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  • Roland Griffiths is known as the scientist who helped prove that psychedelics can alleviate depression and mental anguish in cancer patients. That pursuit has since become a lot more personal.
  • Terence Blanchard made history last season when his opera Fire Shut Up in My Bones was the first work by a Black composer staged by the Metropolitan Opera. And the Met has asked for more.
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  • Kemp said he was shot at first after he tracked down his stolen cell phone and confronted the person he presumed had it. Kemp was released from jail and not initially charged after the incident.
  • The incident comes months after Chappelle faced controversy over his 2021 Netflix special The Closer, in which he makes jokes about transgender women.
  • The landmark plan outlines over 100 steps that federal agencies will take within a year. But the Biden administration says it will only work if other individuals and institutions take action too.
  • Disney CEO Bob Iger sent a company-wide email to employees Monday, mandating them to come back to the office to promote creativity and collaboration.
  • The U.S. Defense Department said troops spared civilians during a celebrated 2019 raid against the leader of ISIS, but NPR has uncovered new details that challenge the U.S. claims.
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  • In a new special exhibition of works by living artist Fernando Casasempere at San Diego Museum of Art, you'll find four distinct installations, each revolving around Casasempere's use of clay, color and the earth's deeply rooted history — specifically the industrial waste from Chilean copper mines. This exhibition opens in conjunction with Art Alive, the museum's annual floral show, and is Casasempere's first solo exhibition in the U.S. On view in the museum's first floor galleries 4 and 5. Related events: Tuesday, May 3, 2022, 10:00 a.m. to noon: Art and the Environment: An Artist Panel Discussion From the museum: Fernando Casasempere (b. 1958) moved to London from Santiago in 1997 with 12 tons of earth from his native Chile. He uses the earth as his medium as well his subject to explore ideas of landscape, architecture, and history with a foreboding sense of environmental collapse. The four installations of the exhibition include: Reframing Our Relationship with the Earth features a mound of earth with thousands of individually hand-pressed clay components resembling bone fragments that speak to humans’ impact on the planet. Earth Book/The Sphere of Things to Come presents a series of clay books and a spherical structure representing the earth, together making up a physical archive of what may be lost if no change is made. Salares features hanging landscape formations made of clay that pay homage to the salt flats of the Chilean Atacama Desert, as well as enlarged mortar bowls that speak of itinerant diasporas, representing civilizations forced to flee from natural disasters caused by the changing climate. Reminiscences presents ceramic constructions representing fragments of archaeological ruins, gesturing to the threat of cultural loss due to humans’ extractive relationship with the Earth. Read more here. Related links: San Diego Museum of Art on Instagram San Diego Museum of Art on Facebook Visiting information
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