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  • Syria's new rulers faces one of their first serious challenges: bread lines. For Syrians, the long wait is a struggle — but for some, bread is a business opportunity.
  • Kaylee Daugherty is an up-and-coming singer in the San Diego jazz scene. With roots in gospel and R&B, her musical interpretations come with soul and passion. She is humbled to play with some of the best musicians around and to have played at a great variety of venues in Southern California, ranging from the lively wineries of Temecula, the intimate coffeeshops of Oak Glen, to the upscale restaurants of Laguna Beach. With a repertoire of upwards 300 songs in English, Spanish, Portuguese and French, and in the styles of swing, blues, bossa nova, boleros and funk, Kaylee has a song for everyone. Whether in a duo, trio, or with the energy of a quartet+, Kaylee can elevate the experience of any space. Kaylee’s favorite part of performing is bringing joy to her audiences through the universal language of music. Her music makes kids dance and gives older folk a sigh of nostalgia. She is very personable and interactive with her audiences, inviting them into her musical world and building a sense of community within each venue. See More Events www.booksandrecordsbar.com www.bardicmanagement.com/events
  • The nuclear industry and big tech companies think they can solve each other's problems, but critics are skeptical the marriage can last.
  • Gov. Gavin Newsom signed Assembly Bill 3059 into law Monday, intended to allow more families to receive donor milk for their babies regardless of what insurance they have.
  • Hussain's career spanned over five decades, during which he was revered as both a national treasure in India and admired worldwide.
  • Bread & Salt's main gallery will open a new solo exhibition by sculptor and installation artist Richard Keely. About the artist: Richard Keely is an artist and educator from Southern California. Originally trained as a painter Richard’s work during the last twenty years has turned towards sculpture, photography and installation. With the sculptural work Richard is often concerned with transforming ordinary objects into visually dense wall pieces that have the potential to evoke an array of experiential possibilities. Richard's Installation projects have included collaborations with Sante Fe based artist Lynne Hendrick, and his wife Anna O’Cain. With these installations Keely, Hendrick, and O’Cain explore ideas concerning the visceral side of accumulating, storing, preserving, and communicating ideas and information. Additionally Keely and O’Cain have collaborated on a large body of work on the topic of hurricane Katrina that includes photography, installations and film. Keely and O’Cain also collaborated with San Diego artist Kristine Diekman and dance artist Karen Schaffman on United and Severed an installation that was shown at the California Center for the Arts in Escondido and Art Produce in San Diego. Richard’s work has a national reputation including solo exhibitions at gallery 4016 in Los Angeles and CAD/XO Gallery in Chicago and recent collaborations with Anna O’Cain for the Alt Picture Show, Museum of Contemporary Art San Diego, Ben Maltz Gallery (Otis School of Art, Los Angeles), Art Around Adams and the Spruce Street Forum in San Diego. Additional collaborations with O'Cain include a Ceremonial performance Kat and Lilly Lee at Beyond Baroque in Los Angeles and INSITE 2000 in San Diego. Richard has also exhibited his work and given lectures at several well-known Universities and has been a “Visiting Artist” at Murray State University, Oberlin College and Montana State University. In 1996 he was awarded a grant from Art Matters in New York. Richard has traveled extensively throughout Europe, Asia, and Africa and has lived and studied Chinese painting in Taipei, Taiwan. Currently Richard is living in San Diego CA and is an Associate Professor of Art at San Diego State University, where he teaches sculpture for the School of Art and Design. Related links: Bread and Salt gallery: website | Instagram Richard Keely: website
  • A federal judge in Texas has rejected a plea deal between Boeing and the U.S. Justice Department, saying the court should play a bigger role in selecting an independent monitor to oversee the company.
  • President-elect Donald Trump tapped Matthew Whitaker as his ambassador to the North Atlantic Treaty Organization, which Trump has long criticized for taking advantage of U.S. defense spending.
  • Republicans are favored to take control of the chamber thanks to a 2024 map of races that tilts disproportionately in the GOP’s favor. Here are the races to watch.
  • THE ROBOTS BY CAROLYN CHEN A WORLD PREMIERE CHAMBER OPERA Sung in English with supertitles in English and Spanish. Approximate running time 1 hr and 45 minutes with one intermission. This genre-bending operatic adaptation of an early sci-fi play from 1920 — R.U.R. (Rossum’s Universal Robots) by Karel Čapek — takes place on an isolated island where a workforce of mass-produced humanoid robots gradually gains self-awareness and revolts against the human creators. Čapek’s play first coined the term “robot” from the Czech word for “slave”, and was a strong condemnation of exploitative labor practices in the early 20th Century. Performed by a diverse cast of some of the best singers in the region, Chen’s exuberant and eclectic score will come to life in this revolutionary new production, immersing the entire audience into the action of the robot uprising! If you would like to enlist in the Robot Army, we encourage you to bring a colander from home. It's the only way our Robots can tell humans apart from the more sophisticated Robot Worker. About the composer: CAROLYN CHEN has made music for supermarket, demolition district, and the dark. Her work reconfigures the everyday to retune habits of our ears through sound, text, light, and movement. Her studies of the guqin, a Chinese zither traditionally played for private meditation in nature, have informed her thinking on listening in social spaces. Recent projects include an audio essay on a scream and commissions for Klangforum Wien and the LA Phil New Music Group. Described by The New York Times as “the evening’s most consistently alluring … a quiet but lush meditation,” Chen’s work has been supported by the American Academy in Berlin, the Fulbright Program, ASCAP Foundation’s Fred Ho Award, Paul and Daisy Soros Fellowships for New Americans, Stanford University Sudler Prize, and commissions from Green Umbrella, MATA Festival, and impuls Festival. The work has been presented at festivals and exhibitions in 25 countries, at venues including Carnegie Hall, the Kitchen, Disney Hall (Los Angeles), Museum of Contemporary Art Chicago, the Guggenheim Bilbao, and the Institute for Provocation (Beijing). She has been fortunate to work with ensembles including SurPlus, Southland, San Francisco Contemporary Music Players, Aperture, andPlay, loadbang, koan, Dog Star Orchestra, The Reader’s Chorus, Pamplemousse, Chamber Cartel, orkest de ereprijs, S.E.M., red fish blue fish, Wild Rumpus, and The Syndicate for New Arts. Writing and recordings are available in MusikTexte, Experimental Music Yearbook, The New Centennial Review, Leonardo Music Journal, Perishable, the wulf, and Quakebasket. Chen earned a Ph.D. in music from UC San Diego, and a M.A. in Modern Thought and Literature and B.A. in music from Stanford University, with an honors thesis on free improvisation and radical politics. She lives in Los Angeles. Cast and crew: Rosie Glen-Lambert, director Kyle Adam Blair, music director Victoria Petrovich, scenic design Russell Chow, lighting design CASTMr. Domin, the factory General Manager: Leslie Ann Leytham, mezzo-soprano Helena Glory, daughter of the robots' inventor: Mariana Flores-Bucio, soprano Sulla, Chief Office Administrator Robot: Danielle Perrault, contralto Mr. Alquist, factory mechanic and clerk: Jonathan Nussman, baritone Dr. Gall, head of the Psychological Department: Miguel Zazueta, tenor Mr. Fabry, cheif accountant and engineer: Paul Young, Jr., baritone Radius, robot who leads the uprising: Shelby Condray, bass Related links: Project [BLANK] website | Instagram | Facebook
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