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  • After the Supreme Court barred race-conscious college admissions, there's a growing push in Congress to end preference for applicants tied to alumni and donors.
  • Drawing from experience and self-directed research, Rayyane Tabet explores stories that offer an alternative understanding of major socio-political events through individual narratives. Informed by his training in architecture and sculpture, his work investigates paradoxes in the built environment and its history by way of installations, interventions and performances that reconstitute the perception of physical and temporal distance. For more information, please visit here.
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  • Police say 13 people were detained and then released, and four suspects are being brought in on assault charges after a brawl broke out Saturday at the city's Riverfront Park.
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  • "Well Well Well" features the work of three artists, Glen Wilson, April Banks and June Edmonds. "Well, Well, Well" can be viewed at BFREE Studio from April 22 - June 10, Tues through Sun 11 a.m. - 5 p.m. and anytime by appointment. Upcoming events: Opening reception: Saturday, April 29 5 p.m. - 7 p.m. Join us Saturday, April 29th for the Opening Reception of Well Well Well. This is an amazing opportunity to engage with the new exhibition. Artist Q&A: Saturday, May 13 7 p.m. - 9 p.m. June Edmonds, April Banks, and Glen Wilson will speak about their works, their artistic process, and their latest exhibition. First Friday Artwalk La Jolla: Friday, May 5 and Friday, June 2 4 p.m. - 7 p.m. Bfree is a part of La Jolla’s First Friday Art Walk where over 16 local galleries open their doors for extended evening hours to art lovers. About the Exhibition: (excerpt from a narrative by Art Historian and Educator, Sally Yard, PhD) There are threads that weave through the work of April Banks, June Edmonds and Glen Wilson. Edmonds paints lush, meditative abstractions, Banks has created architectonic works in public spaces; photographs veiled in encaustic; fused glass and metal images. Wilson melds street photography and found objects and materials ranging from salvaged chain link gates embellished with metal arabesques to cymbals and broken records. In some of their works, each of the three takes as a touchstone one neighborhood or another. In works ranging from geometric abstractions to convergences of objects found in alleys to artifacts, all have in one way or another served as chroniclers, archivists or narrators of indomitable, complex lives that are full of intention and success—daunted by obstacles and triumphant nonetheless. Their works variously become a meditation, an invocation, recasting absence as presence, erasure as memory, the past as the platform from which futures will be formed. It is a project of alternative mappings. The exhibition at Bfree entails a return to place, Edmonds completed her undergraduate degree at San Diego State University and Wilson his MFA at the University of California San Diego. The works of Edmonds, Banks and Wilson are generous. Clear-eyed and exacting in uncovering what has been hidden, they propose grace and beauty and reflectiveness. —Sally Yard, PhD About The Artists: Glen Wilson is a multidisciplinary artist based in Los Angeles, California. With roots stretching back to documentary and street photography, his body of work includes sculpture, assemblage, installation, and filmmaking. April Banks is an LA based artist and creative strategist with deep ancestral roots in Virginia. April is also the producer of Tea Afar, a nomadic storytelling experience, launched in 2016. Tea Afar was conceived as a salve—bringing us together across borders. She has produced events in Los Angeles, Montreal, Sri Lanka and San Francisco that center first person stories and hospitality traditions from around the world. June Edmonds uses abstract painting to explore how color, repetition, movement, and balance can serve as conduits to spiritual contemplation and interpersonal connection to her African-American roots. June Edmonds was born in Los Angeles, where she lives and works. BFree Gallery on Facebook | Instagram
  • Date: May 18, 2023 Time: 5 p.m. - 8 p.m. Location: UC San Diego Atkinson Hall Host: Shahrokh Yadegari Agenda: 5 p.m. Performance in Atkinson Hall's auditorium 6 p.m. Atkinson Hall pre-function area/courtyard for reception RSVP to ideasqi@ucsd.edu by noon, May 18. The Qualcomm Institute’s (QI) IDEAS series presents “Pigments of Imagination,” an interactive virtual reality experience that frames the creative process as a narrative relating the inner-workings of one’s unique imagination to the universe around us. It is an observation on the beauty, fear, adventure, sadness and loneliness of self-discovery and the artist’s ultimate recognition of process as goal, as told through the story of a small child’s journey to the moon. The installation is designed to reimagine the popular music video in a virtual space as a dynamic, emotionally engaging experience by exploring distinctive relationships between spatialization, audiovisual reactivity and interactivity, which allow for a narrative immersion that maintains a structured arc and conclusion but unique experience with each use. This piece features musical contributions from UC San Diego Music’s King Britt, Steph Richards and Zach Konick, and vocalist Nick Tolford. Singular virtual reality experiences will be offered in addition to the general presentation. Bios: Timothy Gmeiner is a San Diego, California-based interdisciplinary artist and music producer. He has toured internationally under the name “Ill Poetic” and garnered public acclaim for his releases from artists and publications such as Rolling Stone, Pitchfork and Portishead. Through his company SoundRzn Design, he has provided audio and visual services for artists, universities and companies of various industries including the San Diego Symphony, OWN and HBO. He has worked as the Assistant Director at QI’s Audio Spatialization Lab and is currently enrolled in UC San Diego’s Computer Music Ph.D. program, where he focuses on audiovisual relationships in virtual and physical spaces. Current projects and collaborations focus on spatialized and interactive compositions in virtual reality, audiovisual live performance and large-scale real-time reactive installations. Eito Murakami is a master’s student at the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University. He graduated from UC San Diego with bachelor’s degrees in Interdisciplinary Computing and the Arts Music (ICAM) and Political Science/International Relations. Murakami is an electronic composer, performer, sound designer and virtual reality developer. By combining his classical music training with proficiency in audio and graphics software, he creates digital interfaces and instruments that promote intuitive musical performance. Specifically, he specializes in Unreal Engine to develop audiovisual infrastructure that allows multiplayer interactions in virtual 3D environments. Murakami is a former member of the Sonic Arts Research and Development group at QI.
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