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From AI research to historical preservation, programs funded by grants from the National Endowment for the Humanities reach every corner of the U.S. Now the government has terminated those grants.

State leaders in both parties say they're ready to redraw political lines ahead of 2026, but state laws and constitutions make mid-decade redistricting virtually impossible in many places.

Since 2020, Amaarae has made a case for being the most dynamic avant-pop artist the world over. Her new album, BLACK STAR, makes it clear that she is tired of waiting for everyone else to catch up.

Since President Trump took over leadership of the John F. Kennedy Center for the Performing Arts earlier this year, some artists are trying to figure out how to proceed. One musician emailed the interim director, Richard Grenell. He responded.

At 52,000 square feet, the $93 million lab in Kearny Mesa is nearly three times bigger than the old lab in Point Loma.

Directed by Doug Oliphant In present-day America, when four childhood friends reunite to sit shiva for the toxic father figure who failed to teach them how to mourn or love, they gather in a dank basement filled with unresolved secrets and past failures. Through sharp dialogue and intense emotion, The Treehouse explores the complexities of friendship, family, and the burdens of unaddressed grief. It is a raw, cathartic experience that invites audiences to reflect on their unspoken truths. Visit: https://www.theoldglobe.org/smartseat/?itemNumber=26110#/ The Old Globe on Instagram and Facebook

NPR's Ayesha Rascoe plays the puzzle with WSKG listener Cindy Mosqueda, and Weekend Edition Puzzlemaster Will Shortz.

The Jeffrey B. Graham Perspectives on Ocean Science Lecture Series returns to Birch Aquarium at Scripps Institution of Oceanography at UC San Diego with a three part speaker series that provides an in-depth look at the art-science collaborations that gave rise to Birch Aquarium’s "Embodied Pacific: Oceans Unseen" exhibition beginning with Superradiance. Embodying Earth. by artists Memo Akten and Katie Peyton Hofstadter. Superradiance. Embodying Earth. is a multiscreen video and sound installation by artists Memo Akten and Katie Peyton Hofstader that serves as a centerpiece of Birch Aquarium’s "Embodied Pacific: Oceans Unseen" exhibition. Inspired by conversations between the artists and Scripps researchers, this work explores the complex interactions between land, ocean and atmosphere that shape our living planet by interweaving dance, poetry, music and generative imagery with artificial intelligence. Join us for a conversation with the artists as they describe how they use art to engage us in science, evoking a visceral and intimate connection to our living planet. Seating is limited and lectures often sell out, so advanced registration is strongly recommended. Doors open at 6:30 p.m. and the lecture begins at 7 p.m. Birch Aquarium at Scripps on Facebook / Instagram / X

Among the thousands of groups affected by the sudden cessation of funds are state arts councils, museums, historic sites, archives, libraries, educators and media outlets in all 50 states.

"Reflecting on Ruth Asawa and the Garden of Remembrance" examines the legacy of Japanese American incarceration during WWII through the lens of the Garden of Remembrance (2000 - 2002), a permanent public art memorial created by Ruth Asawa and others on San Francisco State University’s campus, honoring the resilience of this community. The artworks in the exhibition range from traditional to experimental in various media and explore ancestry, family histories, lived experiences, and painful memories resulting from Executive Order 9066, issued by President Franklin D. Roosevelt in 1942. The exhibition includes Mark Baugh-Sasaki, Ruka Kashiwagi, Paul Kitagaki Jr., emerita professor Wendy Maruyama, Lisa Solomon and TT Takemoto. "Reflecting on Ruth Asawa and the Garden of Remembrance" is co-organized by the SDSU Art Galleries and San Francisco State University’s Fine Arts Gallery. The exhibition is co-curated by Fine Arts Gallery Director Sharon E. Bliss and SFSU Lecturer in Art and Curator for the Fine Arts Gallery Kevin B. Chen. Major support for this exhibition has been provided by the National Endowment for the Arts with additional support from the Henri and Tomoye Takahashi Charitable Foundation and the Andy Warhol Foundation for the Visual Arts. Programming is supported by the SDSU School of Art and Design and the College for Professional Studies and Fine Arts. Visit: https://art.sdsu.edu/calendar#event-details/6428f66a-895e-4235-a293-d2bffab61aac/instances/2025-02-04T20:00 Ruth Asawa on Instagram and Facebook