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  • Pulitzer Prize-winner Viet Thanh Nguyen discusses his new children's book, "Simone," his approach to memoir, speaking out on the Israeli-Palestinian conflict and how climate catastrophes may force Americans to reframe their thinking on refugees.
  • By the end of Greene's Tuesday town hall in Acworth, Ga., three people were arrested and two were hit with stun guns. Greene is one of many lawmakers confronted by angry constituents in recent weeks.
  • Hong Kong is caught in the middle of the trade disputes between the U.S. and China despite being a free port. The former British colony has trade and customs policies different from mainland China's.
  • A whistleblower tells Congress and NPR that DOGE may have taken sensitive labor data and hid its tracks. "None of that ... information should ever leave the agency," said a former NLRB official.
  • Israel's military is expanding buffer zones inside the Gaza Strip and taking over more areas of the territory, shrinking land Palestinians can access by more than half.
  • Morning Edition's First Amendment series looks at the cost of speaking out or staying silent in the scientific community, amid pressure from colleagues or officials in Washington.
  • Ana Maria Herrera: Layered MemoriesJanuary 11–March 14, 2025Opening Reception: Saturday, January 11, 5 p.m. – 8 p.m., during the Barrio Art CrawlAna María Herrera’s work explores identity, displacement, and cultural coexistence through an intricate blend of found objects and diverse materials, such as wood, glass, metal, and fabric. Her compositions reflect the ephemeral nature of existence, particularly in the border region, where the complexities of migration and cultural negotiation are ever-present. By incorporating photographs, textiles, and three-dimensional elements, Herrera examines the emotional and physical boundaries that shape personal and collective identities, addressing themes of vulnerability, resistance, and resilience within the contemporary sociopolitical landscape. Herrera engages with layered complexities of human existence, crafting assemblages that challenge traditional notions of representation and foster dialogue about the realities of border life. Using windows and frames as both physical and symbolic elements, Herrera invites viewers to contemplate the tension between visibility and obscurity. These pieces serve as portals into narratives of migration and belonging while subtly addressing issues of surveillance and power dynamics. This exhibition encourages a critical examination of the intersection of culture, history, and memory in the shaping of individual and collective identities in an increasingly interconnected world. Ana María Herrera—Artist Statement In my assemblage art, I draw from the aged and textured materials of the past—pieces like rusted metal chains, weathered wood from light poles, bicycle wheels, pressure gauges, and electrical meters. These objects, marked by time and mystery, serve as silent witnesses to countless stories, histories, and transformations, much like the wisdom of an elder etched by years of experience. I am drawn to their deep tones and weathered surfaces, each item resonating with lives lived and “time stories” I may never fully understand. This uncertainty around their origins only enhances my appreciation, allowing me to create without the constraints of their original purpose and instead invite viewers to interpret their own narratives within these materials. In each assemblage, I work to honor the age, history, and hidden memories within these objects. Through layering and reimagining, I hope to give them new life, encouraging viewers to look closely, question, and connect with the unseen past that each object holds. Ultimately, my art celebrates the beauty in things long overlooked, encouraging a reverence for the history that surrounds us and inviting curiosity about what once was. Visit: https://www.ljathenaeum.org/upcoming-exhibitionsAna Maria Herrera on Instagram and Facebook
  • Rami Malek plays a CIA data analyst out of his depth in The Amateur, while Warfare depicts a real-life Iraqi mission, calibrated as a cinematic show-of-force.
  • An Idaho teacher was told by her principal to take down an "Everyone is welcome here" poster in her classroom. It's a symptom of President Trump's crackdown on discussions of inclusivity in schools.
  • Toback, who wrote Bugsy, faces one of the largest #MeToo verdicts in history after a New York jury ordered him to pay $1.68 billion in damages to 40 women.
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