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  • Let’s ease back to in-person performances with our first in a series of shows at Bread & Salt Gallery, starting with a night of electroacoustic music! Admission is $5 at the door (cash/Venmo/PayPal), and masks will be required indoors. RELATED: San Diego Weekend Arts Events: Photography, art, electroacoustic music, Palestininan poetry and two local-style Christmas plays (KPBS arts segment) About the performers: Francisco Eme is originally from Mexico City currently living and working in San Diego, CA. Francisco is a composer and multimedia artist. He creates music, sound and multimedia installations, interventions and performances. His work is driven by a deep observation of the culture he lives in, the social interactions and everyday situations. He strives to start a conversation with the audience concerning relevant issues of our time: art, society, technology and science blend together in his practice. Joe Cantrell is a digital artist specializing in sound art, installations, and performances inspired by the implications of technological objects and practices. By using the physical remnants of these processes as raw materials, his work investigates the incessant acceleration of technological production, ownership, and obsolescence. He has performed and installed at numerous venues in the US and abroad, and has been honored with grants by New Music USA and the Creative Capital foundation, among others. Joe holds a BFA in music technology from Cal Arts, an MFA in digital arts and new media from UC Santa Cruz and a PhD in music from UC San Diego. John Jolley is a born and raised San Diegan musician and DJ who's been performing locally for 15 years. A gigging musician since high school, John left the UC Riverside music program to join and tour with local rock group Hargo, and went on to host, organize, and perform at several weekly and monthly local electronic music events, including Radiation at The Stage (now Atomic) and Acid Varsity at Kava Lounge. A lifelong synthesizer enthusiast, John performs live synth music solo and with the trio Warranty Void. A frequent performer at local festivals and undergrounds, John's DJing tends towards the experimental and rarely is confined to specific genres or tempos. Having just joined local industrial group Shaolin Signal on bass guitar, and with Acid Varsity having moved to Ken Club following the closing of Kava Lounge, fans and curious parties should have many opportunities to experience his playing in 2022 and beyond. Nathan Hubbard’s solo music is an amalgam of his work as an improviser, composer and instrument builder. Using acoustic and amplified instruments and a wide range of electronics, Hubbard creates a soundworld of multiple layers, where the music changes definitions of form, shape and outcome. This music has been presented in a wide variety of contexts, from concert halls and festivals to freeway underpasses and desolate mountain roads, and is documented on the recordings Born On Tuesday (2004, Circumvention Music), Blind Orchid (2007, Accretions Records), as well as a two volume compendium of live performances entitled Cascadia Calling (live solo works 2000-2014) Volumes One and Two. Pablo Dodero is an experimental musician from Tijuana, Mexico. He is currently pursuing a Ph.D at UCSD in Integrative Studies. He performs and releases music under the monikers Les Temps Barbares (ambient / noise) and Adiós Mundo Cruel (techno) using mainly hardware synthesizers and drum machines. Related links: Project [BLANK] on Instagram Project [BLANK] on Facebook Project [BLANK] website
  • Biden mistakenly called out for the Indiana Republican who died in a car crash in August. She had cosponsored a bill to fund the conference.
  • Hurricane Ian delivered an eerie omen to coastal Florida residents Wednesday morning: Its winds pulled massive amounts of water out of Tampa Bay and other areas.
  • Nancy Pelosi led highly pivotal moments in recent U.S. political history. Here, a look at Pelosi's career and its impact on that history.
  • Software developer John Christensen coded an app to show you just how far NASA innovation has come since Hubble.
  • After several years of planning and a complete remodel of its physical space, you are invited discover the newly renovated Museum of Making Music. The Museum of Making Music is an inviting and engaging place for families and individuals alike. It’s a place where the creative relationship between people, musical instruments, and music is explored. See hundreds of instruments on display from the last 150 years and hear a vast sampling of musical styles from yesterday and today. Experience an immersive panoramic multimedia display, then play on a variety of hands-on interactive musical instruments. Reflect on what it means to make music in your life and in the world today. The Museum of Making Music is open Tuesday through Sunday from 10 a.m. to 5 p.m. The Museum is closed on Mondays and major national holidays: Christmas Day, New Years Day, Independence Day, Thanksgiving Day. Admission: $10-$15 Visit www.museumofmakingmusic.org or call 760-438-5996 / Museum of Making Music on Facebook Parking is free at the Museum of Making Music. The parking lot is reserved for museum visitors and is located directly behind the building. The lot also includes two spaces reserved for bus and RV parking.
  • These pictures take us on a journey through 8 floors, 19 performance spaces and seemingly endless rooms, costumes, and adventures at the Theatre Bizarre Halloween party.
  • "We finally have the first look at our Milky Way black hole, Sagittarius A*," an international team of astrophysicists and researchers from the Event Horizon Telescope team said.
  • The beautiful game has inspired some beautiful writing: Two experts share their lists of essential reading as the 2022 World Cup prepares to kick off in Qatar.
  • The risk of contracting monkeypox is still low in the U.S., but colleges are already seeing cases.
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