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From the organizers: A Reason to Survive and curator Carmela Prudencio present Images of Resistance: Then & Now. The exhibition focuses on photo documentation of Martial Law era activism and creates a timeline to present day National City. The work in this exhibition archives resistance across generations against the Marcos regime in the Philippines. With the Marcos family back in power, organizers overseas and in the diaspora continue fighting against oppressive systems as seen in this curation of photographs, video, and protest propaganda. Contained in the exhibit is Golden Years: Weighing Philippine Martial Law 1972-1981, a photo collection curated by Victor Baranuevo Velasco. The collection showcases 90 original vintage press photos that captured the presidency of Ferdinand Marcos Sr. from his rise to power in the mid-1960s to his ouster in the mid-1980s. Emphasis will be placed on the official period of martial law, 1972-1981. The photographs were taken by American and Filipino photojournalists, distributed by international agencies, and published in various U.S. newspapers. They were gathered from the archives of these papers through various auction sites. As early as the 1970s, Filipino Americans have protested in Kimball Park and other public places that reach and engage curious minds. To continue the legacy of Filipino resistance and support the struggle in the Philippines, San Diego’s working class Filipinos and youth continue to organize the local community to express their public outcry over corruption and the stifling of dissent through educational discussions, protests, and political and cultural art. The exhibition features photographs, media, and protest art from Martial Law in the Philippines and the burgeoning movement in the local diaspora (from then and now) to showcase the experiences, agitation, and resistance that culminated under the Marcos regime and how that struggle and legacy continues today.The curation serves as an appreciation of the histories and stories that survive through photographic media arts, and as an inspiration from the ongoing movements of Filipino resistance. Related events: A zine making workshop and discussing of community-based journalism will be held Thursday, Feb. 9 at 5 p.m. Related links: ARTS on Instagram

Andrew Leland started losing his sight 20 years ago. He's now legally blind, although he still has a narrow field of vision, which allows him to see about 6% of what a fully-sighted person sees.

Mandy Gunasekara, a former EPA official in the Trump administration, says climate change will be "mild and manageable." She wrote a playbook to weaken the EPA if a Republican wins the 2024 election.

Drugmaker Novo Nordisk focuses on Black lawmakers and opinion leaders to spread the message that obesity is a chronic disease — worth treating at a cost of $1,000 or more a month.

We’re inviting children ages 6-11 to practice their reading skills in a fun, judgment-free zone while giving our ambassador animals the chance to exercise and socialize. We put the focus on reading rather than the animal, teaching kids how to respect an animal’s space and be a compassionate caretaker! WHEN | Monthly during the school year, 4:00-5:00 p.m. WHERE | Sessions may alternate between two of our campuses: • San Diego Campus 5500 Gaines Street, San Diego, CA 92110 • El Cajon Campus 1373 N. Marshall Ave., El Cajon, CA 92020 ADMISSION | $10.00 per child. Reservations are required. SOCIALS | Follow the San Diego Humane Society on Facebook | Twitter | Instagram

More than 90% of Indians have arranged marriages, and polls show most are happy with that system. But for couples who want to follow their hearts, the risks can be severe.

More states are adopting policies to increase voter registration, including for young people. Those policies include automatic voter registration and pre-registration before age 18.

September 6–October 22, 2022 Opening Reception: Saturday, September 10, 5–8 p.m. during Barrio Art Crawl From the organizers: This exhibition is a celebration of the transformation of paper and its importance in many inventive art processes and creations. Paper Print Bind showcases the Athenaeum Music & Arts Library’s extraordinary Erika & Fred Torri Artists’ Books Collection. In addition, it presents a carefully curated array of contemporary artworks made with paper by renowned regional and international artists. The common thread throughout this exhibition is the use of the traditional medium of paper in contemporary practices that empowers artists to bind, print, and create artworks out of paper. All the artists exhibiting in Paper Print Bind share a history of teaching, collaborating, or taking part in the Athenaeum’s collections and classes. Thus, this exhibition serves both to celebrate our alliance with artists in the paper community at large and to feature the Print Studio and papermaking studio in the Athenaeum Art Center in Logan Heights. A major reason for the universal allure of paper lies in its identity and utility as a truly “eco-friendly” sustainable product derived from natural practices throughout human history. Because much of our diverse cultures all over the world are created and shared on paper, we embrace the fragility and eco-friendly nature of paper as a much-needed reminder of our origins in the organic world in this modern technological age. Artworks by: Anne Covell Sally Hagy-Boyer Chelsea Herman Jean Lowe Jim Machacek May-ling Martinez Bhavna Mehta Artists’ Books by: Merilyn Britt Michele Burgess Xpetra Ernándes Chelsea Herman Michael Kuch Warja Lavater Mary Ellen Long Mary McCarthy Bhavna Mehta Xun Okotz Ámbar Past Carol Schwartzott Curt Sherman Austin Straus Peter & Donna Thomas Nancy Willard Typography and the book arts class at Scripps College Related links: Athenaeum Art Center visiting information Athenaeum Art Center on Instagram

The women's stories underscore the findings of a recent poll showing significantly more female officeholders in San Diego County face threats than their male counterparts.

These slimmed-down episodes are perfect for attention spans shortened by TikTok. I don't need to see the whole story — not even how it ends — as long as the conveyor belt of clips keeps rolling.