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Speaker: Meher McArthur, Curator, East Asian Art at Pacific Asia Museum; Creative Director, Storrier Stearns Japanese Garden Meher McArthur was born in India to a Scottish father and Persian mother and grew up in Scotland, Canada, and England feeling very out of place. Hoping to go into international business, she studied Japanese at college and lived in Japan for two years but fell in love with Japanese art and took a new direction. She became a Japanese art historian and has been passionately curating Japanese art exhibitions in museums and galleries and for national tour for over 25 years. This lecture is a sneak preview of her new memoir (October 2025) and will highlight some of the most significant art works in her life and career and show how Japanese art helped her find her place in the world. Speaker bio: Meher McArthur is an Asian art historian specializing in Japanese art. She worked as a curator of East Asian Art at Pacific Asia Museum and Creative Director for the Storrier Stearns Japanese Garden, both in Pasadena and was Academic Curator for Scripps College in Claremont and Art and Cultural Director for Japan House, Los Angeles. She curates traveling exhibitions for International Arts & Artists (IA&A), currently "Washi Transformed: New Expressions in Japanese Paper" and upcoming "KIMONO: Garment, Canvas, and Artistic Muse." Her publications include "Gods and Goblins: Folk Paintings from Otsu" (PAM, 1999), "Reading Buddhist Art" (Thames & Hudson, 2002), "The Arts of Asia" (Thames & Hudson, 2005), "An ABC of What Art Can Be" (Getty Museum, 2010), "New Expressions in Origami Art" (Tuttle, 2017), and "Washi Transformed: New Expressions in Japanese Paper" (IA&A, 2021). She lives in Pasadena, California. Please note, this session will be conducted virtually via Zoom. Save your spot by clicking on this link. All participants will be sent the Zoom link via confirmation email with instructions once you secure your place. The San Diego Museum of Art on Facebook / Instagram

California’s first-ever Indigi-Con celebrates Indigenous culture through arts and comics. It’s happening this week, just a few blocks from San Diego Comic-Con.

Noche De Mole is the Sherman Height Community Center’s annual fundraising event. The evening event marks the start of our weeks-long Día de los Muertos celebration, now in its 31st year! Noche de Mole features a dinner menu inspired by a variety of regional moles from Mexico, signature beverages, entertainment, and a special preview of more than 25 community altars. The event is held mostly outdoors, except for the altar preview, which is indoors. We invite you to join us for a special evening as we celebrate longstanding traditions and cultural practices along with friends, family and supporters. As a fundraising event, your support helps maintain the organization and its year round programming and services. We thank you in advance for your support. Price ticket: - $67.50 until Aug. 1 - $77.50 Aug. 2 - Oct. 8 - $100 Oct. 9 Ticket price includes $2.50 processing fee and will be available on “Will Call” day of event. Date: Thursday, October 9, 6:30 p.m. - 9 p.m. Location: Sherman Heights Community Center Ticket includes entertainment, altar preview, dinner and beverage. Our Mercadito will be open and we will have a cash bar. If any questions, please call (619) 232-5181 or email vero@historicbarriodistrict.org Sherman Heights Community Center on Facebook / Instagram

Opening Reception | Nolan Oswald Dennis: "Demonstrations (i)": Presented with INSITE Athenaeum Music & Arts Library 1008 Wall Street La Jolla, CA 92037 October 25, 2025–January 17, 2026 Opening Reception: Friday, October 24, 5:30–8 p.m. Conversation with Nolan Oswald Dennis and critic KJ Abudu: 5:30–6:15 p.m. Joseph Clayes III & Carolyn Yorston-Wellcome Rotunda Galleries Nolan Oswald Dennis: "Demonstrations (i)" Presented with INSITE INSITE is pleased to announce Nolan Oswald Dennis: "Demonstrations (i)," opening at the Athenaeum Music & Arts Library in La Jolla, California, this October. Nolan Oswald Dennis (b. 1988, Lusaka, Zambia) is an artist based in Johannesburg, South Africa. Informed by the study of geological and planetary systems—and situated within African and diasporic relations to the land, cosmos, and anti-colonial political structures—Dennis’s work approaches the world as it is while mapping possibilities for transforming it. "Demonstrations (i)" marks the West Coast premiere of Isivivane, an ongoing project by Dennis that replicates rock specimens from geology museums and university departments in South Africa and parts of the world where the work has been shown. Originally commissioned for INSITE Commonplaces in Johannesburg in 2021, this project has since traveled to the Kunstinstituut Melly in Rotterdam, Netherlands; the Swiss Institute in New York; and Gasworks in London. Isivivane is a Zulu word which translates to a "pile of stones,” similar to a cairn, which marks a spiritually or historically significant site. Isivivane also means to make an individual contribution to a collective future. Manufactured daily by a 3D-printer on site, the new rocks become part of what the artist calls a Black Earth Library. This is an effort that has arisen from discussions with geologists and geology museum curators concerning restitution and repatriation of culturally significant objects. In asking the host institution to create digital and physical copies of more or less significant rocks, stones, and other small geological objects, Dennis suggests a geo-social system not built by a single person, but by many over time. Isivivane will be accompanied by related sculptures and drawings, and displays of rocks and minerals selected by the artist from local collections. "Demonstrations (i)" opens to the public at the Athenaeum with a reception on Friday, October 24, from 5:30 to 7:30 p.m. The closing of the exhibition on January 17 will be celebrated with the presentation of INSITE Journal__08: Reverse Forward and All at Once. The publication comprises documentation and essays related to the INSITE "Commonplaces" project curated by Gabi Ngcobo in Johannesburg, with commissioned work by participating artists Nyakallo Maleke and Nolan Oswald Dennis. Further public program announcements to follow. About Nolan Oswald Dennis Nolan Oswald Dennis is an artist based in Johannesburg, South Africa. They hold a bachelor's degree in architecture from the University of the Witwatersrand (Wits) and a master’s degree in art, culture, and technology from the Massachusetts Institute of Technology (MIT). Their work has been the subject of solo exhibitions at Kunstinstituut Melly in Rotterdam, Netherlands; Swiss Institute in New York; Zeitz MOCAA in Cape Town; and Gasworks in London. They have been featured in group exhibitions at FRONT Triennial (Cleveland), Lagos Biennial, Liverpool Biennial, MACBA (Barcelona), Palais de Tokyo (Paris), Seoul Mediacity Biennale, Shanghai Biennale, and Young Congo Biennale, among others. They are a member of the artist groups NTU and Index Literacy Program, research associate with the VIAD Research Centre at the University of Johannesburg, and a member of the Edouard Glissant Art Fund Scientific Committee. About INSITE Since 1992, INSITE has produced more than 250 artists’ projects conceived for specific sites and political-social contexts across San Diego and Tijuana, as well as in Mexico City. INSITE Commonplaces is a curatorial platform established in 2021 for producing work with artists and communities commissioned locally in different regions of the world. In addition to Johannesburg (Reverse Forward and All at Once), these long-term projects have taken place in Lima, Peru (Common Thread), and presently, the transnational region encompassing San Diego County and Baja California, Mexico (The Sedimentary Effect). The exhibition can be viewed in the Joseph Clayes III and Carolyn Yorston-Wellcome Rotunda Galleries at the Athenaeum Music & Arts Library (1008 Wall Street, La Jolla, CA 92037) during open hours, Tuesday through Saturday, from 10 a.m. to 5:30 p.m. Athenaeum Music & Arts Library on Facebook / Instagram

Prosecutors say Rozier and others passed confidential intel to organized crime groups to help wager on NBA games. Billups allegedly participated in a separate scheme involving underground poker games.

Not counting his golf outings in Virginia, President Trump spent all or part of 14 days outside of Washington, D.C. during the first 31 days of the shutdown.

The mental health effects of Hurricane Katrina have been studied for more than a decade, and that research found that post-traumatic growth can co-exist with post-traumatic stress.

Ever gotten a text saying you forgot to pay a nonexistent road toll or need to pick up a mystery package? Google's going after the scammers behind those messages.

San Diego workers join tens of thousands of University of California custodians, food service workers and patient care technicians across the state who walked off the job over living costs.

This public panel discussion is aimed at educating and connecting the campus and North County communities around the protection and restoration of local water bodies. Hosted by CSUSM's new Climate Action and Sustainability Center, the event reflects the center’s mission to foster climate action and sustainability through community partnerships and student engagement. San Diego Coastkeeper's Executive Director Phillip Musegaas and Jack Gilbert of the Scripps Institution of Oceanography, key partners in this effort, will contribute regional expertise in water quality and climate resilience, along with CSUSM faculty experts, Professors Shannon Swanson and Elinne Becket, to explore collaborative solutions. Cal State San Marcos on Facebook / Instagram