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The Santee celebration will be Tuesday, July 4, 2023 from 2 - 10 p.m. at the Town Center Community Park, located at East 550 Park Center Drive in Santee. The fireworks show will begin at approx. 9:02 p.m. Listen to the fireworks soundtrack on SanteeTV from anywhere, here. A spot in your chosen lot will be guaranteed to you - Just tell the parking attendant your name when you arrive!Please arrive by 8 p.m. as the surrounding area gets busy before the fireworks show.Parking is limited. Please consider carpooling, biking, walking, or using a rideshare service. Food Vendors & Riverwalk Grill Open: American Flavors • CAKED • Currywurst • Gelu California • John's Sweetfire BBQ • Maui Wowi • Riverwalk Grill • Sapos Tacos • Tacos Picasso • Twisted Kettle • Up in Smoke BBQ Patriotic CeremonyFireworks displayThe following items are prohibited: BBQs, Glass, Hard Alcohol, Electric Bikes, Golf Carts, Open Flames Santee Salutes FAQs can be found HERE All Rules and Regulations for Town Center Community Park can be found HERE City of Santee on Facebook

There are no Wonka-like scenes of Tagalong rainbows and Do-si-do stools. But parents can be forgiven for feeling like Oompa Loompas — hardworking cogs in a well-oiled machine.

Voters in 16 states and one territory will make their voices heard Tuesday in the biggest primary election day of the 2024 cycle. Find out who is voting and what's at stake.

KPBS General Manager Deanna Mackey has been named a 2023 Latino Leader of Influence by the San Diego Business Journal and the San Diego County Hispanic Chamber of Commerce.

Watch the game live on any one of our 8 TVs, inside or on our outdoor covered patio! Showing all televised games during business hours! Visit: https://www.shakespearepub.com/womens-world-cup Shakespeare Pub & Grille on Facebook / Instagram

Egg prices are at near-historic highs in many parts of the world as Easter and Passover approach.

The Banality of Evil: A Conversation on Theatre and the Holocaust featuring Moises Kaufman in Conversation with Allan Havis. In 2006, an album of photographs from Auschwitz landed on the desk of an archivist at the United States Holocaust Memorial Museum. The photographs documented the many ways SS camp guards made life for themselves at the German death camp tolerable, even enjoyable. As news of the extraordinary find spread worldwide, a German businessman discovered his own grandfather in one of the pictures. What was he to do with this shocking discovery? This is the ethical dilemma at the heart of the play “Here there are blueberries,” conceived and directed by the Venezuelan theatre director Moisés Kaufman. A playwright, filmmaker, and founder of the Tectonic Theater Project, Kaufman is the recipient of numerous awards, including the prestigious National Medal of Arts and Humanities. He will be in conversation with Allan Havis, a professor in the UC San Diego Department of Theatre and an award-winning playwright. About the Holocaust Living History Workshop | This event is a part of the Holocaust Living History Workshop (HLHW) series, an education and outreach program sponsored by the UC San Diego Library and the Jewish Studies program. It aims to preserve the memories of the victims and survivors of the Holocaust by offering public events involving witnesses, descendants and scholars and through the use of the USC Shoah Foundation Institute’s Visual History Archive. Past HLHW workshops are now part of the Library’s digital collections and can be accessed online. For more information about UC San Diego’s Holocaust Living History Workshop, contact Susanne Hillman at shillman@ucsd.edu. If you have questions or would like to register by phone, contact us at UCSDLibrary@ucsd.edu or (858) 534-0134.

The new remake of the 1989 Patrick Swayze film comes up short, caught between an unironic '80s homage and a more wised-up contemporary sensibility.

The fees merchants pay for accepting credit cards are much higher in the U.S. than in Europe. Ice cream shop owner Victor Garcia, for example, paid more than $25,000 in swipe fees last year.

In this brief episode, our producer Julio sat down with Rito Zazueta - an independent filmmaker from Tijuana/Chula Vista to discuss Tijuana's representation in the media and the impact and reception Rito’s documentary- Tijuana Dream- has had. Tune in! @portofentrypod Big thanks to Rito Zazueta for letting us include bits and pieces of her monumental short in this episode. Here's the Link to her documentary. Tijuana Dream (2016) Dir. Rito Zazueta Prod. Rick Zazueta 🎶 “Flotando” Rommel Duran / Entre Desiertos 🎥 Josha Olivera ************** Port of Entry has a whole new set of stories with you, this time centered around food and migration. This season we share several stories about how food has changed cities in the borderlands, including episodes on folks who have made Valle de Guadalupe, the famous wine region of northern Baja, their home. Follow hosts Natali Gonzalez and Alan Lilienthal as they sit down with these fascinating people who share their personal and family stories. Listen in and join us! If you like this episode, show us some love @portofentrypod ************** From KPBS and PRX, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Find us on Facebook at www.facebook.com/portofentrypodcast Find us on Instagram or at www.instagram.com/portofentrypod Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Feedback is a gift. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show. Email us at podcasts@kpbs.org. “Port of Entry'' is written, produced, and directed by Julio C. Ortiz Franco. Luca Vega is our Technical Producer and Sound Designer. Alisa Barba is our editor. Episodes are translated by Julio C. Ortiz Franco and Natali Gonzales. Elma Gonzalez and M.G. Perez are our Spanish Editors. Lisa Morrisette-Zapp is Director of Audio Programming and Operations and John Decker is the Director of Content Development. This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people.