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  • President Biden has expressed support for the House foreign aid package. It now heads to the Senate, where it is also expected to pass.
  • Oversharing can make children vulnerable to identity theft, harassment and predators. To protect their privacy, share a 'holiday card-or-less' amount of data online, says expert Leah Plunkett.
  • Premieres Wednesdays, April 3 - May 8, 2024 at 9 p.m. on KPBS TV / PBS App + Encores Sundays, April 7 - May 12 at 9 p.m. on KPBS 2. A unique six-part documentary series about our futures and how we can reimagine them. THIS WEEK: Ari Wallach examines the ways we often see the concept of the future, the crucial need to think much, much bigger about what could come next, and how we all have more personal agency than we realize.
  • Poland's far-right Law and Justice party spent eight years stacking the courts with allies, destroying the judiciary's independence. The new government is finding it's tough to undo the damage.
  • The National Highway Traffic Safety Administration unveiled the final version of the new regulation on Monday and called it the most significant safety rule in the past two decades.
  • Pathika (Sanskrit for traveller or wanderer). Original music inspired by David Borgo's 2023 travels in India, Kenya, Jordan, Cyprus, Croatia, Morocco, France, and Portugal. David Borgo - saxophones Tobin Chodos - piano Harley Magsino - electric bass Tommy Babin - acoustic bass Mark Ferber - drum set N. Scott Robinson - percussion For more information visit: music-web.ucsd.edu
  • Tiffany Bociek’s solo exhibition, 'Enduring Exuberance', consists of three series that were born from the artist’s internal exploration of her past, her present state of being, and a vision for her future self. This is the first in a series of exhibitions in 2024 at the gallery that will explore the curatorial theme of “Memories”. This year, we will investigate how memories shape each artist’s practice. For Bociek, Memories are a driving force and inspiration for her work. Her first series, “My Wanderers” was inspired both by the written memoirs of her ancestors and the artist’s own recollections (“past”). Her second series, “The Family Garden”, evolved from her own self reflection (“present”) depicting the feeling of time spent in her garden and its healing properties. Lastly, her third series “Tear and Share” draws from recent change and chaos that shifted her perspective on how to move forward and let go of perfectionism (“future”), while still embracing her past and present experiences. Created through encaustic (wax) painting, the exhibition underscores several states of being: well-being, challenge, chaos, and transformation. In experiencing these works, we see that the physical layering of the wax draws a lovely parallel to memories that are passed down from one generation to the next as each is added to the collective family narrative. Her practice results in the creation of a spirited scene – some almost diorama-like – that is rich with detail and imagery. The artist reflects on the circle of life, and the power of nature to ground us through her layered and sentimental works. From the Artist | I grew up with ghosts. I have walked the churchyard homes of family members I had never met; I have read the diary of my great-grandmother, crying for the heartbreak of her losses, as well as celebrating jubilance for her resilience. I live within the context of my familial history, weaving the strong relationships of my present with my ancestral connection to the past, especially when my own challenges and disruptions force me to shift and change. The refuge I find in the earthly world deepens my imagination, finding solace in my family garden, transforming the beauty of the botanicals into imaginative symbols of the profound connection between nature and the human spirit, and contains reminders of the circle of life. My Wanderers series investigates the questions of “who I am”: my past experiences, my ancestral stories, and how I fit into the patterning of the larger quilt of life. The series invokes childlike imagery and curiosity; enlightenment replaces curiosity through images of expressive female movement and freedom. Encaustic allows me to intertwine my love of drawing in combination with painting and collage, pushing images back into an ethereal haze with each layer of wax. The nature of the medium forces me to confront my perfectionism and embrace the unexpected in the artmaking process. Much like I find solace in making my work, I invite you to escape, to let go of the weight of the world, and to revel in the beauty of the imagination. With this work I aim to evoke a gentle smile, a spark of joy, and a connection to your own inner daydreamer. Bociek’s works will be on view at Sparks Gallery from January 7 – March 3, 2024 with an opening reception on Saturday, January 13, 2024 from 5-8 p.m.
  • This week, the April 8 total solar eclipse inspired Barbie-level coverage mania at NPR. But it turns out other things happened too! Were you paying attention?
  • The City Council appointed Rachel Morineau as an interim replacement for disgraced former Councilmember Andrea Cardenas, who was convicted on charges of grand theft.
  • As the number of abortions nationwide grows, pregnant people in states with restrictions and bans are getting pills from out-of-state providers. Some say these providers are breaking the law.
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