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Join us in our 2nd annual Revival Art Exhibition, in celebration of Earth month! Mingle with other creatives, and enjoy beautiful work made by Revision Artists in Residence, along with local artisans, all made from discarded and repurposed items. Featuring the work of artist Rob Tobin, Chad Berwald, Jason Ney, Faye Allen, and more. Participate in a free interactive art activity, led by artist Wendy Morris. Shop a selection of garden chairs, plants, vintage bicycles, inventive jewelry, and more! Visit: https://www.revisionsandiego.com/ Revision on Facebook / Instagram

Makers of the chatbots would also be required to remind users that responses are artificially generated, and to create “reasonable measures” to prevent children from seeing sexually explicit content when using the bots. Kids using the bots would also get reminders to take breaks.

Learn how to make cultured milk products through fermentation, and celebrate summer by indulging in cultured ice cream*! The experience includes: - Introduction to food fermentation and its many health benefits - Demonstration of kefir (dairy and tibicos or water kefir) - Flight of cultured ice cream flavors (dairy and vegan) Includes a take-home milk kefir culture *Dairy flavors based on milk kefir (pasture-raised dairy); vegan flavors are coconut-based and cultured with water kefir Fermenters Club on Facebook / Instagram

When it comes to breaking into the industry, understanding what a casting director (CD) looks for in a headshot and resume is crucial. It’s equally important to familiarize yourself with the best practices for finding and approaching auditions, as well as the nuances between agents and managers—do you need both, or just one? Knowing the differences can significantly shape your path. Additionally, mastering the self-submission process involves being aware of do's and don'ts, along with grasping what a CD expects from your audition, whether it's live or self-submitted. After you've submitted your audition, knowing the next steps can be a game-changer, all while keeping in mind the broader business aspects of the entertainment industry. Instructor’s Bio: D. Candis Paule, CSA, is the owner of Candis Casting. Since 2003, she has been the premier San Diego casting director and has cast over 300 commercials and 400 episodes of TV. Along with many telenovellas for Fox’s My Network, she has been the primary or local casting director on a wide variety of pilots and features and has worked on print jobs, voice-over projects, and industrials. Ms. Paule currently sits on three non-profit boards and is also an Intimacy Coordinator, an award-winning actor, and a private coach.

The Life of a Showgirl isn't just a streaming success — it has moved a massive number of vinyl LPs. How massive? Let's do some math.

Artists enjoy painting in “the golden hour” because everything becomes progressively more interesting and exciting as shadows lengthen and one is forced to work quickly. Daily demonstrations in acrylic, oil, pastel, and watercolor will be short to allow students time to work. On the first day we will meet at Sunset Point Park on the grass. Subsequent locations will be based on students’ preferences. Please note that there may be locations without immediate access to restroom facilities. Please plan ahead. Since instruction is individual, artists of any level may participate and paint whatever type of scene they prefer. No matter how warm it is when you leave home, bring a jacket anyway. DIRECTIONS to Sunset Point Park: From I-5 take Sea World Drive West to Ingraham Street/West Mission Bay Drive. Take West Mission Drive. Once you are on West Mission Bay Drive, turn right at Dana Landing Road, and then immediately turn left into the Sunset Point Park parking lot. Materials: Students should bring their preferred mediums or buy recommended supplies that follow: Only buy what you plan to use. For those using pastels: Rembrandt, box of 90 or 180, or NuPastel, box of 96; Canson-brand pastel paper #429, 426, or 431 (quartered); foam core drawing board at least 1/2” larger than the size of paper you plan to use; four clips to hold paper; paper towels. For those using oils: French easel or lap easel; stretched canvas or canvas board, up to 16” x 20”; brushes #1, 2, 4, 6, 8 (two of each); odorless Gamsol thinner; small cup or jar; rags; small hand mirror (for seeing errors in reverse); a warm and cool tube of at least seven colors: Cadmium Red Light, Alizarin Crimson, Raw Sienna, Cadmium Yellow Light, Cerulean Blue, Ultramarine Blue, Burnt Sienna, Ivory Black, Titanium White. Optional: Raw Umber, Scarlet Lake. For those using acrylics: at least the same range of colors as the oil painters. For those using watercolors: at least the same range of colors as the oil painters—but white is optional; flat or pointed brushes; watercolor blocks; chair or easel; Kleenex; 1/2 or 3/4” masking tape to crop image. Please be sure to bring an extra canvas or extra paper in case you have time to begin a second painting. Max students: 15 Visit: https://www.ljathenaeum.org/class/summer-11 Athenaeum Music & Arts Library on Instagram and Facebook

Democratic Sen. Tim Kaine of Virginia says shutdown can end if Trump engages more earnestly in negotiations.

Mary Mattingly is an interdisciplinary artist who cares deeply about water and believes in the power of public art. Mattingly founded "Swale", an edible landscape on a public barge in New York City. Recent public art projects include "Limnal Lacrimosa" in Glacier National Park in Montana; "Public Water" with +More Art in New York; "Vanishing Point" with Metal Southend and "Focal Point Gallery" in the UK. Mattingly has exhibited sculpture and photography at the Cuenca, Istanbul, and Havana Biennials; Storm King Art Center in New York; the International Center of Photography in New York; the Seoul Art Center; the Brooklyn Museum in New York; and the Palais de Tokyo in Paris. She has received grants from the James L. Knight Foundation, the Harpo Foundation, the Jerome Foundation, and the Art Matters Foundation, among others. Her work has been featured in Aperture, Art in America, Sculpture, The New York Times, Le Monde, and on Art21, and included in such publications as Nature – part of the Whitechapel/MIT Press Documents of Contemporary Art series– and Henry Sayre’s A World of Art (8th edition), published by Pearson Education, Inc. In 2022, a monograph of her work, What Happens After, was published by the Anchorage Museum and Hirmer Verlag. Co-sponsored by the Nature, Space and Politics working group of the UCSD International Institute, this lecture is introduced and moderated by Dr. Pinar Yoldas, an infradisciplinary designer/artist/researcher and Associate Professor and head of the Speculative Design Area in the Department of Visual Arts. Respondents: Joe Riley and Sarah Rose of the PhD Program in Art History, Theory and Criticism with a Concentration in Art Practice. Mary Mattingly on Facebook / Instagram

How tech companies and government officials handle local impacts will shape the industry's future in the U.S.

Filmmaker M. Night Shyamalan and novelist Nicholas Sparks describe their collaboration to simultaneously craft the new novel and upcoming film Remain as a unique one that's unlikely to be replicated.