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  • "Major threat" for Best Doc Oscar – The Hollywood Reporter "Scrupulous, powerful... too significant to ignore." – The Los Angeles Times "Coolly damning... shrewdly edited. A welcome addition to the historically grounded rebukes to Riefenstahl and her apologists." – The New York Times German Currents Kino screenings will take place on Friday, September 19 at 7 p.m. and Sunday, September 21 at 3 p.m. German Currents Kino screenings are made possible with the support of the Goethe-Institut Los Angeles. Filmmaker and Nazi propagandist Leni Riefenstahl is considered one of the most controversial women of the 20th century. Her films Triumph of the Will and Olympia are defined by their fascist aesthetics, perfectly-staged body worship, and the celebration of all that is "superior" and victorious, simultaneously projecting contempt for the imperfect and weak. But Riefenstahl – who first broke into the German film industry as an actress – spent decades after the war denying her association with Nazi ideology, and claiming ignorance of the Holocaust. How did she become the Reich's preeminent filmmaker if she was just a hired hand? Riefenstahl examines this question using never-before-seen documents from Leni Riefenstahl's estate, including private films, photos, recordings and letters, uncovering fragments of her biography and placing them in an extended historical context. During her long life after the fall of Nazism, she remained unapologetic, managing to control and shape her legacy; in personal documents, she mourns her "murdered ideals." Meanwhile, her work would experience a renaissance, gaining esteem for its masterful technical skill. Today, Riefenstahl's aesthetics are more present than ever. Is that also true for their message? In an era where fascism is on the rise again, fake news is prevalent, and the meaning of political imagery is constantly dissected and debated, Andres Veiel's mesmerizing new film shows that Leni Reifenstahl is more relevant than ever. Visit: German Currents Kino Presents 'Riefenstahl' Digital Gym CINEMA on Instagram and Facebook
  • Mabel’s Gone Fishing isn’t just a seafood spot in North Park — it’s a scratch kitchen and gathering place that earned a Michelin honor within its first year. Co-owner Chelsea Coleman shares the restaurant’s story, from family roots in baseball to building a dining space that feels distinctly San Diegan.
  • Trump officials are reviewing changes to racial and ethnic categories that the Biden administration approved for the 2030 census and other federal government forms, a White House agency official says.
  • In its push for more immigrant detention space, the Trump administration is reopening shuttered prisons in several states. Many of these facilities closed amid allegations of abuse and mismanagement.
  • Legendary creators, banned books, K-pop fandom, horror deep dives and more — Saturday's Comic-Con lineup as something for everyone. We've grouped our top panel picks by theme to help you plan your day.
  • Blain was slated to appear in a downtown San Diego courtroom on Monday for arraignment on charges including perjury and soliciting bribes, but because of his overseas deployment, the hearing was postponed until Jan. 12.
  • Astronomers have long been concerned about reflections from satellites showing up in images taken by telescopes and other scientific instruments.
  • Rural school district superintendents are trying to find the best use of limited resources. Taking on the state's unmaintained buildings, they say, will only increase their burden.
  • The word 'broadcasting' dates back centuries, and originally described a method of sowing seeds. But it took on a new meaning with the rise of radio in the 1920s.
  • It started in the 1960s, when two couples told a harrowing story about being chased by a large flying creature on a rural road. It grew from there — and now 20,000 people come to celebrate Mothman.
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