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The National Bonsai and Penjing Museum marks the 400th anniversary of the Yamaki Pine, an ancient tree that survived the 1945 bombing of Hiroshima and has since become a symbol of peace.

Beginner workshops are perfect for you to grab your friends, grab a drink and come make tiny trees! We’re bringing the awesome art of bonsai out of the hedged in gardens and into the streets! Or at least into your favorite bars/breweries/pubs. Bonsai Bar is a night of fun you don’t want to miss. Learn the fundamental skills and techniques behind the art of bonsai while enjoying a night out with friends! Our teachers will introduce core concepts and guide your experience as you pot, prune, and design your very own bonsai tree! Our Guarantee: These tiny trees are so hardy we guarantee you can keep yours alive, or we’ll replace it. This workshop will be hosted at Local Roots Kombucha. Local Roots began with the simple goal of creating a better-for-you alcohol that gives back to the local community as much as it does your gut. The name Local Roots was derived from our passion for bringing people together, sharing and instilling a sense of community. The word ‘local’ is defined by belonging or relating to a particular area or neighborhood, while ‘roots’ is defined as being established deeply with a purpose. Our name is our badge on honor and our brand ethos is centered around always abiding by the culture personified in our brand name. Under 21 policy: Please contact Local Roots Kombucha for details regarding underage entry Visit: Bonsai Workshop at Local Roots Kombucha Bonsai Bar on Instagram and Facebook

Special Event in honor of Juneteenth on June 19 from 6-9 p.m., more info forthcoming! Oolong Presents “Sun Goin' Down” A Debut Solo Exhibition by 2025 UCSD MFA Graduate John Singletary June 6 to 25, 2025 This powerful body of work, four years in the making, introduces Singletary’s haunting, symbolic, and deeply personal paintings to the public for the first time. Singletary’s painting practice delves into memory and myth. Drawing from Biblical and Classical tales, Southern folklore, his family’s spiritual lineage, and the subconscious, the artist channels a visual language steeped in longing, pain, and transformation. His work explores themes of death, love, and fear, and reanimates the sacred and the subconscious through ritualized technique and iconographic reference. “My aim is to make paintings that create a separation from the self and its fears or desires, creating space for thinking.” In “Sun Goin' Down,” Singletary’s technique and process becomes part of the meaning. Through methods such as sgraffito, sfumato, sanding, and scraping, the surface of each canvas evokes a kind of resurrection—a cycle of death and rebirth in oil and pigment. “In moments where I render carefully, there is longing. In moments where I have sanded the canvas bare, a subconscious death has occurred.” Singletary explores Christianity as both salvation and trauma, magic and evil. His paintings pulse with the ghost-like presence of those who came before, and the spiritual residue of Southern Black life. “Painting is alive—a deity that brings the dead back to life and allows what is absent to appear present.” “Sun Goin’ Down” refuses easy categorization. The works are both confession and apparition, echo and invocation. Rich in symbolism yet elusive in narrative, these paintings ask to be felt more than explained. They speak in the language of dreams—where trauma is transfigured into image, and gesture becomes truth. Join us at Oolong Gallery for this artist whose work is already pulsating with the intensity of a masterful voice. Gallery Hours: Wednesday–Saturday from 11 a.m. – 5 p.m. | appointments recommended w/ wider availability Instagram

Experience the vibrant energy of Endea Owens and the Cookout, a dynamic ensemble led by the exceptionally talented bassist Endea Owens. Their performances are a joyful fusion of jazz, soul, and global influences, creating a feel-good atmosphere that captivates audiences. Owens, known for her commanding stage presence and masterful playing, often takes center stage with riveting bass solos, while the band members shine with compelling instrumental riffs and uplifting vocal harmonies. The Cookout’s performances are more than just a concert; they are an experience that leaves audiences feeling inspired and connected. Endea Owens’ exceptional talent and impact have garnered significant recognition. She is a recipient of an Emmy, a GRAMMY Award, and a George Foster Peabody Award. In 2019, she was hailed as an Emerging Artist by Jazz at Lincoln Center. Owens has also been commissioned to compose for prestigious ensembles such as the Jazz at Lincoln Center Orchestra and the Cincinnati Symphony Orchestra, where she served as the 2023 MAC Music Innovator. Her debut album, "Feel Good Music," released in 2023, has further solidified her position as a rising star in the jazz world. Endea Owens on Instagram / Youtube

Join a panel of scientific and artistic thinkers for a deep look at the roles of fungi on the planet and microscopic elements within complex systems. The visiting Treseder Lab of UC Irvine examines fungi’s layered relationship to planetary life and discusses how fungi mediate and connect distant ecosystems. David Familian introduces life webs and AI as complex systems, a topic that comes to focus in the art exhibition, "Future Tense: Art, Complexity, and Uncertainty." Artists in residence with the Beall Center’s Black Box Projects working with the Treseder Lab, art collective Cesar & Lois introduce their ecosystem-based artwork that articulates fungal respiration and bioelectric signaling. Moving across perspectives in art and science, the panelists reframe how we picture the planet. Scientists from The Treseder Lab include Dr. Kathleen Treseder and researchers Eduardo Misael Choreno Parra and Melanie Taleen Hacopian. David Familian is artistic director of Beall Center for Art + Technology at UC Irvine. CSUSM Professor Lucy HG Solomon and Brazil-based Professor at UNICAMP Cesar Baio make up art collective Cesar & Lois.

The Mainly Mozart All-Star Orchestra Festival returns to San Diego June 18 to June 28, 2025. The annual summer festival is a highlight of the classical music calendar and the country’s largest gathering of concertmasters and principal players from the nation’s top orchestras. Under the baton of Maestro Michael Francis, who returns for his 11th year as music director and conductor, the 2025 festival features six, unique performances at two venues, The Conrad Prebys Performing Arts Center and the UC San Diego Epstein Family Amphitheater. The festival, the largest Mozart celebration in North America, opens with a must-hear performance of Mozart’s newly discovered Serenade in C Major. Featuring musicians from top U.S. orchestras including the New York Philharmonic, Los Angeles Philharmonic, Chicago Symphony, Cleveland Orchestra, Philadelphia Orchestra and more, Mainly Mozart’s All-Star Orchestra is the only orchestra of its kind in the country. At The Conrad Prebys Performing Arts Center in La Jolla, each concert will be preceded by new Mozart-themed pre-concert talks or mini-concerts at 6 p.m. in The JAI, which will be included in the base ticket price. At the UC San Diego Epstein Family Amphitheater, attendees will now be able to bring in their own food and (non-alcoholic) beverages. Guests are also welcome to bring their own picnic spreads, with new grass-seating areas, and picnic music provided by Mainly Mozart Youth Orchestra ensembles throughout the venue. Time: All concerts start at 7 p.m. Where: June 21 and 28: Epstein Family Amphitheater | 9500 Gilman Dr, San Diego, CA 92093 June 18, 20, 24 and 26: The Conrad Prebys Performing Arts Center | 7600 Fay Ave, La Jolla, CA 92037 Cost: boxoffice@mainlymozart.org Single tickets for individual concerts at The Conrad range from $65-$149. Single tickets for individual concerts at Epstein Family Amphitheater range from $25 -$149. Ticket Link: https://www.mainlymozart.org/allstar Box office phone: (619) 955-8273 or boxoffice@mainlymozart.org Mainly Mozart on Facebook / Instagram

In this talk, scholar Che Gossett focuses on Kiyan Williams’s performance and sculpture especially: "Unearthing" (2016), Trash and Treasure" (2014) "Meditations on the Making of America" (2019), "Ruins of Empire II or The Earth Swallows the Master’s House" (2024). In Williams’s work, anti-black and racial capitalist World is negated and abolished — in its ruination new critical forms crystallize and figurations of the flesh emerge, reverberating and interinanimating each other. Che Gossett is a Black nonbinary femme writer and critical theorist specializing in queer/trans studies, aesthetic theory, abolitionist thought, and Black studies. Gossett’s writing appears in publications including the edited collections "Death and Other Penalties: Continental Philosophers on Prisons and Capital Punishment" (Fordham University Press, 2015), "Trap Door: Trans Cultural Production and the Politics of Visibility" (MIT Press, 2017), and "Trans Philosophy" (University of Minnesota Press, 2024). Che is co-editing, with Tavia Nyong’o, a forthcoming special issue of Social Text journal on Sylvia Wynter, culture, and technics. They are the recipient of a 2024 Creative Capital Andy Warhol Writers Grant, and are currently associate director of the Center for Research in Feminist, Queer, and Transgender Studies at the University of Pennsylvania.

California, Washington y Nuevo México podrían perder millones de dólares en financiamiento federal si no hacen cumplir los requisitos de idioma inglés para camioneros, dijo el martes el secretario de Transporte, Sean Duffy.

California Republicans are suing again to try and keep Gov. Newsom and Democrats’ redistricting plan off voters’ ballots. President Trump floated the idea of suing, too

As federal immigration agents appear more frequently at California medical facilities, workers are increasingly concerned about patients’ rights and their own.