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  • Alice Barnett’s most mature and substantial work is her song cycle "In a Gondola," published by G. Schirmer. This lecture explores the artistic and historical contexts that shaped the composition, examining both its poetic inspiration and its musical innovations. Drawing on contemporary sources, including letters, newspaper reviews, and journal accounts, the lecture also traces the early reception of and critical response to her song cycle. The program concludes with a complete performance of In a Gondola, offering audiences the opportunity to experience Barnett’s distinctive compositional voice in its fullest expression. About Dr. Katina Mitchell Dr. Katina Mitchell is a native of San Diego. She has sung with the San Diego Symphony; lautten compagney BERLIN; MicroFest, Los Angeles; Monday Evening Concerts, Sing-Akademie zu Berlin, Volti, San Francisco; Bach Collegium San Diego, The Da Camera Society, Los Angeles; and more. A favorite engagement was performing with Ensemble Vocatrix in fully staged productions of Hildegard von Bingen’s Ordo Virtutum in Los Angeles and Berkeley. Recently Mitchell has sung as both soloist and chorister with San Diego Master Chorale, Sacra/Profana, and the Schola Cantorum of St. James-by-the-Sea. Her work has been featured at the Velaslavasay Panorama, Los Angeles and the Medieval History Center in Azincourt, France, and in media outlets including the BBC, NPR’s Life in Berlin, and the Los Angeles Times. In 2023, Mitchell began presenting her extensive original research on composer Alice Barnett, giving lectures with the San Diego History Center; the Western History Association, Los Angeles; National Association of Teachers of Singing (NATS), San Diego chapter, at San Diego State University; Palomar College; and Society for American Music, Tacoma, Washington. Katina holds degrees in music from Rice University and the University of Southern California (USC). She is a member of the music faculty at Palomar College, teaches voice at Grossmont College, and maintains a private studio. About Dr. Yewon Lee Dr. Yewon Lee is a frequently sought-after conductor and collaborative pianist on the operatic and concert stage. Prior to relocating to San Diego, Lee was Assistant Music Director of Opera at Baldwin Wallace University and Adjunct Professor at Kent State University. In the operatic world, she coached at Baldwin Wallace Opera Theater, National Opera Center, Aspen Opera Theater Center, and International Vocal Arts Institute in Israel, France, Italy, and Japan. Born in Seoul, South Korea, Lee received a Bachelor of Music in piano performance from Seoul National University, completed her Master of Music in vocal accompanying at Manhattan School of Music, and earned an artist diploma in collaborative piano from The Juilliard School. She earned her Doctor of Musical Arts in choral music at USC. Currently, she is a music director of the San Diego Festival Chorus and the San Dieguito United Methodist Church. She also serves as the Far South Representative for the California Choral Directors Association. Visit: https://www.ljathenaeum.org/events/mitchell-25-0630 Athenaeum Music & Arts Library on Instagram and Facebook
  • When Alice Barnett returned from Europe and settled in early-20th-century San Diego, the city was a modestly sized but rapidly growing community of approximately 40,000 residents. Amid this evolving cultural landscape, she quickly emerged as a prominent composer, performer, and advocate for the arts. During this time, she divorced and became a single mother and sustained herself and her family through her musical endeavors before remarrying. Her influence was far-reaching: in addition to co-founding the San Diego Symphony Association, she taught at San Diego High School, delivered public lectures, authored program notes, and actively collaborated with fellow musicians and civic leaders. This lecture features performances of Alice Barnett’s compositions from this chapter of her life (some published by G. Schirmer, others preserved only in manuscript), offering a glimpse into the musical and professional world she helped to shape. About Dr. Katina Mitchell Dr. Katina Mitchell is a native of San Diego. She has sung with the San Diego Symphony; lautten compagney BERLIN; MicroFest, Los Angeles; Monday Evening Concerts, Sing-Akademie zu Berlin, Volti, San Francisco; Bach Collegium San Diego, The Da Camera Society, Los Angeles; and more. A favorite engagement was performing with Ensemble Vocatrix in fully staged productions of Hildegard von Bingen’s Ordo Virtutum in Los Angeles and Berkeley. Recently Mitchell has sung as both soloist and chorister with San Diego Master Chorale, Sacra/Profana, and the Schola Cantorum of St. James-by-the-Sea. Her work has been featured at the Velaslavasay Panorama, Los Angeles and the Medieval History Center in Azincourt, France, and in media outlets including the BBC, NPR’s Life in Berlin, and the Los Angeles Times. In 2023, Mitchell began presenting her extensive original research on composer Alice Barnett, giving lectures with the San Diego History Center; the Western History Association, Los Angeles; National Association of Teachers of Singing (NATS), San Diego chapter, at San Diego State University; Palomar College; and Society for American Music, Tacoma, Washington. Katina holds degrees in music from Rice University and the University of Southern California (USC). She is a member of the music faculty at Palomar College, teaches voice at Grossmont College, and maintains a private studio. About Dr. Yewon Lee Dr. Yewon Lee is a frequently sought-after conductor and collaborative pianist on the operatic and concert stage. Prior to relocating to San Diego, Lee was Assistant Music Director of Opera at Baldwin Wallace University and Adjunct Professor at Kent State University. In the operatic world, she coached at Baldwin Wallace Opera Theater, National Opera Center, Aspen Opera Theater Center, and International Vocal Arts Institute in Israel, France, Italy, and Japan. Born in Seoul, South Korea, Lee received a Bachelor of Music in piano performance from Seoul National University, completed her Master of Music in vocal accompanying at Manhattan School of Music, and earned an artist diploma in collaborative piano from The Juilliard School. She earned her Doctor of Musical Arts in choral music at USC. Currently, she is a music director of the San Diego Festival Chorus and the San Dieguito United Methodist Church. She also serves as the Far South Representative for the California Choral Directors Association. Visit: https://www.ljathenaeum.org/events/mitchell-25-0623 Athenaeum Music & Arts Library on Instagram and Facebook
  • Born in 1886 in Illinois, Alice Barnett pursued advanced musical training in both Chicago and Berlin. Her diaries, correspondence, and surviving manuscripts from this formative period reveal a spirited and determined young musician whose talent was evident from an early stage. This lecture explores Barnett’s educational experiences, her travels throughout Europe, and the broader musical and cultural contexts that shaped her development. Selected performances of her early compositions—many unpublished and indicative of her evolving voice as a composer—offer insight into the foundations of her later, more mature work. About Dr. Katina Mitchell Dr. Katina Mitchell is a native of San Diego. She has sung with the San Diego Symphony; lautten compagney BERLIN; MicroFest, Los Angeles; Monday Evening Concerts, Sing-Akademie zu Berlin, Volti, San Francisco; Bach Collegium San Diego, The Da Camera Society, Los Angeles; and more. A favorite engagement was performing with Ensemble Vocatrix in fully staged productions of Hildegard von Bingen’s Ordo Virtutum in Los Angeles and Berkeley. Recently Mitchell has sung as both soloist and chorister with San Diego Master Chorale, Sacra/Profana, and the Schola Cantorum of St. James-by-the-Sea. Her work has been featured at the Velaslavasay Panorama, Los Angeles and the Medieval History Center in Azincourt, France, and in media outlets including the BBC, NPR’s Life in Berlin, and the Los Angeles Times. In 2023, Mitchell began presenting her extensive original research on composer Alice Barnett, giving lectures with the San Diego History Center; the Western History Association, Los Angeles; National Association of Teachers of Singing (NATS), San Diego chapter, at San Diego State University; Palomar College; and Society for American Music, Tacoma, Washington. Katina holds degrees in music from Rice University and the University of Southern California (USC). She is a member of the music faculty at Palomar College, teaches voice at Grossmont College, and maintains a private studio. About Dr. Yewon Lee Dr. Yewon Lee is a frequently sought-after conductor and collaborative pianist on the operatic and concert stage. Prior to relocating to San Diego, Lee was Assistant Music Director of Opera at Baldwin Wallace University and Adjunct Professor at Kent State University. In the operatic world, she coached at Baldwin Wallace Opera Theater, National Opera Center, Aspen Opera Theater Center, and International Vocal Arts Institute in Israel, France, Italy, and Japan. Born in Seoul, South Korea, Lee received a Bachelor of Music in piano performance from Seoul National University, completed her Master of Music in vocal accompanying at Manhattan School of Music, and earned an artist diploma in collaborative piano from The Juilliard School. She earned her Doctor of Musical Arts in choral music at USC. Currently, she is a music director of the San Diego Festival Chorus and the San Dieguito United Methodist Church. She also serves as the Far South Representative for the California Choral Directors Association. Visit: https://www.ljathenaeum.org/events/mitchell-25-0616 Athenaeum Music & Arts Library on Instagram and Facebook
  • A South Korean court approved the new arrest of former President Yoon on charges related to his imposition of martial law in December. Yoon's lawyers had described the arrest request as excessive.
  • North Korean leader Kim Jong Un said he wants the luxury resort on the eastern seacoast to become a "world destination," but the country has been reluctant to allow in foreign tourists.
  • South Korean authorities plan to investigate the border crossing and did not immediately say whether they view the incident as a defection attempt.
  • The third and final season of Netflix's most popular show is still a prescient commentary on wealth — but its heavy-handed narrative feels too predictable the third time around.
  • Mary Mattingly is an interdisciplinary artist who cares deeply about water and believes in the power of public art. Mattingly founded "Swale", an edible landscape on a public barge in New York City. Recent public art projects include "Limnal Lacrimosa" in Glacier National Park in Montana; "Public Water" with +More Art in New York; "Vanishing Point" with Metal Southend and "Focal Point Gallery" in the UK. Mattingly has exhibited sculpture and photography at the Cuenca, Istanbul, and Havana Biennials; Storm King Art Center in New York; the International Center of Photography in New York; the Seoul Art Center; the Brooklyn Museum in New York; and the Palais de Tokyo in Paris. She has received grants from the James L. Knight Foundation, the Harpo Foundation, the Jerome Foundation, and the Art Matters Foundation, among others. Her work has been featured in Aperture, Art in America, Sculpture, The New York Times, Le Monde, and on Art21, and included in such publications as Nature – part of the Whitechapel/MIT Press Documents of Contemporary Art series– and Henry Sayre’s A World of Art (8th edition), published by Pearson Education, Inc. In 2022, a monograph of her work, What Happens After, was published by the Anchorage Museum and Hirmer Verlag. Co-sponsored by the Nature, Space and Politics working group of the UCSD International Institute, this lecture is introduced and moderated by Dr. Pinar Yoldas, an infradisciplinary designer/artist/researcher and Associate Professor and head of the Speculative Design Area in the Department of Visual Arts. Respondents: Joe Riley and Sarah Rose of the PhD Program in Art History, Theory and Criticism with a Concentration in Art Practice. Mary Mattingly on Facebook / Instagram
  • The two Koreas have engaged in psychological warfare since the 1960s, with weapons like huge billboard screens, loudspeakers installed along the border, and airdropping propaganda leaflets.
  • North Korea will send thousands to support reconstruction work in Russia's Kursk region. North Korea has already supplied combat troops and conventional weapons to back Russia's war against Ukraine.
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