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  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • It's a slow week on the Billboard charts, but Jack Black breaks a surprising record on the chart. Plus, rapper Doechii lands her first top 10 album and Alex Warren's "Ordinary" continues to move up the Hot 100.
  • Judge Arun Subramanian said that the juror's conflicting statements about which state he currently resides in may have been an attempt to get on and stay on the federal trial of the hip-hop mogul.
  • According to the San Diego History Center, at the turn of the century, the corner of 5th Avenue and E Street in downtown San Diego was known as “Soapbox Corner."
  • The festival, presented by the nonprofit organization Karama, showcases Arab cinema and cuisine over two weekends at the Museum of Photographic Arts in Balboa Park,ƒ featuring award-winning films and stories from Gaza, the West Bank and beyond.
  • Join us for the official launch party of the Afrodiaspora Festival, a Juneteenth-adjacent celebration of Black arts, culture, food and music. This is your chance to get a taste of the excitement to come at the main festival in June! What to Expect: - Live Music: Groove to the sounds of Afrobeats, Afrohouse, Dancehall, Amapiano and more! - Delicious Food: Savor mouthwatering dishes from local vendors showcasing the diverse flavors of the African diaspora. - Games & Activities: Enjoy interactive games and activities for all ages. - Community Vibes: Connect with fellow festival-goers and be part of a vibrant celebration of culture and unity. Get your tickets now before prices go up. Tickets will be available at the door but will be higher so don’t wait. This event is curated by Afropanda Entertainment, Yeahhhmayne, Quartyard, Global Therapy and Plural Music. 21+ | No Refunds Quartyard on Facebook / Instagram
  • Spend time at Comic-Con Museum after hours! Come explore all three levels of exhibits and enjoy food and drinks in the lobby (for purchase). Whether it’s your first visit or your 100th, come experience something new at this special night-at-the-museum event. Members are free, but must log in to register and reserve their space. Regular museum admission. Food and beverage available for purchase. Activities and prize drawings included. Comic-Con Museum on Facebook / Instagram / X
  • In this class, we will draw from classical and modern art masters who worked on toned paper. You will learn how to use the tone of the paper plus white to create dynamic and expressive drawings. This course will sharpen your skills in rendering form, value, and texture. Basic composition, anatomy, and perspective will also be taught. Materials: You do not need everything on this list. Buy only the medium or supplies you want to work with. Pan Pastel: black and white, two triangle-shaped wands, one for each. Charcoal: Black or Sanguine charcoal pencils such as General’s 2B and 4B; compressed charcoal sticks or a small stick of soft vine charcoal. General’s White Charcoal Pencil (extra—General’s White Drawing stick, White Conte Crayon, or White Nu Pastel). Blending stump, small and medium; sharpener and/or craft knife and sanding pad. Kneaded eraser, Tombow MONO zero Eraser (extra—White Vinyl Eraser, Faber-Castell Perfection Eraser #7056 and 7058). Drawing Pad or individual sheets 11” x 14” or 18” x 24”; Strathmore 400 Series toned grey or newsprint. Small, soft brush for moving the charcoal around on the paper (extra—flat brush for removing eraser). Athenaeum Music & Arts Library on Instagram and Facebook
  • President Lyndon B. Johnson federalized the National Guard in 1965, calling on troops to protect civil rights advocates who were marching from Selma, Ala., to Montgomery.
  • The musical visionary led a multi-racial funk band that produced five Top 10 hits in the late 1960s and early '70s.
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