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  • It's the first Nation's Report Card since the Trump administration began making cuts to the U.S. Education Department. The scores reflect the state of student achievement in early 2024.
  • Coping with cancer and its aftermath isn't easy for anyone. But men tend to isolate more, seek less support and, alarmingly, die earlier than women. Young survivors are working to change that.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Learn how to get the most from your colored pencils and explore a variety of techniques, tools and papers to help you achieve stunning results in your drawings! Colored pencils combine the best things from drawing with the best things from painting. In this class, you will learn: how to create highlights and shadows blending fundamentals color scheme fundamentals different styles of drawing with colored pencils how to create realistic art how to capture various textures Students will walk away with a finished drawing or two. NOTE: this class does not go over "how to draw" and focuses on using the materials with color mixing, layering, and blending. We recommend the Exploratory Drawing class. Supply List: $45 materials fee paid directly to the instructor (Leslie will provide what you need for the class) Class Info: Next session: June 5 - July 3 Cost $199 (5 classes) Instructor: Leslie Randall THU PM, 6 p.m. - 9 p.m. Max 14 students All skill levels welcome Age level: adult (18 & up) Visit: https://www.arton30th.com/colored-pencil.html Art on 30th, San Diego on Instagram and Facebook
  • The private crew included Ax-4 mission commander and former NASA astronaut Peggy Whitson. It was her fifth trip to space and extended her record-setting duration to 695 days, the most of any American.
  • Thursdays, May 15, 22, 29, June 5, 12, 19, 26, 4:30 p.m. - 7:30 p.m. Stained glass is unusual among the arts because of its direct relationship with light. When light passes through colored glass, different values, textures, and densities combine to form an extraordinary palette. Explore this magic by creating your own unique leaded stained-glass panel. In this 7-week course, you will learn from stained glass professional Lisa Maywood as you complete one or more 2-dimensional panels that will transform any room or space. The enrollment fee covers the cost of basic drawing materials, lead, solder, cement, and the use of the tools and machinery. Glass will be procured by each student on their own outside of class. Vintage Glassworks Studio (was Blue Dolphin Glass) is a great local source in San Diego. If you prefer your own supplies, please bring your own colored pencils and paper that is larger than 12″x12″ to the first class as you plan your project(s). It is also recommended that you bring your own safety gear (eye protection, dust mask, gloves). We have eye protection available if you do not have your own. There is no prerequisite for this class. Ages 18+ years welcome. • Military, first responders and sibling discounts. • Scholarships available. • Homeschool funds accepted. • If this class is full, join the Interest List to be notified. • If you would like to be notified of future offerings, join the Interest List to be notified when new dates Visit: 7-Week Leaded Stained Glass San Diego Craft Collective on Instagram and Facebook
  • San Diego-based Navy senior chief Ben Kibler was going to advance into a highly selective officer program this year. That is until the Secretary of Defense Pete Hegseth labeled those with gender dysphoria "incompatible with the high mental and physical standards necessary for military service."
  • After the wildfires destroyed homes and disrupted routines, many parents saw behavioral shifts in their kids. Some families found support in a camp designed to help kids affected by natural disaster.
  • His position in leading News Corp. and Fox is now secure, as his father ends a dramatic succession battle. Lachlan grew up in New York City but has lived in Australia for much of his adult life.
  • Rooted in Celtic and American folk and inspired by Indian raga and ethnic idioms, Four Shillings Short offers a diverse and inventive traditional music experience. The husband/wife duo of Aodh Og O’Tuama, from Cork, Ireland, and Christy Martin, from California, have been performing together since 1995. They tour in the United States and Ireland, are independent folk-artists with thirteen recordings, perform 100 concerts per year, and live as the troubadours of old, traveling from town to town performing at music festivals, theaters, performing arts centers, folk and historical societies, libraries, museums, and schools. Aodg Og O’Tuama: vocals, tin whistles, doumbek, spoons, gemshorn, bowed psaltery, recorders, crumhorn, Native American Flutes, and many others. Born in Cork, Ireland, Aodh Óg (pronounced, ayog) studied Medieval and Renaissance music in college. He received a music fellowship to study at Stanford University in 1983. He played in a group called Drivelling Druids before forming the group Four Shillings Short. Christy Martin: vocals, hammered dulcimer, mandolin, mandola, bouzouki, banjo, North Indian sitar, guitar, charango, bowed psaltery, ukulele, and bodhran. A multi-instrumentalist and vocalist, Christy was born into a musical family. She played the sitar for ten years, starting at the age of sixteen. She took up folk music in the 1980s. She has been playing hammered dulcimer since 1993. She was formerly in a band called Your Mother Should Know. Visit: https://www.ticketweb.com/event/four-shillings-short-pilgrim-united-church-of-christ-tickets/14144193
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