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The Mainly Mozart All-Star Orchestra Festival returns to San Diego June 18 to June 28, 2025. The annual summer festival is a highlight of the classical music calendar and the country’s largest gathering of concertmasters and principal players from the nation’s top orchestras. Under the baton of Maestro Michael Francis, who returns for his 11th year as music director and conductor, the 2025 festival features six, unique performances at two venues, The Conrad Prebys Performing Arts Center and the UC San Diego Epstein Family Amphitheater. The festival, the largest Mozart celebration in North America, opens with a must-hear performance of Mozart’s newly discovered Serenade in C Major. Featuring musicians from top U.S. orchestras including the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra and more, Mainly Mozart’s All-Star Orchestra is the only orchestra of its kind in the country. At The Conrad Prebys Performing Arts Center in La Jolla, each concert will be preceded by new Mozart-themed pre-concert talks or mini-concerts at 6 p.m. in The JAI, which will be included in the base ticket price. At the UC San Diego Epstein Family Amphitheater, attendees will now be able to bring in their own food and (non-alcoholic) beverages. Guests are also welcome to bring their own picnic spreads, with new grass-seating areas, and picnic music provided by Mainly Mozart Youth Orchestra ensembles throughout the venue. Time: All concerts start at 7 p.m. Where: June 21 and 28: Epstein Family Amphitheater | 9500 Gilman Dr, San Diego, CA 92093 June 18, 20, 24 and 26: The Conrad Prebys Performing Arts Center | 7600 Fay Ave, La Jolla, CA 92037 Cost: boxoffice@mainlymozart.org Single tickets for individual concerts at The Conrad range from $65-$149. Single tickets for individual concerts at Epstein Family Amphitheater range from $25 -$149. Ticket Link: https://www.mainlymozart.org/allstar Box office phone: (619) 955-8273 or boxoffice@mainlymozart.org Mainly Mozart on Facebook / Instagram

A free 20 min. breakfast lecture series for our creative community. Join us for coffee, donuts, and inspiration every last Friday of the month. Circe Wallace is a former professional athlete turned powerhouse agent and producer, specializing in women’s sports, action sports, and entertainment. Known for her strength in brand development, licensing, and media strategy, she offers holistic representation that empowers athletes and creatives to own their narrative and grow their impact. With a comprehensive understanding of social and digital media distribution, Circe has served as executive producer and producer on a wide range of acclaimed film and TV projects, including "Lisa Andersen’s Doc Trouble," "Taj Burrow’s Fair Bits," Absinthe Films, "That’s It That’s All," "The Art of Flight," "The Fourth Phase," "We Are Blood," BET’s BEING TERRY KENNEDY, MTV’s LIFE OF RYAN, Nickelodeon’s THE MEGA LIFE OF JAGGER EATON, "Depth Perception," DARK MATTER, and most recently, Natural Selection World Tour. Now at Wasserman, Circe continues to build lasting partnerships, drive measurable results, and shape the future of sports and entertainment through strategic, purpose-driven representation.

Irish-language rap group Kneecap gave an impassioned performance for tens of thousands of fans on Saturday at the Glastonbury Festival despite criticism by British politicians and a terror charge for one of the trio.

In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.

At the International AIDS Society meeting this year, a young woman from South Africa spoke. She is the first Black woman from Africa to be potentially cured of HIV.

The 14th annual Oceanside International Film Festival showcases diverse films, from environmental documentaries to star-studded shorts, all embracing unique stories and values.

A lot of folks know New Mexico for green chiles, the largest hot air balloon festival in the world, and the birthplace of the bomb. But it's also a global center of flamenco—the passionate dance, song and music of the Roma people of southern Spain.

Rugs have a deep history as a textile art, but also as objects that create specific spaces. Using handheld tufting machines, participants can create and design their own rugs using colorful yarn. Learn how to create and translate a design for the medium as well as learn the basics of tufting and begin filling in your designs. We kindly ask that adults actively participate in this art activity alongside any child under the age of 11. Visit: https://www.hisawyer.com/artreach/schedules/activity-set/1271656?day=2025-02-28&view=cal&source=activity-schedule ArtReach San Diego on Instagram and Facebook

Still-life painting is the study of everyday objects that take on a new life, tell a story and can act as a portal to another place or time. Emphasis in this class will be on an impressionist technique of painting using an alla prima (wet into wet) style of painting, keeping loose brushwork, thick paint, and eliminating detail. We will cover composition, color, form, and lighting. There will be a setup for each class along with photo images to create from. I do a painting demonstration in each class. One of our exercises will be a personal still life using objects that have meaning for us. The best part is that we will have fun as we share our discoveries together. Come join us! I cannot wait to see what you will create. This class is for all levels of painters, both beginning and experienced. You are also welcome to do your own work. This is a good place to be with other talented artists and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green—plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Athenaeum Music & Arts Library on Instagram and Facebook

Join a panel of scientific and artistic thinkers for a deep look at the roles of fungi on the planet and microscopic elements within complex systems. The visiting Treseder Lab of UC Irvine examines fungi’s layered relationship to planetary life and discusses how fungi mediate and connect distant ecosystems. David Familian introduces life webs and AI as complex systems, a topic that comes to focus in the art exhibition, "Future Tense: Art, Complexity, and Uncertainty." Artists in residence with the Beall Center’s Black Box Projects working with the Treseder Lab, art collective Cesar & Lois introduce their ecosystem-based artwork that articulates fungal respiration and bioelectric signaling. Moving across perspectives in art and science, the panelists reframe how we picture the planet. Scientists from The Treseder Lab include Dr. Kathleen Treseder and researchers Eduardo Misael Choreno Parra and Melanie Taleen Hacopian. David Familian is artistic director of Beall Center for Art + Technology at UC Irvine. CSUSM Professor Lucy HG Solomon and Brazil-based Professor at UNICAMP Cesar Baio make up art collective Cesar & Lois.