last two elections. Also, San Diego is one of three cities bidding to host the 2029 Invictus Games. Lastly, we speak to KPBS reporter John Carroll for this week’s Pod Behind the Package.
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