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  • For musicians like Rhiannon Giddens and Rissi Palmer, trying to break down doors in the folk and country music scenes has been a long road. A festival in Durham this weekend aims to remedy that.
  • Hurricane Katrina exposed longstanding flaws in the New Orleans criminal justice system. In the 20 years since, there has been dramatic change in the public defender office.
  • NPR is tracking the record number of lawmakers in Congress who have already announced they don't plan to run for reelection ahead of the 2026 midterms.
  • Apple TV+ must be happy about how many nominations they've raked in this year for hit shows including Severance and The Studio, NPR critic Linda Holmes says.
  • As painters, we need to know basic color theory and color mixing to make our work look vibrant and alive. In this class we will explore the four basic ideas behind color and the ways we mix and make it all work for successful paintings. We will deal with primary colors, building blocks for all hues; secondary colors, created from two primary colors; and tertiary colors, formed by mixing a primary and a secondary—as well as hue, value, and color temperature. Our class will create color studies using the classic color wheel. This is about color and color relationships in our compositions. We will do a color study and then a full painting from that study—for example, making a green color chart, then making a painting in greens, or a color chart in earth tones, then a painting in earth tones. There are new exercises for painters who have taken this class in the past. Come join us; all levels are welcome. Let’s explore this informative and exciting subject. We are going to have a lot of fun, along with learning, and you will have charts to refer to for years to come. Materials: Oil or acrylic paint: Titanium White, Cadmium Yellow Light or Pale, Cadmium Yellow/Orange (from the Winton range by Winsor & Newton), Cadmium Yellow Deep, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue Hue (by Winton), Viridian Green Hue, Burnt Umber, Raw Umber, Raw Sienna, Burnt Sienna, Yellow Ocher, Dioxazine Purple, Quinacridone Magenta, Black. Brushes: hog-hair bristles in flats, #2, 4, 6, 8. Other: disposable 12” x 16” paper palette pad; odorless Turpenoid and linseed oil for oil paint; Masterson plastic, 12” x 16” box with blue lid to keep paints moist; soft, thin vine charcoal; 2” blade palette knife (no bigger!); Silicoil jar with spring inside; two tall canisters, one to hold clean brushes and one to hold used brushes; paper towels; 12” x 16” canvas pad; sketchbook. Please email me at sharoncaroldemery@gmail.com if you have any questions. I am always happy to help. Max students: 13 Visit: https://www.ljathenaeum.org/
  • Mondays, May 12 - June 2, 2025 at 10 p.m. on KPBS TV. This is a four-part series revealing the unknown history of America's Wild West. Beyond gunslingers and lawmen, we meet the diverse pioneers who shaped the country, including Black and Hispanic cowboys, female homesteaders, immigrants, and tribal leaders.
  • Logan Lerman and Molly Gordon say the line between love and horror is a thin one.
  • Thousands of newly discovered fragments, which once adorned a high-status Roman building, offer an unprecedented glimpse into the artistic sophistication and daily life of ancient Londinium.
  • Grand Opening JWL ART DESIGNS by Joel White Art Gallery and Studio 4 p.m. to 8 p.m., May 2, 2025 and May 3, 2025 May 2, 2025 from 4 p.m. to 8 p.m., (Music by Gregory Page from 5 p.m. to 7 p.m.) May 3, 2025 from 4 p.m. to 8 p.m., (Music by Gregory Page from 5 p.m. to 7 p.m.) Black and white, pen and ink abstracts and highly stylized representations, minimalist to elaborate. Thanks to Funding provided by Arts District Liberty Station. Visit: https://libertystation.com/do/grand-opening-art-studio-and-gallery-jwl-art-designs
  • UCSD professors Caroline Collins and Angela Booker discuss our current exhibition, "Take Me to the Water: Histories of the Black Pacific." The exhibit re-centers the relationship between Black folks, water, and ships revealing the deep and historic connection between people of African descent and the Pacific Ocean. Most accounts of U.S. maritime histories are disproportionately populated by white seafarers. Yet, from the 16th to the 20th century, Black whalers, commercial mariners, fishers, explorers, soldiers, and sailors traveled the high seas along the Pacific Coast. The exhibit explores the stories of these mariners, their impact in shaping the American Pacific, and their legacy in the context of development of society and identity. Library event website https://mysdpl.org/blackpacific
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