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Well-meaning city dwellers forgo permits and official procedure to rewild urban areas across the country. In downtown LA, artist Doug Rosenberg is trying to push the grassroots movement forward.

The Oreo-sized baby turtle represents a turning point in Rockalina's recovery: Spending time with her own kind.

Insurance companies are dropping customers as the cost of disasters goes up. Some communities in California are working to reduce their risk, but so far, insurance companies often aren't factoring that in.

The total amount of $2.4 million will also cover expanding hours and staffing costs, along with possible facility upgrades, according to information on the county agenda.

It's called the "graduation" approach — both financial and moral support to help people move from extreme poverty to self-sufficiency. But in this innovative Uganda project, something isn't clicking.

Amid a spike in dog euthanasias in recent years, the county auditor is reviewing the department’s policy and procedures.

Bethany Kozma leads a key global health office at the Department of Health and Human Services. In past experience in the public eye, she's campaigned against abortion and gender-affirming care.

At issue is whether internet providers can be liable for their users' committing copyright violations using its services.

"Major threat" for Best Doc Oscar – The Hollywood Reporter "Scrupulous, powerful... too significant to ignore." – The Los Angeles Times "Coolly damning... shrewdly edited. A welcome addition to the historically grounded rebukes to Riefenstahl and her apologists." – The New York Times German Currents Kino screenings will take place on Friday, September 19 at 7 p.m. and Sunday, September 21 at 3 p.m. German Currents Kino screenings are made possible with the support of the Goethe-Institut Los Angeles. Filmmaker and Nazi propagandist Leni Riefenstahl is considered one of the most controversial women of the 20th century. Her films Triumph of the Will and Olympia are defined by their fascist aesthetics, perfectly-staged body worship, and the celebration of all that is "superior" and victorious, simultaneously projecting contempt for the imperfect and weak. But Riefenstahl – who first broke into the German film industry as an actress – spent decades after the war denying her association with Nazi ideology, and claiming ignorance of the Holocaust. How did she become the Reich's preeminent filmmaker if she was just a hired hand? Riefenstahl examines this question using never-before-seen documents from Leni Riefenstahl's estate, including private films, photos, recordings and letters, uncovering fragments of her biography and placing them in an extended historical context. During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy; in personal documents, she mourns her "murdered ideals." Meanwhile, her work would experience a renaissance, gaining esteem for its masterful technical skill. Today, Riefenstahl's aesthetics are more present than ever. Is that also true for their message? In an era where fascism is on the rise again, fake news is prevalent, and the meaning of political imagery is constantly dissected and debated, Andres Veiel's mesmerizing new film shows that Leni Reifenstahl is more relevant than ever. Visit: German Currents Kino Presents 'Riefenstahl' Digital Gym CINEMA on Instagram and Facebook

More than 100 top women athletes from around the world were supposed to come to Oceanside at the end of this month for the first Sports Illustrated Women’s Games. But last week, the event was suddenly postponed.