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  • Comic-Con hotels are nearly impossible to book. But UC San Diego is now offering their dorms as one solution.
  • Californians accused of certain drug and retail theft crimes may already be facing stiffer penalties under an initiative voters passed this year, alongside related bills Gov. Gavin Newsom signed into law.
  • More than 150 people ages 16 to 24 attended a city youth fair in the East Village neighborhood Tuesday, officials said.
  • Revision is a participant of San Diego Design Week, offering workshops centered around the use of reclaimed materials as tools to repair and build communal structures together. This Free exhibition displays the works of remade furniture created with our technique of wicker "kintsugi" after the week long experience. Revision Gallery has 3 large workspaces which will also display various woven works of the Artists in Residence, who are Artists with Intellectual and Developmental Disabilities; sculpture by local artisans, and several pieces by Revision Director + Artist Joy Boe, which explore the intersection of scrap materials and domestic workers. Light refreshments served. Visit: https://allevents.in/la%20mesa/fusion-scrap-weaving-art-exhibition/200027111700326
  • About the exhibit: Quint Gallery is thrilled to present Nancy Blum: Gathered this summer, her first solo exhibition with the gallery. An installation of 9x12 inch works from her ‘Black Drawings’ series will be situated throughout the front and back rooms of the 7722 Girard Avenue gallery interspersed with a selection of other recent ‘Star’ and ‘Flame’ drawings, all on black paper. Blum’s ongoing series of ‘Black Drawings’ radiate and transform within/beyond each 9x12 in sheet of paper, etched softly by colored pencil and graphite. She begins this daily practice with an image in mind and makes intuitive decisions underpinned by careful sensitivity to plant intelligence and movement, and the spatial geometry of nature. Taken as otherworldly species or mystic equations, these Untitled compositions evade definition. What results, however, is often a labyrinthine, curvilinear meditation on cycles of existence. By setting them in a black, non-illuminated space, the inherent potential of abstracting concrete form emerges, providing space for its subjects to glow, move outward, or curl inward, always in the process of leaving or becoming something new. “Everyone carries a room about inside them,” wrote Franz Kakfa in Blue Octavo Notebooks, one of his posthumously published journals. Under Blum’s guidance, the endless knot of her forms breathe an air of secrecy and can feel like a door to her own inner world. In drawings which repeat variations on the four elements of nature, they may be approached like a meditation or prayer. This sentiment is influenced by the Tibetan Buddhism tradition of thangka paintings, which illustrate the story of Buddha and have served a multitude of purposes, among them to aid in contemplation or give thanks. Blum has made hundreds of these drawings and each one is unique. If regarded as small parts of a larger whole, an interconnected ecosystem develops. Attuned to fire, earth, water, and air, drawing as a discipline gives form to Blum’s visioning of consciousness and what lies beyond those four elements, without which we couldn’t exist. Upon this foundation, a set of larger Flame works more directly reference the element of fire and how it has been historically illustrated and mythologized in South and East Asian art. Additionally, several new Star drawings are made from graphite and dark blue colored pencil, burnished and lightly embossed onto black paper. About the artist: Beyond the solitude of her drawing practice, Nancy Blum enjoys the often-collaborative process of developing large-scale public works using a variety of media. For New York City’s MTA Arts-in-Transit program she created a suite of large botanically themed mosaics at the historic 28th Street Station (2019). In the spring of 2024, this project was included in the book Contemporary Art Underground: MTA Arts & Design New York. Blum has completed numerous other public commissions throughout the United States, including enameled glass windows at the San Francisco General Hospital, San Francisco, CA; a series of billboards in the sculpture park of the North Carolina Museum of Art, Raleigh, NC; a resin flower wall at Sea-Tac International Airport, Seattle, WA; among many others. Blum received her MFA from Cranbrook Academy of Art and has since become a widely sought-after visiting artist, critic, and lecturer at universities nationwide. Her work has also been recognized through fellowships from the Pollock‐Krasner Foundation, Peter S. Reed Foundation, Mid‐Atlantic Arts Foundation, and New York’s Lower East Side Printshop. The first monograph of her work was published in 2017 and features essays, interviews and documentation of her drawing, sculpture, and public artworks. Nancy lives and works in Brooklyn, NY. Related links: Quint Gallery website | Instagram
  • With more than half of the 61 reported human bird flu cases in the U.S. occurring in California, Gov. Gavin Newsom declares a state of emergency to expedite the state’s preparedness.
  • A recent study shows getting walking more may help prevent depressive symptoms. Tracking your steps may help you stay motivated, researchers say.
  • Steph Johnson and her band makes their long awaited debut at Golden Island Dim Sum & Asian Cuisine for the 171st show of Dim Sum & Jazz Seating Begins at 6 P.M. Music from 6:30-8:30 P.M. Call (858) 578-8800 for reservations! Reservations are highly encouraged! About Steph Johnson Steph Johnson is an award-winning, multi-dimensional recording artist and activist whose music deftly blends jazz, soul, funk and blues. Through her 20-year music career, Steph has recorded five studio albums. Her latest album "So In Love", is a collection of Johnson's favorite jazz standards and ballads. The 10-track record features pianist Josh Nelson (Natalie Cole), guitarist Anthony Wilson (Diana Krall), trumpeter Chris Lawrence, bassist Rob Thorsen and drummer Richard Sellers. “With her recent release of 'So In Love,' Steph continues her spiral upward towards bright, musical horizons. This may be her best recording to date.” — DeeDee McNeil. LA Jazz Scene Growing up, Steph was influenced by her grandmother’s favorite singers: Ike and Tina Turner, Aretha Franklin, Ray Charles, and Stevie Wonder; and by the ’70s icons beloved by her mother, including James Taylor and Joni Mitchell. She discovered jazz through Miles Davis' classic album, ‘Kind of Blue’, which led her to the great female jazz vocalists: Ella Fitzgerald, Billie Holiday and Sarah Vaughn. “Johnson’s core strength is as a communicator with rhythmic depth and smoky, pliant power…her sweet yearning vocal really soars." — Robert Bush, Jazz critic Johnson performs regularly throughout Southern California and the Western United States. She is currently working on new material for her next project. When she’s not working on music, Steph directs her creative energy towards social activism. In 2016 she co-founded Voices of Our City Choir, with fellow musician Nina Deering. What began as an organic collaboration between local musicians and people experiencing homelessness has grown into an internationally recognized performance ensemble and innovative nonprofit that uses music and arts to amplify the voices of people impacted by homelessness. Steph now serves as Voices’ Chief Executive Officer and Creative Director. Read more about Voices of Our City Here. Steph Johnson’s work and the formation of the Choir, was featured in the 2018 award-winning documentary “TheHomeless Chorus Speaks”, which aired on PBS. Her tireless dedication to her craft and the unsheltered community has earned her well- deserved recognitions, including 2020 “Woman of the Year”, a finalist for San Diego Magazine’s 2022 Activist of the Year, as well as “California Arts Champion” by Californians for the Arts, exemplifying Steph’s profound impact on the arts and society at large. Stay Connected with Steph Johnson! Facebook & Instagram
  • Robert F. Kennedy Jr. said he wanted "gold standard science" on vaccines, but when presented with compelling research, he cited reasons to doubt it.
  • Referred to by Jazz Lives as “one of New York’s great gifts to the world,” blues and jazz vocalist Mara Kaye is “like some lost pocket of the blues that had never been explored in the old days, all wrapped up in a ball of 21st-century Brooklyn-bred attitude.” For over a decade she has traveled internationally and throughout the US, sharing legendary stages with champions of the genre, singing beloved songs of the past with a deep passion and respect for its original storytellers. Imagine a new artist with deep roots, one with the emotional power and swing of Billie Holiday, the deep-blue sorrows and joys of Bessie Smith, all the while leavened with Brooklyn spice. Her heart is in her music and there is no pretense, no distance as audiences from Moscow to Lincoln Center have found out. Mara’s voice has been compared to “Louis Armstrong’s trumpet at a rent party” by blues legend Jimmy Vivino and praised by The Wall Street Journal as proof that things are getting better. Her debut EP, It Had to Be You, recorded straight-to-tape by Bigtone Records, was released in February of 2022 and features incomparable piano legend, Carl Sonny Leyland. Mara's debut single, the forever iconic love song, IT HAD TO BE YOU, off of her recent Ep release with BIGTONE RECORDS features incomparable roots and blues piano legend Carl Sonny Leyland and can be heard on steady rotation on LA’s premier jazz station, KJAZZ 88.1 FM. Her second single, DYSTOPIAN BLUES, an original tune, was featured on ‘The Kelly Clarkson Show’ and performed live on CBS News in 2020. She most recently lent her writing and voice to Brooklyn hip-hop legend AZ’s track, NEVER ENOUGH featuring rapper Rick Ross. She is a proud faculty member of Centrum Foundation’s Voice Works program and a past instructor at their Acoustic Blues Seminar in Port Townsend, WA teaching voice masterclasses alongside some of the country's top blues and voice artists. She continues to teach in San Diego and Los Angeles, leading voice workshops and coachings in both cities. After a lifetime in New York, Mara is thrilled to call California home. "For too many years, young jazz singers all but ignored the blues, but the attention now being paid to the form by outstanding young artists such as Mara Kaye is proof that things are getting better.” - The Wall Street Journal See More Events: bardicmanagement.com/events For more information visit: bardicmanagement.com
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