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From the organizers: David Borgo, accomplished saxophonist, improvisor, and professor at is joined by Fullbright Scholar Pedro Sollero from Brazil and electronic musician Tornike from Georgia (the country). Together they have been experimenting with new electro-acoustic sounds, performing with a wind-synth, modified guitars, and the implementation of live coding. This concert at Public Square will be their first live public performance as a group. Christopher Adler will also be joining this bill. Professor of music and southeast Asian studies at USD will be debuting a new piece from the khaen, a southeast Asian mouth-organ that Adler is one of the few living masters of. Watching him perform and manipulate this rare instrument is a spectacle worth seeing. Opening the concert will be Lexi Pulido and Julien Cantelm, a first call vocalist and drummer respectively, will be playing original and improvised music. The duo will be followed by ambient music experimentalist Johann Fuchs who live samples folk recordings and instruments his practice. Particle FM’s Who? radio will be DJing the opening of the show. Will be a one-of-a-kind night. $5-20 pay what you can. You can RSVP for free now, payment will be taken at entry. Doors at 6:00 p.m. May 12, 2022 Public Square 8278 La Mesa Blvd, La Mesa Related links: Event/presenter website Croakus Pokus on Instagram

Metalcore bigwigs Crown The Empire are coming to San Diego for their brand new The Fallout Anniversary Tour! Since 2008, The Word Alive have steadily maintained a course towards the forefront of alternative music and continue the upward trajectory with their fifth studio album Violent Noise. The Phoenix-based trio— Tyler “Telle” Smith [vocals], Zack Hansen [guitars], Tony Pizzuti [guitars], Matt Horn [drums], and Ryan Daminson [bass] —tosses and turns between visceral metallic power and entrancing emotionality encased in swathes of otherworldly electronics. It’s a singular sound that has naturally evolved since Deceiver [2010] and through Life Cycles [2012], Real. [2014], and Dark Matter [2016]. They’ve earned acclaim from the likes of Alternative Press, Revolver, Guitar World, and Modern Drummer and supported I Prevail, Killswitch Engage, A Day To Remember, Motionless In White, among others, and are known for their ability to ignite crowds across the globe. 2018’sViolent Noiserepresents theculmination of a decade and the unbreakable bond shared by the band and their fans. Telle,Zack, and Tony. Now, over 11 years afterforming they continue to show they haven’t losttheir spirit, as they’ve celebrated “10 Years Of The Word Alive” across America, Europe and the UK in 2019. See them live at House Of Blues on Jun 1, 2022.

Real attorneys consider rights under Imperial rule and bullying at Nevermore Academy.

Dan Digre makes loudspeakers in Minnesota. But he's importing more of them from China than he used to, thanks to unintended consequences from Trump-era tariffs that President Biden has kept in place.

Powerful new artificial intelligence tools can perpetuate long-standing racial inequities if they are not designed very carefully. Researchers and regulators are taking note, but perils are vast.

Violinist Miranda Cuckson and composer Rand Steiger collaborate on three works for violin and spatialized electronics in the Conrad Prebys Music Center Experimental Theater. Program: "Nocturne" (1994) by Kaija Saariaho "Nimbus Violin" (2022) by Rand Steiger "Longing" (2021) by Rand Steiger "Frises" (2011) by Kaija Saariaho Date | Monday, April 11 at 7 p.m. Location | Conrad Prebys Music Center Experimental Theater Register here for free! This event is free and open to the public, please register prior to the event. For more information, please visit music-cms.ucsd.edu/concerts/box_office or call (858) 534-3448.

With manipulated synthesizers or homemade electronic instruments, the San Diego-based experimental duo Skrapez makes curious, creative and chaotic walls of sound.

Artificial intelligence technology can now create new songs that sound like they're the work of real artists, which introduces creative possibilities — and raises legal and ethical questions.

Longer days and shorter nights are ahead as daylight saving time goes into effect Sunday morning.