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  • The TV prequel to the Alien movies calls back to the best elements of those original films — including questions about corporate exploitation and technological advancements.
  • Trump’s spending bill includes cuts to Medicaid, food assistance and more. But it also increases a federal tax credit that helps build affordable housing in California.
  • El director de la oficina de campo del Departamento de Seguridad Nacional en Los Ángeles testificó el lunes que los agentes del Servicio de Inmigración y Control de Aduanas necesitaban desesperadamente de la ayuda del personal militar para llevar a cabo arrestos.
  • La administración Trump revirtió una regla que permitía a los inmigrantes indocumentados que fueron traídos a los EE. UU. cuando eran niños comprar seguros de salud en los mercados de la Ley de Atención Médica Asequible.
  • This Independence Day, NPR wanted to know how the freedoms and ideals of the U.S. have been on readers' minds.
  • Hiller spent years scraping by in Hollywood by taking on various small roles. Then he landed the role of Joel on Somebody Somewhere and everything changed. His new memoir is Actress of a Certain Age.
  • It may look like a drag queen threw up in there, but "nobody leaves unhappy" from the drag palace on El Cajon Boulevard.
  • Join us for Studio Arts, when OMA transforms into an artist’s studio, offering skill-building workshops led by distinguished professor and arts educator Robin Douglas. "Luminosity in Paintings" from Rubens to Van Gogh to the California Impressionists In this studio create iridescent paintings that effectively glow with sunlight, moonlight and/or electricity. Explore unique color sensibilities. New materials and processes are introduced every month. All materials included. Drinks and light snacks provided. A break for lunch and a relaxed discussion will occur at midday. Please bring your own bagged lunch or feel free to visit one of the restaurants close by on our provided list.
  • Illume Speaker Series Knapp Lecture On James Baldwin: Racial Progress without Redemption Melvin L. Rogers, PhD | Knapp Chair of Liberal Arts Thursday, February 27, at 6 p.m. IPJ Theatre, Joan B. Kroc Institute for Peace and Justice The lecture invites the audience to travel back to the 1960s and to think through the assumptions that frame our discussion about racial progress. Baldwin asks us to disentangle our preoccupation with redemption to achieve democratic progress. Advancing democracy through dialogue may mean we don’t completely forget our missteps and trauma. Advancing democracy may involve figuring out how to dialogue, given that the past and present trauma may persist. Melvin L. Rogers, PhD, is the Edna and Richard Salomon Distinguished Professor of Political Science and associate director of the Center for Philosophy, Politics, and Economics at Brown University. Co-sponsored by the Department of Political Science and International Relations and the Africana Studies Program.
  • News flash! The near future! New developments in artificial intelligence have gone… not as planned. And now the robots are taking over—unless plucky teen hacker, Jolie Daniels, screen-name Ha.G., and the bot she made from spare parts from her parent’s garage, can stop the armies of sentient appliances she accidentally loosed on the world. From Puppeteers for Fears, the company that brought you "Cthulhu: the Musical!," and "The Cabaret at the End of the World," comes a hilarious cyberpunk fever-dream: "ROBOPOCALYPSE: The Musical!" Featuring thirteen new songs, an analog synthesizer driven score, an all-puppet cast, more multimedia elements than you can shake a stick at, and a wickedly stylish 1980s visual aesthetic, "ROBOPOCALYPSE: The Musical!" is Puppeteers for Fears’ most ambitious show ever, and is sure to dazzle and astonish. Written and composed by Josh Gross. Directed by Hunter Prutch. Starring Alyssa Mathews, Forest Gilpin, Owen Webb, Rachel Routh, Alex Giorgi, Brianca Knight, and featuring special musical guest, Blunderbusst. Puppeteers for Fears is an Oregon-based comedy troupe, specializing in original horror and science fiction rock’n’roll musicals performed with puppets. The company was founded as a one-night-only cabaret show for Halloween 2015, but was so popular that it kept going and never looked back. In the time since, PFF has written and performed a half-dozen original feature musicals covering everything from supernatural monsters to killer robots to lonely sasquatches, performed all over the US on six tours, and sold out venues nationwide with its innovative and hilarious combination of puppetry, video, and live music. Time: Tueday, Aug. 26 8 p.m. (Doors 7 p.m.) Puppeteers for Fears on Facebook / Instagram
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