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Amanda Kramer’s "So Unreal" is a cinephile’s visual essay examining a canon of films that dared dream beyond the threshold of the real. Across a 30-year span – 1981 to 2001 – depictions of ‘future shock’ technologies such as artificial intelligence, cyberspace, and virtual reality grew in both frequency and complexity. Cinema in these years provided an outlet for humanity’s intertwined anxieties, fears, and fantasies about the brave new frontiers looming ahead. Narrated by Blondie icon Debbie Harry, "So Unreal" mines the substance and subtext of cyber-minded landmarks like "Tron," "Videodrome," "Brainstorm," "Terminator 2," "Tetsuo," "Lawnmower Man," "Hackers," "The Matrix," and dozens more. Soundtracked with deep cuts from the electronic underground, and styled with CGI-glitch FX, "So Unreal" maps the subcurrents of euphoria and dystopia simmering in the cinematic subconscious of the end of the 20th century. Digital Gym Cinema on Facebook / Instagram

In interviews in villages on Venezuela's northeastern coast, from which some of the boats departed, residents and relatives said the dead men had been running drugs but were not narco-terrorists.

Thirty-five years after the Grammys revoked Milli Vanilli's best new artist award, former member Fab Morvan has been nominated in a surprising twist.

The acting chief of the Federal Emergency Management Agency has left his post, marking another disruption in a year of staff and policy changes. His leadership was questioned after he delayed responding to deadly floods in Texas.

The discrepancy comes down to how Sharp calculates average pay, and what nurses said they earn based on base wages.

Trump called Rep. Marjorie Taylor Greene, R-Ga., a "traitor" after his revoking political endorsement of her. Greene said Sunday his words can "put my life in danger."

Warner Brothers Discovery is accepting bids this week, sparking concerns among theater owners who hope the potential buyer will prioritize making movies for cinemas.

Known for his cosmic-stoner songwriting and freewheeling tunes, Todd Snider's career spanned three decades.

"If you close your eyes, you might wake up inside the movie, unstuck from time yourself." — New York Times A ghostly train journey on a forgotten branch line transports a son, Jozef, visiting his dying Father in a remote Galician Sanatorium. Upon arrival, Jozef finds the Sanatorium entirely moribund and run by a dubious Doctor Gotard, who tells him that his father’s death, the death that has struck him in his country, has not yet occurred and that here they are always late by a certain interval of time of which the length cannot be defined. Jozef will come to realize that the Sanatorium is a floating world halfway between sleep and wakefulness and that time and events cannot be measured in any tangible form. A stop-motion/live-action masterpiece inspired by the works of Jewish-Polish author and artist Bruno Schulz, this personal passion project is the first feature by the Brothers Quay since "The Piano Tuner of Earthquakes" (2005) nearly 20 years ago. Digital Gym Cinema on Facebook / Instagram

Octogenarian Sisters Rita, Regina and Bernadette went back to their old convent with local support, and an Instagram following. "People are calling us the rebellious sisters!" Rita says.