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  • Congress designated money for building new EV chargers, but the Trump administration put a freeze on those funds. A federal judge issued a preliminary injunction ordering the program to resume.
  • The Trump administration wants to allow a cutoff date for housing subsidies. The plan is deeply controversial, but Delaware offers a potential model for success.
  • Kosuke Matsuda will present his solo recital on Monday, January 6th, 2025, at 5 p.m. at the Conrad Prebys Music Center Experimental Theater. This recital marks a significant milestone for Matsuda as it concludes his Doctor of Musical Arts degree and launches his 2025 season as a music performer. The concert showcases works by John Cage, Kaija Saariajo, and Hans Werner Henze, whose compositions integrate Japanese concepts of silence and sound as central musical elements. Through these pieces, Matsuda aims to explore how silence can be shaped by sound and gesture, offering a nuanced interpretation of its depth and meaning. In his doctoral research, Matsuda delved into the conceptual differences of silence in Japanese culture, analyzing its representation in literature and its influence on music. The Japanese language itself offers over seven words to express varying forms of quietness and tranquility, each with unique contextual nuances. This recital invites audiences to experience these dimensions of silence brought to life through music. This recital also serves as the beginning of Matsuda’s 2025 concert season, which will include a solo performance in Tokyo, Japan, on March 12th, 2025, and additional engagements throughout the year. Join Kosuke Matsuda on January 6th for an evening of profound musical exploration, where sound and silence intertwine to create a deeply reflective concert experience. Kosuke Matsuda, originally from Nagasaki, Japan, began his career as a percussionist, deeply inspired by the natural soundscape of his hometown. Matsuda pursued a master’s degree at Aichi University of the Fine Arts. He continued his studies in the United States, earning a second master’s degree and Artist Diploma at the Frost School of Music, University of Miami. Currently based in San Diego, he is completing his Doctor of Musical Arts degree at UC San Diego. Visit: https://music-web.ucsd.edu/concerts/cms_index.php?now=1&query_event_code=20250106-Matsuda Kosuke Matsuda on Facebook
  • It's called parametric insurance, it offers protection for climate-related wage losses and it's gaining ground in India.
  • The administration argues the men's home countries won't take them — but lawyers say getting sent to a country like South Sudan could lead to more persecution.
  • Bishop Michael Pham is the first Vietnamese American to lead a diocese in the United States.
  • In states without policies to drive renewable energy, power prices could surge as federal tax incentives for clean energy disappear, according to Energy Innovation, a think tank.
  • Brad Pitt is in the driver's seat this week in F1, while M3GAN 2.0 follows up on the surprise 2022 hit about a killer robot. After something referred to as the "bad thing" occurs, an English professor confronts the emotional fallout in Sorry, Baby.
  • UC San Diego researcher says migration to the U.S. is not a zero-sum game and the data reveals many benefits for all countries involved. It’s not brain drain but a brain gain.
  • National Cathedral Organist Thomas Sheehan to Perform at St. James by-the-Sea Following President Carter's State Memorial Service Three days after performing at President Jimmy Carter's state funeral, Thomas Sheehan, Cathedral Organist and Interim Director of Music at Washington National Cathedral, will present an organ recital at St. James by-the-Sea Episcopal Church in La Jolla on Sunday, January 12, 2025, at 5:30 p.m. The recital will showcase St. James' magnificent new Rosales/Parsons pipe organ, dedicated in 2023. The instrument represents a remarkable collaboration between two distinguished organ builders: Manuel Rosales of Los Angeles and Parsons Organ Builders of Canandaigua, New York. This masterpiece of craftsmanship features 65 voices, 79 ranks, 102 stops, and 4,551 pipes, making it a landmark instrument in North America. The program will feature the grand Praeludium in G Major by Nicholaus Bruhns, Sasurai, a virtuosic piece by 20th-century Japanese composer Takashi Sakai, and variations on the beloved hymn tune Engelberg by Mark Miller. Following this performance, Sheehan returns to Washington to prepare for the 2025 presidential inaugural prayer service at the National Cathedral. Dr. Sheehan brings an impressive musical pedigree to this performance. As the Cathedral Organist at Washington National Cathedral, he has performed at numerous significant national events, including the virtual service celebrating President Biden and Vice President Harris's inauguration. His distinguished career includes positions at Harvard University's Memorial Church, Saint Mark's Church in Philadelphia, and Trinity Episcopal Church in Princeton. A graduate of the prestigious Curtis Institute of Music with diplomas in both organ and harpsichord, Sheehan holds a Doctor of Musical Arts degree from Boston University and degrees from Westminster Choir College. In 2016, he was recognized as one of The Diapason's "20 under 30," marking him as a rising star in the organ performance world. His international performance career has taken him across the United States, Canada, and Europe, with notable appearances in Reykjavík, Toulouse, and Montréal. The concert is part of the St. James Music Series. Admission is free, and all are welcome to attend this extraordinary musical event. Visit: National Cathedral organist Thomas Sheehan in concert
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