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Art Nouveau, 1890–1915 Presented by Diane Kane Mondays, March 31, April 7, 14 & 21, 2025 The international art movement known as Art Nouveau flourished from the early 1890s to 1914. Rejecting historical references and traditional geometric forms, it featured florid vegetation, sinuous lines, and asymmetry. Although the design approach encompassed all visual art forms, it was most prevalent in architecture and the decorative arts. Furniture, mirrors, metalwork, art glass, carved plaster, and intricate paneling all featured the signature “whiplash” lines of Art Nouveau. Originating in Brussels, and highlighted in the Exposition Universelle of 1900 (better known in English as the 1900 Paris Exposition), the style is strongly associated with the wealthy and fashionable. Popularized in smaller cities, the style easily integrated into new building types—elegant apartments, boutique retail, brasseries, bistros, and cabarets—associated with sophisticated urbanization. In four richly illustrated lectures, this series will examine the style’s Belgian origins and its regional variations in Paris, Vienna, and Barcelona during the 1890–1915 period.

"In mending and making, we mend ourselves" —Deena Beverly In this hand stitching gathering we will honor a memory, ourselves, someone or something else. As we reflect on our subject we may find clarity, understanding and peace of mind. The time provides space to see with fresh eyes of why this came to pass. We will then express our discovery through color, texture and composition, in a figurative or abstract style with thread, appliqué, color and pattern. Come stitch with us. Nothing is like stitching in community with others. It’s fun, healing and grounding. Nancy will teach you the techniques and walk you through the step-by-step process to assist you with creating your work of art! Nancy’s approach is all about self-expression Please feel free to bring any fabrics or swatch of clothing that you like or has a special meaning that you would like to include in your project. All the sewing and embroidery is done by hand. It’s a slow stitch process. Prerequisites: Please be able to thread a needle, tie a knot repeatedly and make a basic running stitch. (A bonus if you can backstitch.) Materials: Students to bring: A needle or two for sewing and embroidery, embroidery thread or floss, sharp fabric scissors, any fabrics, bits of lace or clothing that has a special meaning, beads or babbles that you would like to include in your project. Instructor to bring: The instructor will provide background fabric, fabric scraps, bits and bobs, embroidery floss and threads, basic tools, samples for inspiration and stitch-sample books. *If you don’t need to use any of the instructors supplies … and you have lots of opaque and transparent fabric scraps, embroidery thread, floss and needles… as-well-as a background fabric in linen or vintage cotton approximately 18x18 you can bring and forego paying instructor for materials. Please pack a snack! *Please note: The best fabric is linen, cotton, or something used or vintage. If you want to stitch on knit fabrics (T-shirt type), you can. NO! heavy fabrics like denim as we’ll be layering many pieces together. Athenaeum Music & Arts Library on Instagram and Facebook

Former U.S. Capitol Police officer Harry Dunn says President Trump's crackdown in Washington, D.C., could tarnish police relationships in the city.

From fantasy to food, these five books made waves for our staff this year with their fresh perspectives and compelling narratives.

Rap Diego: An Audio Documentary uncovers the untold story of a significant music revolution in San Diego. It chronicles the underground rap movement that launched numerous artists into the spotlight and fostered a subculture that ultimately became mainstream and influential worldwide. This narrative unfolds in four acts, narrated by those who experienced it firsthand—producer Parker Edison; editor Chris Reyes; and cultural attaché J. Smith. Audiences will have the opportunity to hear early music and performances that have rarely, if ever, been heard by the public.

The Committee to Protect Journalists says it is pressing Israel to provide answers about why prominent Al Jazeera journalist Anas al-Sharif and others journalists were killed in an airstrike.

The Chelmsford, Mass., court has hemorrhaged judges, a consequence of the Trump administration's seemingly contradictory efforts to downsize the federal government and increase immigration arrests.

Kari Lake has sought to dismantle Voice of America and its federal parent, the U.S. Agency for Global Media. The agency has recently called her its acting CEO. But the law suggests she's not eligible for the job.

The Dalai Lama said he will be reincarnated after he dies, and no one can interfere with the matter of succession. The Chinese government, however, claims authority over the his succession.

News flash! The near future! New developments in artificial intelligence have gone… not as planned. And now the robots are taking over—unless plucky teen hacker, Jolie Daniels, screen-name Ha.G., and the bot she made from spare parts from her parent’s garage, can stop the armies of sentient appliances she accidentally loosed on the world. From Puppeteers for Fears, the company that brought you "Cthulhu: the Musical!," and "The Cabaret at the End of the World," comes a hilarious cyberpunk fever-dream: "ROBOPOCALYPSE: The Musical!" Featuring thirteen new songs, an analog synthesizer driven score, an all-puppet cast, more multimedia elements than you can shake a stick at, and a wickedly stylish 1980s visual aesthetic, "ROBOPOCALYPSE: The Musical!" is Puppeteers for Fears’ most ambitious show ever, and is sure to dazzle and astonish. Written and composed by Josh Gross. Directed by Hunter Prutch. Starring Alyssa Mathews, Forest Gilpin, Owen Webb, Rachel Routh, Alex Giorgi, Brianca Knight, and featuring special musical guest, Blunderbusst. Puppeteers for Fears is an Oregon-based comedy troupe, specializing in original horror and science fiction rock’n’roll musicals performed with puppets. The company was founded as a one-night-only cabaret show for Halloween 2015, but was so popular that it kept going and never looked back. In the time since, PFF has written and performed a half-dozen original feature musicals covering everything from supernatural monsters to killer robots to lonely sasquatches, performed all over the US on six tours, and sold out venues nationwide with its innovative and hilarious combination of puppetry, video, and live music. Time: Tueday, Aug. 26 8 p.m. (Doors 7 p.m.) Puppeteers for Fears on Facebook / Instagram