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  • Mexican President Claudia Sheinbaum said Saturday that U.S. President Donald Trump proposed sending American troops into Mexico to help her administration fight drug trafficking but she rejected it.
  • (It’s) FRIDAY NIGHT LIVE! Improv Theater with PseudoRandomNoise! Improvisational Theater at Its Finest! Every 2nd and 4th Friday @ 7 p.m. Featuring SoCal’s premier highly audience interactive improvisational theater troupe PseudoRandomNoise in its return to Temecula and our very special guest - YOU! You write! You direct! You STAR! Maybe even sometimes with other special guests! Unique Shows Each Night from one of our four HIT shows (VS! Game Night! IMPROVacations! Sketchy!) which erupts for a hilarious and engaging night that’s always different! Make it EASY to enjoy AND support improvisational theater...be a PART OF IT with PRN and FNL EVERY OTHER FRIDAY! Make Some Noise! Tickets are $20 or $35 for 2 at https://tickets.temeculatheater.org/?category=35 or at The Merc via (866) 653-8696. Want to know what's planned for PRN shows now and in the future - and how to become a NOISEMAKER? Please join our mailing list at info@pseudorandomnoise.com and learn more at www.pseudorandomnoise.com! Courtesy of PRN Productions and Your Local Sponsors! Pseudo Random Noise Improv on Facebook / Instagram
  • Featuring local artists from San Diego County. Enjoy a beautiful day in Seaport Village while you stroll through the Lighthouse District courtyard and browse artwork designed and crafted locally by San Diego artists. Visit: https://dosd.com/events/2024/11/9/the-seaport-village-art-walk-tickets Seaport Village on Instagram and Facebook
  • Dia de los Muertos Theater Favorite “Journey of the Skeletons” Returns to San Diego Former La Jolla Playhouse hit was the region’s first Día de Muertos theater comedy “Journey of the Skeletons,” the Dia de los Muertos comedy that started as a San Diego County educational project and became an international hit, is back. So is the cast of multicultural spirits, the Aztec god of death and one very testy underworld jaguar. “Journey of the Skeletons” will run Nov. 1 and 2 at The Chrysalis Theater in the Monarch Center for the Arts, 1805 Main Street in Logan Heights. Curtain is 7 p.m. The Chrysalis is a new 100-seat performing arts space built to support the Monarch School for homeless students and provide arts opportunities for the Logan Heights community. “It’s a great project and a cool space,” said director Hector Rivera. “This show remains a wonderful way to learn about the beautiful Dia de los Muertos holiday going back to its Aztec origins. It’s fun for the entire family.” Written by Southwestern College professor Dr. Max Branscomb, the playwright of “La Pastorela” for 33 years and the 47-year-old Bonitafest Melodrama, “Journey of the Skeletons” has been produced throughout California, Northern Mexico and at the Cultural Olympics in Sydney, Australia. It had a sold-out run in 2014 at the La Jolla Playhouse. It was commissioned in 1996 by the San Diego Council for Arts Education. “Journey of the Skeletons” is the story of Memo, a Latino angel who invites two Heavenly buddies – one White, one Black – to join him on his Dia de los Muertos journey to Earth to meet his familia and indulge in the offerings left on his altar. Along the way they encounter the Aztec god of death, Mictlantecuhtli (Luis Angel Prado), and his evil jaguar, Colmillos (Ella Aldridge), who threaten to lock them away for eternity in the underworld. Cagey Memo bets that the skeletons can trick the uber-competitive Mictlantecuhtli in a life-or-death game just as Quezalcoatl had eons earlier. “‘Skeletons’ is one of my fave shows and Hector directs it with a very nice touch,” Branscomb said. “It is an honor to produce it at the Monarch Center for the Arts. We’ve got an excellent cast of international actors who have come together to create a meaningful work of theater art for our community.” Branscomb said he has always loved Dia de los Muertos, but admitted he was nervous when approached to write a play about death rituals of America and the borderlands. “You know I write musical-comedies, verdad?” he recalled telling SDCAE staff. “But I was inspired by reading Octavio Paz and the Latino concept of laughing about death and celebrating it as an inevitable part of life. People in New Orleans and other parts of the world have similar customs, so the idea of multicultural angels came together nicely.” Rivera, Rhys Green and Joe Nogra play the angels/skeletons. Green performed in the La Jolla Playhouse production in 2014. Actor/writer Ella Aldridge, a 16-year-old junior at the San Diego School of the Creative and Performing Arts, said she learned much about the traditions of Dia de los Muertos playing Colmillos the jaguar. “It’s an ancient tradition and very heartfelt,” she said. “Making altars for loved ones is a lovely practice that came from Mexico and is now part of San Diego County culture. They are so beautiful and the belief that the love and caring that goes into them nourishes the spirits of ancestors is so powerful.” Tickets are $21 general admission, $15 for early birds, seniors, students, military and educators. Children 12 and under are $12. To purchase tickets call (619) 227-4686 or go to journeyoftheskeletons2024@gmail.com. Max Branscomb mbranscomb@swccd.edu drmaxbranscomb@outlook.com (October 29 – November 4) (619) 997-9054 Ella Aldridge (619) 931-4751 egrace0052@gmail.com
  • Fentanyl is driving overdose deaths in San Diego and beyond. Steve Breen explores the problem and the human toll through illustrated storytelling.
  • As more unaccompanied children seek asylum in the U.S., the federal government is struggling to find appropriate housing for them. We hear from an asylum seeker. In other news, Project 2025 could limit prosecutors’ power to decide which cases to pursue. Plus, Carlsbad’s New Village Arts Center is showing its first work by a Native American playwright, and it spotlights the hypocrisies of woke America.
  • An NPR listener says her friend pings her morning, noon and night, even if she doesn't respond. She'd like to say something, but she's afraid it will hurt her friend's feelings.
  • Here are some of the most noteworthy 2025 laws that go into effect on Jan. 1.
  • Saturday, 10 a.m. – 3 p.m. January 25 (1 Day, 5 total hours of instruction) On Location at La Jolla Cove and La Jolla Studio The School of the Arts welcomes LA-based artist Tomory Dodge leading a one-day plein air workshop. Tomory and the class will begin the day at the La Jolla Studio and then walk down to the Cove to paint. (If accessibility is an issue, students are welcome to drive down to the Cove). Tomory will focus on exploring tension within a painting—by pushing the boundaries between representation and abstraction—as well as three-dimensional (3D) space and the physicality of the materials used to paint. Materials: Portable easel; four 8” x 10” or 6” x 8”, good quality canvas boards; half-dozen brushes, white bristle flat or filbert, sizes 2, 4, and 6. One medium-size steel palette knife; small, pointed round brush for detail, sizes 2–4. Paper towels; odorless turpentine; small jar for turpentine, painting medium (Galkyd, Liquin, etc.); wood palette; oil paints: Alizarin Crimson, Cadmium Red Medium, Cadmium Yellow Medium, Cadmium Lemon, Phthalo Blue, Ultramarine Blue, Permalba White, Raw Umber, Cadmium orange. Sun hat. Max students: 12 Visit: https://www.ljathenaeum.org/classes/1 Tomory Dodge on Instagram
  • Tanya Aguiñiga is the 2024 Longenecker-Roth Artist in Residence at the Department of Visual Arts, UC San Diego. Tanya Aguiñiga was born in 1978 in San Diego, California, and raised in Tijuana, Mexico. An artist and craftsperson, Aguiñiga works with traditional craft materials like natural fibers and collaborates with other artists and activists to create sculptures, installations, performances, and community-based art projects. Drawing on her upbringing as a binational citizen, who crossed the border daily from Tijuana to San Diego for school, Aguiñiga’s work speaks of the artist’s experience of her divided identity and aspires to tell the larger and often invisible stories of the transnational community. She founded AMBOS (Art Made Between Opposite Sides), an ongoing series of projects that provides a platform for binational artists. She was recently awarded the Latinx Art Forum: Latinx Artist Fellowship (2022), Heinz Award (2021), and an Americans for the Arts Johnson Fellowship for Artists Transforming Communities (2018). Her work is in the collection of the Hammer Museum, LACMA, Smithsonian’s Cooper Hewitt and Renwick Museums, and the Museum of Art and Design among others. Visit: https://visarts.ucsd.edu/news-events/20241101_tanyaaguiniga.html Tanya Aguiñiga on Instagram and Facebook
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