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  • A former Minnesota House speaker and her husband were killed and a state senator and his wife were wounded in targeted shootings Saturday at their homes near Minneapolis, officials said.
  • Nocturnal scenes of San Diego’s ubiquitous taco stands and a massive shipyard are the subjects of “Night Light,” an exhibit at The Photographer’s Eye Gallery that will feature fine art images by Philipp Scholz Rittermann and Marshall Williams. This free show will open May 10 and run through June 7. Rittermann and Williams are both accomplished San Diego artists, commercial photographers and teachers whose works have been shown at prominent venues locally, nationally and internationally. When Philipp Scholz Rittermann stepped into the metal shell that was to become the hull of the Exxon Valdez, he could not envision that he was documenting the first chapter of a future catastrophe. The year was 1985, and four years later the oil tanker would run aground in Prince William Sound, Alaska, bleeding its cargo of crude oil into the sea and etching the ship’s name into the log of notorious environmental disasters. Rittermann was a young man, recently arrived in the United States, when he landed an internship at the San Diego Museum of Photographic Arts, which led to his securing a pass to do night photography at the National Steel and Shipbuilding Co. (NASSCO) shipyard on San Diego Bay. The result is his collection, “Shipyard Nocturnes,” which will be shown at the nonprofit Photographer’s Eye Gallery. One of the featured images in the exhibit is Rittermann’s large black and white print shot inside the Exxon Valdez as it was being built. The work is remarkable for both its artistic appeal and what it came to signify. “I was standing inside one of the enormous holds and looking into this cavernous space that was the size of a cathedral on the inside, and an engineer walked by and I said, ‘So where are you putting the oil tanks?’ And he said, ‘You're looking at it.’ And I said, ‘Do you mean they go here?’ And he goes, ‘No, you're looking at it.’ “And I said, ‘Oh … this is the tank?’ And he goes, ‘Uh-huh,’ and walks away,” Rittermann said. “I thought, geez, what happens when you put a zipper in this?” Rittermann recalled, “and then four years later, that's exactly what happened.” Rittermann’s images stand as tributes both to industrial might and technology, and to the human fallibility that enabled such a disaster. “While the images haven’t changed since I made them,” Rittermann said, “the way I feel about them has.” Marshall Williams was inspired to create images of San Diego’s taco stands when he found himself waiting for a traffic light to turn green, and a neighborhood fixture caught his eye. “I was staring at the taco stand across the street when it illuminated and in that moment I was a bit startled by the transformation,” Williams said. “I saw this structure in a way I hadn't seen it before." “I came back to photograph it at the same time of the evening and from that point on I began to notice the different taco stands around town all shared many of the same elements, but no two seem to be the same,” he said. The result is “Taco Stand Vernacular,” a collection of images that captures the folk nature of one of San Diego’s most common fixtures — one so common that it is easily overlooked. Williams photographs them as day yields to night, and he produces his images in black and white. “As a photographer, we love that transitional moment between day and night when there is a balance and ‘best of both worlds’ from a lighting perspective,” he said. In daylight, these small structures are swallowed by their surroundings, he noted, “but in the early evening they are cloaked in a subdued ambiance and emitting their own light, exuding a sort of theatrical like presence.” “This has been an exercise in taking the commonplace and attempting to elevate it to an object of appreciation,” Williams said. “If taking the time to observe the details of a taco stand can change our view of it, what other details have we missed or left unappreciated in the hustle of our busy lives?” “Night Light” opens on May 10 and closes June 7. The gallery is open Fridays and Saturdays, from 11 a.m. to 5 p.m., and by appointment. There will be an artists’ walk-through on opening day at 4 p.m., followed by a reception at 5 p.m. Artists Rittermann and Williams will conduct a night photography walkabout on May 15. Consult The Photographer’s Eye website for details. Visit: https://www.thephotographerseyecollective.com/ and https://www.marshallwilliamsphotographs.com/taco-stand-vernacular The Photographer's Eye: A Creative Collective on Instagram
  • Reporter Kevin Sack's new book is a history of Charleston's Emanuel AME Church, the oldest Black congregation in the South, where a white supremacist killed nine worshippers a decade ago.
  • The annual Play Days showcase was far more interesting than the reveals themselves.
  • Viswashkumar Ramesh was on his way home to London when tragedy struck. In hospital interviews, he explains how he made his way out of seat 11A — which isn't typically the safest part of the plane.
  • The series continues Friday, May 30, with Tim Flannery, Jeff Berkley, and Ashley Norton. A celebrated singer-songwriter with 14 albums to his name, Tim Flannery blends bluegrass, country, and rock into heartfelt narratives about love, travel, and life on the road. A three-time World Series champion coach with the San Francisco Giants, he and his wife also founded the Love Harder Project, a nonprofit with an anti-bullying focus. Jeff Berkley is a San Diego-based songwriter, musician, and producer known for his soulful style and collaborations with major artists like Jackson Browne and Ben Harper. A multi–San Diego Music Award winner and Hall of Fame inductee, he continues to create and produce across genres. Singer-songwriter-guitarist Ashley Norton is the leader of the all-female Americana band Lady Psychiatrist’s Booth and creator of the popular all-female songwriter showcase Songbirds. Her performances feature original compositions and unique renditions of beloved classics. Tim Flannery It’s easy to think of Tim Flannery as a baseball man turned musician turned philanthropist. But in all honesty, all of these aspects of his life overlap, making it hard to discern where one ends and another begins. Regardless which role he’s in, Tim “Flan” Flannery is a storyteller and one of the last of the old dogs. Flan has released 14 albums. His 2019 release, The Light , presents 11 tracks of original music drenched in real life experiences that have led Flan through darkness, pain, and disappointment to find peace and hope in today’s sometimes confusing human climate. "The Last of the Old Dogs", released in 2017, gave life to new stories about the characters he’s met over the years on the road, while also delivering important messages about love, work, being an outlaw, and knowing when to fight for what you believe in. With a voice as smooth as Kentucky bourbon and a heart worn on both sleeves, Flan’s performances ebb and flow with brilliant melodies and soaring harmonies. As a talented and prolific singer/songwriter, his music enjoys radio support across the planet, from the shores of Ireland to beach towns up and down the California coast, and he has been joined onstage by the likes of Jackson Browne, Bruce Hornsby, Garth Brooks, Jimmy Buffett, Bob Weir and many others. Jeff Berkley Jeff Berkley is a native San Diego songwriter, musician, and producer who has left an indelible mark on the music world. Known for his soulful songwriting, masterful guitar work, and visionary production, he has collaborated with some of the industry's most revered artists, including Jackson Browne, David Crosby, Jim Messina, Ben Harper, Indigo Girls, Bruce Cockburn, Bob Weir, Tim Flannery, Steve Poltz, Arlo Guthrie, Jason Mraz, Pete Seeger, and many more. As one of Southern California’s most prolific producers, Jeff has shaped countless records across multiple genres, elevating the voices of emerging and established artists alike. His ability to capture raw emotion and authenticity in the studio has made him a sought-after producer and mentor. In 1999, Jeff won the prestigious Kerrville New Folk Songwriters award in Texas, joining the ranks of past winners like Jerry Jeff Walker, Steve Earle, Nanci Griffith, Jimmie Dale Gilmore, and Lindsay White. As a solo artist and with his bands, Berkley Hart and Jeff Berkley & The Banned, he has won multiple San Diego Music Awards (SDMAs), including Artist of the Year in 2023. In recognition of his contributions to the regional and national music scene, he was inducted into the San Diego Music Hall of Fame. Jeff Berkley continues to write, perform, and produce, always pushing the boundaries of creativity while staying rooted in the heart and soul of storytelling through music. Ashley Norton In addition to her solo act, singer-songwriter-guitarist Ashley Norton leads the all-female Americana band Lady Psychiatrist’s Booth and produces Songbirds, a popular all-female songwriter showcase. Her live shows consist of songs from all of her albums plus unique versions of covers audiences know and love! Athenaeum Music & Arts Library on Facebook / Instagram
  • On Friday, May 23, the series continues with Jimmy and Enrique, Sue Palmer and Liz Ajuzie, and Walt Richards. Guitarist Jimmy Patton and percussionist Enrique Platas blend flamenco, Middle Eastern, salsa, calypso, Brazilian, and other world rhythms into their fiery, virtuosic performances. Their unique world-music style captivates audiences with intricate guitar passages and exotic percussive rhythms. Known as the Queen of Boogie Woogie, Sue Palmer has been a force in the San Diego music scene for over 30 years. Inducted into the San Diego Music Hall of Fame, Palmer teams up with powerhouse vocalist Liz Ajuzie, whose dynamic voice perfectly complements Palmer’s electrifying piano playing. An expert in guitar and banjo, Walt Richards has been performing and teaching music for over 50 years. He has worked with numerous musical groups, participated in live theater productions, and even won an Emmy for his television work. Jimmy and Enrique Guitarist Jimmy Patton and percussionist Enrique Platas have combined their talents to form this award-winning duo. Their music can be described as having an international flair as they incorporate flamenco, Middle Eastern, salsa, calypso, Brazilian, and other world rhythms into their compositions and arrangements. Their musical collaboration has created a unique, fiery world-music style that has captivated audiences from all over. Listeners will experience virtuosic guitar passages accompanied by exotic percussive rhythms, which together produce a sound that will grab your soul. Sue Palmer and Liz Ajuzie Known worldwide as the Queen of Boogie Woogie, Sultana of Swing, and Lady Who Skates on the 88s, Sue Palmer has been a presence on the live music scene in San Diego and the world for over 30 years. She was inducted into the San Diego Music Hall of Fame in 2018, had a day named after her by the city in 2008, and won numerous San Diego Music Awards for her bands and albums. Liz Ajuzie is a captivating, powerhouse vocalist who has blended masterfully with Sue Palmer in their collaborations in recent years Walt Richards Walt Richards began performing on guitar while still in high school. Within a year he had added banjo, soon becoming one of Southern California's best-known players, with multiple wins at Topanga in the 1960s and 70s. He also toured nationally with the Eddystone Singers and the Appalachians in the 60s. Although offered other opportunities related to his degree, music kept drawing him back and he started teaching guitar and banjo at a San Diego music store in 1963. Walt is celebrating over 50 years of playing and teaching music in the San Diego area. As a multi-instrumentalist and vocalist, he has worked with many diverse musical groups, including doing studio work and live theater (The Old Globe and Starlight theaters in San Diego), besides being a solo and group performer. Earlier work for television earned an Emmy for Walt and partner Vickie Cottle. His most recent television credits include train songs sung for a documentary originally commissioned by Disney.
  • The characters in the romantic comedy Materialists, Celine Song's follow-up to Past Lives, see the dating pool in terms of the "market" – people are evaluated by how "competitive" they are and marriage is treated like an equation to be solved.
  • In the wake of U.S. aid cuts, Pastor Billy is reminded of his twin sister's death from AIDS. He doesn't want 9-year-old Diana, who's HIV-positive, to meet the same fate.
  • The Israeli military said Iran launched retaliatory strikes throughout the night. This followed a major Israeli attack on Friday, targeting Iran's nuclear facilities and killing top military leaders.
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