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Michael Gonzales, the ambassador to Zambia, announced at an emotional press conference that the U.S. would cut $50 million in aid due to theft of medications.

Whether you get your forecast from an app on your phone, a website or a meteorologist on TV, most of the underlying information comes from the federal government.

Special Event in honor of Juneteenth on June 19 from 6-9 p.m., more info forthcoming! Oolong Presents “Sun Goin' Down” A Debut Solo Exhibition by 2025 UCSD MFA Graduate John Singletary June 6 to 25, 2025 This powerful body of work, four years in the making, introduces Singletary’s haunting, symbolic, and deeply personal paintings to the public for the first time. Singletary’s painting practice delves into memory and myth. Drawing from Biblical and Classical tales, Southern folklore, his family’s spiritual lineage, and the subconscious, the artist channels a visual language steeped in longing, pain, and transformation. His work explores themes of death, love, and fear, and reanimates the sacred and the subconscious through ritualized technique and iconographic reference. “My aim is to make paintings that create a separation from the self and its fears or desires, creating space for thinking.” In “Sun Goin' Down,” Singletary’s technique and process becomes part of the meaning. Through methods such as sgraffito, sfumato, sanding, and scraping, the surface of each canvas evokes a kind of resurrection—a cycle of death and rebirth in oil and pigment. “In moments where I render carefully, there is longing. In moments where I have sanded the canvas bare, a subconscious death has occurred.” Singletary explores Christianity as both salvation and trauma, magic and evil. His paintings pulse with the ghost-like presence of those who came before, and the spiritual residue of Southern Black life. “Painting is alive—a deity that brings the dead back to life and allows what is absent to appear present.” “Sun Goin’ Down” refuses easy categorization. The works are both confession and apparition, echo and invocation. Rich in symbolism yet elusive in narrative, these paintings ask to be felt more than explained. They speak in the language of dreams—where trauma is transfigured into image, and gesture becomes truth. Join us at Oolong Gallery for this artist whose work is already pulsating with the intensity of a masterful voice. Gallery Hours: Wednesday–Saturday from 11 a.m. – 5 p.m. | appointments recommended w/ wider availability Instagram

Secretary of the Navy John Phelan is in San Diego this week where he says he wants to hear from local sailors and Marines

Disabled veterans from across the United States are in San Diego this week for the Department of Veterans Affair's annual Summer Sports Clinic.

A small jet crashed into military housing in a Tierrasanta neighborhood Thursday morning, killing multiple people on the plane and injuring others. We hear from the people displaced, and those working to rehouse them. Plus, KPBS confirmed the airport’s weather instrumentation was not working at the time of the crash. Then, a check-in with one of more than 1,500 Jan. 22 flood plaintiffs in what has ballooned into a mass tort against the city of San Diego.

According to the National Oceanic and Atmospheric Administration, these storms can whip up walls of dust as high as 10,000 feet.

Thunderstorms and heavy rains arrived Monday afternoon, flooding a state highway near Westmoreland and toppling close to 300 power poles.

"JULIAN TAN: END TRANCES" Jan. 18–April 19, 2025 Opening Reception: Friday, January 17, 5:30–7:30 p.m. Gallery Walk-through: Saturday, January 18, 11 a.m., free Artist Talk: Thursday, February 27, 6 p.m. reception; 6:30 p.m. lecture, $15/ 20/ 5 “The gaze is ours to give, and the journey is ours to take.”—Chat GPT analyzing "End Trances" For his exhibition "End Trances," Los Angeles–based painter Julian Tan has created a body of work centered on a blinding, mysterious light in the sky and humans’ moments of wonder, panic, and solace as they witness it. In creating these paintings, Tan was thinking about recent trends including the use of AI in art making, the vastness of knowledge at our fingertips in a world dominated by instant information, public fascination with unidentified aerial phenomena, and a pervasive sense of being at the precipice of something—whether the end of the world or a cultural shift we have yet to understand as a society. The unknown light offers us all a glimpse of our own humanity, a sublime focal point in each work that remains open to interpretation. Julian’s work reflects his personal experiences and his fascination with the intersection of history, politics, and cultural change. As a second-generation Chinese American, the tension of not fully belonging has given him a unique perspective, one that informs his exploration of identity, culture, and the way people navigate a rapidly changing world. His paintings aim to capture the present while reflecting on the past and imagining the future, offering a lens through which viewers can connect with shared experiences and universal questions. In his BFA studies at the University of Tennessee, Chattanooga, Tan immersed himself in foundational principles of design, art history, and critical theory, setting the stage for a serious pursuit of painting and a life as an artist. While the program introduced him to conceptual thinking and problem-solving, it was the painters in the program and the drawing classes that left the biggest impression on him. He went on to earn an MFA at the University of California, Davis, dedicating himself to refining his techniques and developing an original visual language. Tan spent most of his time at UC Davis deeply immersed in understanding and creating abstract painting and sculpture. While he loved earnestly creating and looking at abstraction, he began questioning whether it could express the ideas he wanted to communicate. This challenge led him to rethink his approach and focus on work that carried more personal and cultural meaning. Painting became a way for him to say things he felt couldn’t be said with words. Now, working from his own studio, Tan is propelled by questions of the future, universal truths, and a desire to create works that capture a “mirror’s gaze of the near future.” Alongside his wife and dogs, Oso and Sumi, he continues his search for expression that resonates with universal truths about the human experience. Julian Tan on Instagram

"I just didn't think it would take this long," one veteran head of diversity, who's been job-hunting since last summer, tells NPR.