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  • Hundreds of students have rotated through the encampment since they established it just outside the Geisel Library on Wednesday.
  • The fire-scarred Oceanside Pier, which has been closed since flames engulfed its western end eight days ago, is on track to reopen — for the most part — next week, city officials announced Friday.
  • Thursday, April 10, 2025 at 7 p.m. on KPBS TV / Stream now with the PBS app! Grizzly 399, the most famous bear in Grand Teton National Park, has an exceptional litter of four cubs to raise. Every day, the family must contend with threats to their survival, including a warming climate and human encroachment in bear country. Now the stakes are higher than ever as Wyoming, Idaho, and Montana seek to remove grizzlies from the endangered species list—which would make it legal to hunt them.
  • Siblings — especially twins — sometimes share the strangest traits, like throwing a ball with their head or picking up keys and crayons with their toes. Researchers want to know what's up with that.
  • Michael Sanchez was testing out his new camera when he happened upon a feathered subject. The blue rock-thrush he photographed on the coast of northern Oregon last week has excited the birding world.
  • The government described the step as the "second phase" of measures against Israel, adding the steps would remain in force until Israel allows a "sufficient flow of humanitarian aid to Gaza."
  • From the organizers: November 11 - December 16 BEST PRACTICE is proud to present "I Get to Have My Own Private Hope," the first West Coast presentation of the work of Yue Nakayama. About the exhibition: "I Get to Have My Own Private Hope" functions as a sequel of an earlier video work Looking for Love (and Job) in which Fish washes up on the shores of a new land in search of Love. The fish - an alien species - encounters a different species (Pigeons) who is looking for a Job. Using a variety of everyday anecdotes, the original film explores migration, job security, and the structure of power and gender in contemporary society. In "I Get to Have My Own Private Hope," Fish and Pigeon go on a quest in search of the meaning of “work” prompted by the news of the extinction of bananas, and rent that is past due. This new video piece further questions today’s work conditions and societal structures through the precarity of Fish’s life and disappearing bananas. About the artist: Yue Nakayama works with video, text, and installation. Her practice is centered on reinterpreting minor histories, memories, and personal anecdotes to stage an absurd intervention that disrupts our social expectations and perceptions. Using narrative as a foundation, her projects encompass diverse topics, with recurring themes including belief systems, power dynamics, and issues surrounding cultural, gender, and societal identities. Her work has been exhibited and screened at museums and film festivals including Onion City Film Festival, IL, White Columns, NY, Diverse Works, TX, Contemporary Art Center New Orleans, LA, Visual Art Center UT Austin, TX, Museum of Fine Arts Houston, TX, and ICA Philadelphia, PA. She is the recipient of the Carol Crow Memorial Fellowship from the Houston Center of Photography, the Programmer’s Award from the Athens International Film Festival, the Arch and Anne Giles Kimbrough Fund from the Dallas Museum of Art, and the Foundation for Contemporary Arts. The fellowships and residencies she has attended include Skowhegan, the Core Program, Vermont Studio Center, OX-Bow, and Lighthouse Works. Her work has been featured in the New York Times, the New Yorker, Peripheral Visions, and Glasstire. She currently lives and works in San Diego, CA where she teaches in the Department of Visual Art at the University of California, San Diego. Related links: Best Practice: website | Instagram
  • Hundreds of students with the UCSDivest Coalition continue their encampment on campus with several peaceful actions planned.
  • The proposal still faces a potentially lengthy review process, but if is approved it could have wide-ranging effects. It could make marijuana research easier. It could reduce taxes for legal cannabis businesses.
  • The move follows calls from tribal nations, Indigenous community leaders and others for the permanent protection of nearly 120,000 acres of important cultural and environmental land.
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