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The San Diego Reader has printed its last issue after 52 years. Alt-weeklies once thrived on classified ads, countercultural voices and investigative journalism — until Craigslist, the internet and shrinking ad dollars changed everything. What happens when a city loses its alternative press?

Joseph Clayes III & Rotunda Galleries Harvest & gather: missed connections Harvest & Gather is pleased to present "missed connections", an exhibition that facilitates collaboration between artists who might have once worked together, but the stars did not align in their favor or their spirits could not quite connect. Each invited artist has selected another artist to exhibit with, thus fulfilling their missed connection at the Athenaeum. Moving beyond an exchange of glances but nothing more and the “you-smiled-at-me-on-the-subway-platform” prose of personal ads, Harvest & Gather seeks to allow the exhibiting artists a working opportunity to intimately connect with another artist’s work and practice. Artists are Deanna Barahona and Susan Aparicio; Katie Delaney and Elaine Fisher; Maria Antonia Eguiarte and Liz Nurenberg; and Stephen Rivas and A.R. Tran. Harvest & Gather is an experimental, nomadic curatorial project founded by mika Castañeda & Cat Gunn in 2023. With an emphasis on creating makeshift spaces for art anywhere at any moment, the project exists beyond traditional galleries and museums through pop-up shows in various locations. ARTISTS Deanna Barahona is a first-generation multidisciplinary artist from Southern California working in text, photography, installation, and sculpture. Barahona examines subcultures that emerge in Southern California’s integration process with materials referencing architecture, adornments, and symbols within the homes of the Latin American diaspora. Barahona’s work has been in exhibitions at Charlie James Gallery, Los Angeles; Bread + Salt, San Diego; Island 83 Gallery, New York City; Mandeville Gallery, La Jolla; Bakersfield Museum of Art; Two Rooms, San Diego; and Residencia 797, Guadalajara. She is set to participate in a group exhibition at Museo Raúl Anguiano in Guadalajara in the summer of 2024 and a solo exhibition at the San Luis Obispo Museum of Art in 2025. Barahona holds a BA in visual arts from California State University, Bakersfield, and an MFA from the University of California, San Diego. Susan Aparicio is a Southeast Los Angeles native, a daughter of Mexican and Honduran parents, and a visual artist experimenting in the mediums of stained glass, experimental video, and installation. Her stained-glass work explores worship, desire, and Latinidad-through-pop-culture-inspired imagery from the early 2000s to today, blending bling and beauty to make the fake feel real. Her works explore the complex relationship between reality and states of being, inviting viewers to reflect on their existence within our natural, digital, and consumer worlds. Her works have been exhibited at Leiminspace, Bellyman, LaPau Gallery, Charlie James Gallery, the California Museum, the Hudson River Museum, Texas Tech University, and Cal State Dominguez Hills, among others. Her work has been recognized by publications such as LVL3 Magazine and the Daily Bruin. Aparicio was a resident at Caldera Arts Residency and the Artists’ Cooperative Residency & Exhibitions (ACRE). She earned dual BA degrees in studio art and cognitive science from the University of Virginia in 2018. She then earned her MFA in art from UCLA in 2022. Aparicio is currently based in Pasadena. Katie Delaney (they/them) is a queer, non-binary artist based in Philadelphia. Their practice questions the role of the gender binary in generational trauma by creating work within a “mythspace” that transfigures traditional storytelling. They hold an MFA from the University of Delaware (’24) and a BFA in sculpture from Towson University (’20). Their work has been exhibited internationally at Galería Municipal de Arte, Valparaíso, Chile; virtually at the Alternative Art School, Vox Populi; Grizzly Grizzly, Philadelphia; throughout the DMV, ICA Baltimore; Delaplaine Art Center, Frederick, Maryland; and The Hen House, Washington, D.C. Elaine Fisher received her BA in archaeology and ancient history from the University of Liverpool in 1996 and her MFA from the University of Gloucestershire in 2015. She continues her research independently and collaboratively in the areas of art, archaeology, and depth psychology, through place-based residencies and commissions, including B-side Festival; SLUICE Exchange, Berlin; and most recently at The Florence Trust , London. In 2022 she was invited to exhibit her COVID project Domestic Structures at Project 1628 in Baltimore. Group exhibitions include Fibres at AIR Gallery, Manchester, UK; Garden Party by Latela Curatorial, Washington, D.C.; and Flat Files at the Institute of Contemporary Art, Baltimore. In 2024 Elaine was nominated for a Castlefield Gallery Award for her entry in the Manchester Open Exhibition at HOME, Manchester. She currently lives and works in Manchester. Maria Antonia Eguiarte Souza is a Mexican American artist raised in Mexico City and based in San Diego. She engages in gesture-based performance and object making. Eguiarte has shown in group expeditions in both Mexico and the United States, including at the ICA San Diego, Patio Trasero, Brea Gallery, NIXON, Proxyco NYC, Working Title with Project Blank, the New Wight Gallery UCLA, and Museo Ex Teresa Arte Actual. Liz Nurenberg (b. 1978) is a Los Angeles–based artist. She received a BFA from Grand Valley State University (2003) and a MFA from Claremont Graduate University (2010). Liz is an associate professor in the Foundation Department at Otis College of Art and Design. She is a member of Tiger Strikes Asteroid Los Angeles. Liz was awarded a fellowship to Ox-Bow School of Art and Artist Residency and a Helen B. Dooley Fellowship at Claremont Graduate University; she received a California Community Foundation Emerging Artist Grant. She has exhibited her work nationally and internationally at such venues as the Holter Museum, Helena, Montana; Pasadena Armory Center for the Arts; Elephant Art Space, Los Angeles; HilbertRaum Gallery, Berlin; Galleri CC, Malmo, Sweden; and the Contemporary Calgary. Stephen Rivas is an interdisciplinary artist raised in Palmdale, California. Working across photography, video, sound, and writing, Rivas creates deeply personal, multilayered works that interrogate intersections of history, identity, and resistance. His work often adopts an autobiographical lens, utilizing multi-channeled projections to weave narratives that explore memory, love, death, joy, anarchy, and the fleeting nature of time within his family’s collective history. Central to Rivas’s practice is the critique of colonial narratives and systems of power. By uncovering the preexisting “threads” of resistance and resilience within his family’s past—what he refers to as “weapons against empires”—Rivas reclaims stories that challenge dominant historical frameworks. As systemic oppression persists, Rivas sees focusing on past resistance as a method of preserving memory and a strategy for imagining liberated futures. His work highlights the connections between historical uprisings and contemporary struggles, emphasizing the enduring relevance of resilience and decentralized resistance. Rivas’s installations invite viewers into a space where personal and political histories collide, emphasizing the importance of storytelling as a tool for survival and subversion. Rivas completed his BFA in 2019 at the California Institute of the Arts, where he began exploring themes of identity, migration, and memory. He later earned an MFA from the University of California, Irvine in 2023, further refining his interdisciplinary practice and conceptual approach. A.R. Tran was born in Monterey Park, California, in 1993 and moved to New York in 2011 to attend New York University’s Gallatin School of Individualized Study. In 2015, he received his BA in Critical Race Theory and visual studies and was awarded the Finish Line Grant and Founder’s Day Award. That same year he was selected to participate in the Gallatin Arts Festival as a visual and performance artist. For more than five years, he worked in arts education and public programming for institutions such as the Museum of Contemporary African Diasporan Arts (MoCADA), the Metropolitan Museum of Art, and the Mark Morris Dance Center and participated in a number of student shows at 205 Hudson Street. In 2020, he enrolled in the University of California, Irvine’s MFA program in art. There he developed his interdisciplinary art practice while taking PhD-level courses in Critical Race Theory and Black studies. In 2022, he was accepted into UC Irvine’s Pedagogical Fellowship program, was nominated for the Tom Angell Fellowship, and was named a Claire Trevor Society Scholar in Art. In spring 2023, he was awarded an Interdisciplinary Research residency at UC Irvine’s Experimental Media Performance Lab (xMPL) and his solo exhibition, entitled THE ROOT OF DESIRE IN VIOLENT AND I STILL WANT TO BE WANTED, opened at University Art Gallery in Irvine. The lecture will be in person at the Athenaeum Music & Arts Library. There are no physical tickets for this event. Your name will be on an attendee list at the front door. Doors open at 5:30 p.m. for a members-only reception, and at 6 p.m. for a general reception. Seating is first-come; first-served. Priority seating will be given to Donor level members and above. Visit: https://www.ljathenaeum.org/events/exhibition-2025-harvest-gather-panel Athenaeum Music & Arts Library on Instagram and Facebook

Interested in learning robotics and computer programming? Then this class is for you! Participants will learn to program the Micro:bit microcontroller, a fun hand-held computer used to make robots! In addition to being small and portable, Micro:bits interact with each other, allowing students to write programs with friends during this fun, educational, and physically active class, led by The League of Amazing Programmers. Registration is required! Audience: Recommended for kids ages 9-14. Visit: https://sandiego.librarymarket.com/event/introduction-robotics-using-microbits-429813

The tourists who were targeted by water blasts laughed it off. Cities like Barcelona and the island of Mallorca have seen housing costs skyrocket as homes are diverted to the short-term rental market.

Three graduating college seniors reflect on how their final semester, during the Trump presidency, has changed how they think about higher education.

Step into a world of rich, sonorous harmony as the The Kundert Trio —a captivating ensemble of three violas— presents a concert celebrating the lyrical depth and warm resonance of the often-overlooked middle voice of the string family. About The Kundert Trio: Lynne Ramsey was First Assistant Principal Viola of the Cleveland Orchestra for 35 years and was the holder of the Charles and Janet Kimball Chair, the first woman to hold that position. Prior to this appointment she was Principal Viola of the St. Paul chamber Orchestra and Principal viola of the Rochester Philharmonic Orchestra. She was also the 2014 recipient of the Maurice W. Riley Award from the American Viola Society. During her tenure with the SPCO she performed concerti and chamber music with Pinchas Zuckerman in Carnegie hall, the Ravinia Festival as well as on tour in the United States. In 1986 she was the first foreigner to perform the Walton Viola Concerto with the Beijing Central Philharmonic in their new concert hall. She is in demand as a teacher, having taught at the Oberlin conservatory, Duquesne University and presently at the Cleveland Institute of Music. During the summers she teachers and performs regularly in summer festivals including "Domaine Forget" in Canada, The Chautauqua Institute, Encore for Strings, The Interlochen Intensive Viola Week and the Karen Tuttle Workshop. She formerly taught at the Aspen Music Festival, performed as Principal Viola in the Aspen Festival Orchestra and also performed frequently on their chamber music series. She has won prizes in international competitions including the Lionel Tertis Competition on the Isle of Man, the Bryan Young Artist Competition as well as winning the Juilliard Concerto Competition. Ms. Ramsey is a graduate of the Juilliard School with a BM and MM in Viola performance. Ms. Ramsey studied with Karen Tuttle and Ramon Scavelli. Kirsten Docter is associate professor of viola and chamber music at the Oberlin Conservatory of Music. First prize wins at the Primrose International and American String Teachers Association Viola Competitions launched her on a career that includes a 23-year tenure with the Cavani Quartet, concerts on major series and festivals, and numerous appointments as a master class clinician and teacher. Festival appearances include performances at the Aspen Music Festival, Banff Centre for the Arts, Yale Summer School of Music and Art at Norfolk, and the Seattle Chamber Music Society. She has collaborated with Itzhak Perlman, Jaime Laredo, Alisa Weilerstein, Stephanie Blythe, Nathan Gunn, Alessio Bax, and members of the Cleveland, Juilliard, Takács, Emerson, Borodin, and Amadeus string quartets. Her work can be heard on the Azica, Albany, New World, and Gasparo labels. Docter formerly served on the chamber music and viola faculty of the Cleveland Institute of Music and the University of Michigan. She has been a jury member of the Primrose International Viola, Fischoff National Chamber Music, and Sphinx competitions. In the summer she serves on the viola faculty of the Perlman Music Program. A true renaissance spirit, Ellen Craig has built a varied career spanning music, travel, technology, and hospitality. She began as a classical violist, graduating from Oberlin College and Conservatory and earning her master’s degree from Rice University. Her performance career included years with the Toledo Symphony, where she brought depth and elegance to the orchestral stage. With a natural gift for planning and an eye for detail, she transitioned into luxury travel design, crafting bespoke journeys across the world. Her path then led into technology project management, where she coordinated complex digital initiatives. Today, she is the owner of a boutique hotel in Italy, reflecting her family's 1000-year-old history in the region. There, she offers five-star hospitality in a setting rich with culture and legacy. Each chapter of her career reflects her dedication to beauty, excellence, and connection. Visit: https://coronado.librarycalendar.com/event/sv-hold-33183

There have been reports of roads buckling due to extreme heat in multiple states, including Wisconsin, Missouri, and Delaware. Why is this happening?

Whether you're fascinated by physics, architecture, or infrastructure, join us to uncover the science and engineering behind building bridges that last. About the Speaker: Prior to coming to UC San Diego, Palermo was a professor in structural Engineering at the University of Canterbury, Christchurch, New Zealand, which he joined in 2009. He started his career as a Faculty in 2005 as Assistant Professor (tenured) at Politecnico di Milano, Department of Structural Engineering. Palermo has three patents, over 400 publications in international journals and conference proceedings. Palermo is a member of several associations and is a Fellow of the International Association of Bridge and Structural Engineering (IABSE), Engineering New Zealand, the New Zealand Society of Earthquake Engineering (NZSEE). He served as President of the Concrete NZ Learned Society in 2021-2022 and New Zealand Head Delegate of the fib (Federation International du Beton) 2015-2023. Palermo is a passionate teacher and received several awards at the University of Canterbury. In 2021 Palermo was awarded as the “Most Influential International Accelerated Bridge Construction Person of the Year Outside U.S.” in Academia at the 2021 Accelerated Bridge Construction Conference in Miami. Learn More: https://coronado.librarycalendar.com/event/sv-hold-34227 Coronado Public Library on Facebook / Instagram

Hadi Matar got the maximum sentence for attempted murder. He was found guilty in February for repeatedly stabbing author Salman Rushdie during a 2022 lecture and wounding another person on stage.

On Friday, May 23, the series continues with Jimmy and Enrique, Sue Palmer and Liz Ajuzie, and Walt Richards. Guitarist Jimmy Patton and percussionist Enrique Platas blend flamenco, Middle Eastern, salsa, calypso, Brazilian, and other world rhythms into their fiery, virtuosic performances. Their unique world-music style captivates audiences with intricate guitar passages and exotic percussive rhythms. Known as the Queen of Boogie Woogie, Sue Palmer has been a force in the San Diego music scene for over 30 years. Inducted into the San Diego Music Hall of Fame, Palmer teams up with powerhouse vocalist Liz Ajuzie, whose dynamic voice perfectly complements Palmer’s electrifying piano playing. An expert in guitar and banjo, Walt Richards has been performing and teaching music for over 50 years. He has worked with numerous musical groups, participated in live theater productions, and even won an Emmy for his television work. Jimmy and Enrique Guitarist Jimmy Patton and percussionist Enrique Platas have combined their talents to form this award-winning duo. Their music can be described as having an international flair as they incorporate flamenco, Middle Eastern, salsa, calypso, Brazilian, and other world rhythms into their compositions and arrangements. Their musical collaboration has created a unique, fiery world-music style that has captivated audiences from all over. Listeners will experience virtuosic guitar passages accompanied by exotic percussive rhythms, which together produce a sound that will grab your soul. Sue Palmer and Liz Ajuzie Known worldwide as the Queen of Boogie Woogie, Sultana of Swing, and Lady Who Skates on the 88s, Sue Palmer has been a presence on the live music scene in San Diego and the world for over 30 years. She was inducted into the San Diego Music Hall of Fame in 2018, had a day named after her by the city in 2008, and won numerous San Diego Music Awards for her bands and albums. Liz Ajuzie is a captivating, powerhouse vocalist who has blended masterfully with Sue Palmer in their collaborations in recent years Walt Richards Walt Richards began performing on guitar while still in high school. Within a year he had added banjo, soon becoming one of Southern California's best-known players, with multiple wins at Topanga in the 1960s and 70s. He also toured nationally with the Eddystone Singers and the Appalachians in the 60s. Although offered other opportunities related to his degree, music kept drawing him back and he started teaching guitar and banjo at a San Diego music store in 1963. Walt is celebrating over 50 years of playing and teaching music in the San Diego area. As a multi-instrumentalist and vocalist, he has worked with many diverse musical groups, including doing studio work and live theater (The Old Globe and Starlight theaters in San Diego), besides being a solo and group performer. Earlier work for television earned an Emmy for Walt and partner Vickie Cottle. His most recent television credits include train songs sung for a documentary originally commissioned by Disney.