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South Korea says it will restart anti-North Korean propaganda loudspeaker broadcasts in border areas in response to continuing North Korean campaigns to drop trash on the South with balloons.

By Lanie Robertson Directed by Wren T. Brown In Association with Ebony Repertory Theatre Jan 24 - Feb 18, 2024 Low-priced Previews Jan 24 - Jan 27, 2024 Lady Day at Emerson’s Bar & Grill recounts Billie Holiday’s life story through the songs that made her famous. 1959, in a small, intimate bar in Philadelphia, Holiday puts on a show that unbeknownst to the audience, will leave them witnesses to one of the last performances of her lifetime. Through her poignant voice and moving songs, one of the greatest jazz singers of all-time shares her loves and her losses. Featuring Karole Foreman (A Little Night Music) as Billie Holiday. Treat your jazz fan to this moving and musical production. Advisories: The play contains strong language and the use of prop cigarettes (water vapor base). Running Time: 90 minutes (no intermission). Related links: Cygnet Theatre: website | Instagram | Facebook

Join KPBS for an evening with the host of "The World," Marco Werman.

KPBS Producers Club Members have the opportunity to hear from Marco Werman, host of “The World.” This in-person event features a short reception with food and beverage followed by a conversation between KPBS Metro Reporter Andrew Bowen and Marco Werman about how “The World” is produced, special reports, and upcoming series.

The rescue operation is the largest recovery of living hostages since the war in Gaza began. Meanwhile, at least 274 Palestinians were killed and around 700 were wounded, Gaza's Health Ministry said.

The Legends Tower, proposed for Oklahoma City, would stretch to 1,907 feet, a number chosen to commemorate the year Oklahoma became a state.

At issue were cases that test the ability of public officials to block critics from their "personal" social medial pages, a practice that Donald Trump often engaged in when he was president.

"Dutch Harbor: Where the Sea Breaks Its Back" - Special Screening and Talkback Thursday, May 9, 2024 at 6 p.m. Warren Auditorium, Mother Rosalie Hill Hall As part of the Humanities Center’s series on The Frozen Realms, the Humanities Center presents a special showing of Braden King and Laura Moya’s remarkable film, "Dutch Harbor: Where the Sea Breaks Its Back" (1998), about the most westerly point in the United States: Dutch Harbor, in the Aleutian Islands of Alaska. Accompanied by a memorable score of music by Michael Krassner and the critically-acclaimed Boxhead Ensemble, the film’s stark and haunting images capture the threatened way of life of a landscape described here as “the last place to go.” Following the screening is a talk back with filmmakers, Braden King and Laura Moya and composer, Michael Krassner. The film will also be on exhibit in the Humanities Center Gallery on view Monday, May 6 through Monday, May 13 from 11 a.m. to 4 p.m. in Saints Tekakwitha and Serra Hall, room 200. Braden King is a New York-based filmmaker, photographer and visual artist. His first feature film, "Here," starring Ben Foster and Lubna Azabal, premiered at the 2011 Sundance and Berlin Film Festivals and was distributed theatrically by Strand Releasing in 2012. Additional work includes the lyric feature documentary "Dutch Harbor: Where the Sea Breaks Its Back" (co-directed with photographer Laura Moya; also toured with live soundtrack accompaniment), the award-winning shorts "Home Movie" and "National Disintegrations" (released by Laura Poitras' "Field of Vision") and music videos for Cat Power, Glen Hansard, Yo La Tengo, Sparklehorse, Sonic Youth, Bonnie 'Prince' Billy, Laurie Anderson and Dirty Three. Laura Moya is the former Director of Photolucida, organizing their Portfolio Reviews events and overseeing Critical Mass programming for many years. Laura co-curated an independent project, "The Early Works Project," which was shown at Newspace Center for Photography, Rayko Photo Center, the Center for Fine Art Photography, and the Photographic Resource Center, as well as "The Elevated Selfie: Beyond the Bathroom Mirror," which exhibited at LightBox Photographic Gallery and the Griffin Museum of Photography. She has participated in Reviews events including the National Society for Photographic Education and LensCulture in Paris, and participated in talks and panels at international festivals such as the Pingyao International Photo Festival and GuatePhoto Festival. Most recently she curated and designed the exhibition spaces for these major museum exhibitions: "HUMAN/NATURE" (Lishui Art Museum/2021 Lishui Photography Festival, China) and "PERSEPHONE’S EDGE" (Benaki Museum/2022 Athens Photo Festival, Greece). Michael Krassner is an American musician and composer, known for his work in the Boxhead Ensemble and The Lofty Pillars. He has collaborated with numerous musical artists, including Califone, Dirty Three, Gastr del Sol, Fred Lonberg-Holm, Will Oldham, Scott Tuma and Ken Vandermark. Parking and Campus Map: When visiting USD, please plan ahead and allow yourself ample time to park your vehicle, pay at a pay station, and take the tram to your desired destination or event. Campus map: www.sandiego.edu/maps/ Parking: visitors may park in the West Parking Structure/West Lot. Vehicles must have a valid USD parking permit OR pay at a pay station or on the ParkMobile app between 7:00 a.m. and 7:00 p.m., Monday through Friday, including vehicles displaying an ADA placard. After 7 p.m. Monday through Friday and all day on Saturdays and Sundays, payment is not required to park on campus, and guests may park in any non-reserved space. The pay stations on campus accept coins as well as Visa & Mastercard credit/debit cards. They do not accept cash or American Express cards. The rate for parking in metered areas is $2.50 per hour. All paid parking areas at USD operate as pay-by-plate. This means that a license plate number is required when making a payment at the pay station. It may be helpful to take a picture of your license plate after you park your vehicle. Once you have made your payment, there is no need to display your receipt on your dashboard. Payment at all metered space locations above may also be made from your smartphone. Download the Parkmobile App: parkmobile.io/. Tram Service: a Tram service is offered free of charge from West Parking Structure up to the main campus. Take the “West Campus Loop” tram to the top of the hill. Manchester Hall will be straight ahead, third building on your right. The tram runs every 5 to 7 minutes. A complete tram schedule is available on the Tram Services Website. Live Map of the USD Trams: on the PassioGo app https://uofsandtram.passiogo.com/ you can view a live map of each route displaying the vehicle's location. For more information check this page.

As part of the Humanities Center’s series on The Frozen Realms, the Humanities Center presents a weeklong showing of Braden King and Laura Moya’s remarkable film about the most westerly point in the United States: "Dutch Harbor", in the Aleutian Islands of Alaska. Accompanied by a memorable score of music by Michael Krassner and the Boxhead Ensemble, the film’s stark and haunting images capture the threatened way of life of a landscape described here as “the last place to go.” The gallery is open Monday through Friday, 11 a.m. to 4 p.m. For information on parking, visit here!

On View: April 2 through May 3 Humanities Center Gallery, Saints Tekakwitha and Serra Hall Joan Perlman is a multi-disciplinary artist who has exhibited widely and received numerous awards and fellowships for her work inspired by the volcanic landscape of Iceland. Her videos, paintings, and drawings consider the raw, convulsive beauty of this place while drawing attention to the perils of accompanying glacial melt. As the artist herself has noted, “The experience of observing nature over an extended period of time in this subpolar region of the earth reveals the troubling presence of climate change, which includes receding glaciers and warming temperature trends.” Perlman’s work both documents and resists the morphing terrains that compel her. Recent videos such as "Dispersion" (2015), "Break" (2014) and "What Remains" (2011), combine spectacular footage of moving ice and water with original soundtracks made in collaboration with a range of composers. As part of the ongoing Screenings series, the Humanities Center will debut Perlman’s most recent video project, "Sweep" (2024), for San Diego audiences. The gallery is open Monday through Friday, 11 a.m. to 4 p.m. For Information on Parking, visit here.

Nineteenth-century artists were enamored with polar regions and viewed these extreme locales as unparalleled sources of visual wonder. Freighted with romantic ideas about the sublime and scientific debates about geological time, frozen places factored into the representational interests of many leading American painters like Frederic Edwin Church, whose classic investigation After Icebergs with a Painter (1856) lends this exhibition a title. As part of the Humanities Center’s multiyear inquiry into landscapes and human meaning, "After Icebergs: Conceptual Photography and Climate Crisis" looks at the persistence of creative fascination with ice during an era when glacial melt and accompanying species extinction are urgent concerns. "After Icebergs" will feature photographic works by Mark Dion and Farrah Karapetian, whose photographs suggest the varied approaches to this subject. Dion is a conceptual and installation-based artist whose ongoing project, Ursus Maritimus (begun 1994), documents the often uncanny framing of polar bears in museum dioramas, even as the species itself disappears from its primary habitat. Karapetian is an artist and writer whose series "Slips and Pushes" (2013–2015) deploys melting ice as both a formal element and as a metaphor for, among other things, forced migration due to climate change. Karapetian’s color photograms, cameraless images, are eerily luminous while Dion’s blunt black-and-white documentation prompts questions about the purposes of museum displays. A rare selection of works from "Ursus Maritimus" and "Slips and Pushes" make up the installation at the Humanities Center Gallery. The gallery is open Monday through Friday, 11 a.m. to 4 p.m. For information visit: sandiego.edu