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  • July is Disability Pride Month, commemorating the 1990 passage of the Americans with Disabilities Act.
  • The Federal Reserve cut its key interest rate by a quarter-point Wednesday and projected it would do so twice more this year as concern grows at the central bank about the health of the nation’s labor market.
  • Utah prosecutors charged Tyler Robinson, 22, with the murder of conservative activist Charlie Kirk. Officials say they are seeking the death penalty.
  • A favorite of A$AP Rocky and Earl Sweatshirt, El Cousteau is a product of the District in every way. On Dirty Harry 2, he unpacks his upbringing with a nuance absent from national debate.
  • Sam's Club is among the food makers removing artificial dyes from products, yet hoping shoppers don't notice a difference in color. But why?
  • New dietary guidelines are coming soon. Health Secretary Robert F. Kennedy Jr. has promised the days of skim milk and other low-fat dairy products are over. Is there a case for more fat in dairy?
  • Stream with KPBS Passport on KPBS+ / Watch / Watch Fridays Dec. 5 - Dec. 19, 2025 from 7 p.m. - 9 p.m. on KPBS 2. Meet Chief Inspector Maigret as he solves Paris’s most complex crimes using unorthodox methods and a fierce sense of justice. To prevail, he must outwit the city’s most ruthless criminals while confronting his own troubled past.
  • Often unseen yet deeply influential, archives shape how we remember, research, and relate to art and culture. Join us for our next edition of Inner Workings, which explores the art and impact of archiving, highlighting the role museums, universities, and smaller organizations have as caretakers and storytellers. Through this panel conversation, we aim to reveal the creative and ethical dimensions of preserving history—and how inclusive, responsive archival practices can transform the stories we tell. MCASD’s Inner Workings program series pulls back the curtains of the art and museum world, offering a rare glimpse into the often-overlooked roles and disciplines that shape institutions and the broader art industry. Designed to spark curiosity and deepen understanding, this series invites our communities to explore the hidden mechanics of art institutions, shedding light on the expertise and behind-the-scenes activity that bring contemporary artists' work to life. All program RSVPs include admission to the Museum. Program 5:30 p.m.: Doors Open 5:50 p.m.: Introductions 6 p.m.: Discussion with panelists Noel Nguyen, Kishauna Soljour, and Pamela Vadakan, moderated by Nicole Verdés About the Guests Moderator – Nicole Verdés Nicole Verdés (they/she) is the inaugural Managing Director of Lambda Archives, where she works to ensure equity and access in cultural preservation. She serves on the board of the San Diego Regional Arts and Culture Coalition and has held leadership roles with the San Diego LGBT Community Center's Young Professionals Council, Rising Arts Leaders San Diego, and Diversionary Theatre's Community Advisory Committee. Nicole has presented on youth archival futures and ethical advocacy practices at national conferences, including ALMS Berlin and Creating Change 2025. She has reviewed several academic works on LGBTQ+ historic preservation and served on grant panels for the California Arts Council. She holds a Master's Degree in Sociological Practice from Cal State San Marcos and is a graduate of the Western Archives Institute. Panelists – Noel Nguyen, Kishauna Soljour, Pamela Vadakan Noel Nguyen Noel Nguyen (he/him) is a San Diego based artist involved with Scannners Archive, a nonprofit arts organization centered around DIY community and culture. He helps manage the space’s growing zine library and runs a monthly group archiving workshop for the collection. Currently he is earning his Master’s degree in Library and Information Science. Kishauna Soljour Dr. Kishauna Soljour (she/her/ella) is an Assistant Professor at San Diego State University, specializing in Public Humanities and African Diaspora Studies. She was an Andrew W. Mellon Public Humanities Fellow and Visiting Assistant Professor of History at Sarah Lawrence College. Dr. Soljour received her Ph.D. in History from Syracuse University. Soljour’s research concentrates on the nexus of cultural, political, and social change for Diasporic communities in the twentieth and twenty-first centuries. Embracing the mission of public humanities, Dr. Soljour is the Associate Director of the Public & Oral History Center and the Associate Director of the Institute for the Arts, Humanities, and Social Justice at SDSU. She developed several initiatives including curated exhibitions, digital oral history projects, archival & preservation projects, and podcasts; as well as, partnered with Humanities New York, the National Endowment for the Humanities, Old Town State Historic Park, the United Nations Volunteer Program, the Hudson River Museum, and the Yonkers Public Library. Pamela Vadakan Pamela Vadakan (she/her) has been the project coordinator of California Revealed since its inception in 2010 and became the Director in early 2019. She most enjoys working with partner organizations at regional workshops, meeting people and their collections on the ground, and offering guidance and encouragement for long-term collections care. She has a Master of Arts degree in Moving Image Archiving and Preservation from New York University. She is also a core member of the Community Archiving Workshop and serves on the board of the Center for Home Movies. Visit: https://mcasd.org/events/archiving-preserving-history Museum of Contemporary Art San Diego on Facebook / Instagram
  • Special Event in honor of Juneteenth on June 19 from 6-9 p.m., more info forthcoming! Oolong Presents “Sun Goin' Down” A Debut Solo Exhibition by 2025 UCSD MFA Graduate John Singletary June 6 to 25, 2025 This powerful body of work, four years in the making, introduces Singletary’s haunting, symbolic, and deeply personal paintings to the public for the first time. Singletary’s painting practice delves into memory and myth. Drawing from Biblical and Classical tales, Southern folklore, his family’s spiritual lineage, and the subconscious, the artist channels a visual language steeped in longing, pain, and transformation. His work explores themes of death, love, and fear, and reanimates the sacred and the subconscious through ritualized technique and iconographic reference. “My aim is to make paintings that create a separation from the self and its fears or desires, creating space for thinking.” In “Sun Goin' Down,” Singletary’s technique and process becomes part of the meaning. Through methods such as sgraffito, sfumato, sanding, and scraping, the surface of each canvas evokes a kind of resurrection—a cycle of death and rebirth in oil and pigment. “In moments where I render carefully, there is longing. In moments where I have sanded the canvas bare, a subconscious death has occurred.” Singletary explores Christianity as both salvation and trauma, magic and evil. His paintings pulse with the ghost-like presence of those who came before, and the spiritual residue of Southern Black life. “Painting is alive—a deity that brings the dead back to life and allows what is absent to appear present.” “Sun Goin’ Down” refuses easy categorization. The works are both confession and apparition, echo and invocation. Rich in symbolism yet elusive in narrative, these paintings ask to be felt more than explained. They speak in the language of dreams—where trauma is transfigured into image, and gesture becomes truth. Join us at Oolong Gallery for this artist whose work is already pulsating with the intensity of a masterful voice. Gallery Hours: Wednesday–Saturday from 11 a.m. – 5 p.m. | appointments recommended w/ wider availability Instagram
  • Trump floated the idea during a press conference with British Prime Minister Keir Starmer as he wrapped up a state visit to the U.K. and tied it to the need for the U.S. to counter its top rival, China.
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