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Learn to Carve a Decorative Spoon! In this 5-hour workshop, students will learn to carve a decorative spoon in basswood in the European carving tradition. Students will learn and apply the following skills that are needed to carve a simple decorative spoon: - Carving safety - Honing/sharpening - Tracing and transfer of the spoon layout to a piece of basswood - Hollowing out the spoon; carving the back; and removing thickness under the handle - Carving out the handle - Sanding the spoon and handle Finish can be applied at home (instructor can offer shellac, which is non-toxic) This class is designed for the beginner as well as more experienced carvers. Different techniques and styles make it interesting for all skill levels. There is no prerequisite for this class. All of the necessary tools and materials will be available to students for this class. It is recommended that you bring your own safety gear (eye protection, hearing protection, dust mask, gloves). We have hearing and eye protection available if you do not have your own. • Scholarships available • Military and sibling discounts For more information visit: sandiegocraft.org Stay Connected on Facebook

Organizers of the Live Well Center’s public art program said the pieces were selected based on community member feedback — an attempt to create a building for the community.

Ukraine's domestic arms manufacturers bristle at the notion the country relies entirely on military aid from the U.S. and Europe. The country's weapons development and production, they say, is robust.

The video adds to a long line of connections between the former president and antisemitism. The Trump campaign has not yet responded to NPR's request for comment.

An evening of cutting-edge ballet is presented in Pointeworks’ inaugural performance. Five ChoreograpHERs, five voices, a captivating world premiere by Reka Gyulai, and the first time San Diego audiences will experience the thrilling works of Heather Nichols, Melody Mennite, and Caili Quan. Experience this female-led program celebrating innovative women across creative fields including choreography, music, design, and visual art—each work as distinct and unique as each ChoreograpHER. Featuring the dynamic cast of Pointeworks artists, comprised of international dancers of principal and soloist careers from Argentina, Brazil, New Zealand, Japan, and across the USA. Stay Connected on Social Media! Facebook | Instagram | X

"Dutch Harbor: Where the Sea Breaks Its Back" - Special Screening and Talkback Thursday, May 9, 2024 at 6 p.m. Warren Auditorium, Mother Rosalie Hill Hall As part of the Humanities Center’s series on The Frozen Realms, the Humanities Center presents a special showing of Braden King and Laura Moya’s remarkable film, "Dutch Harbor: Where the Sea Breaks Its Back" (1998), about the most westerly point in the United States: Dutch Harbor, in the Aleutian Islands of Alaska. Accompanied by a memorable score of music by Michael Krassner and the critically-acclaimed Boxhead Ensemble, the film’s stark and haunting images capture the threatened way of life of a landscape described here as “the last place to go.” Following the screening is a talk back with filmmakers, Braden King and Laura Moya and composer, Michael Krassner. The film will also be on exhibit in the Humanities Center Gallery on view Monday, May 6 through Monday, May 13 from 11 a.m. to 4 p.m. in Saints Tekakwitha and Serra Hall, room 200. Braden King is a New York-based filmmaker, photographer and visual artist. His first feature film, "Here," starring Ben Foster and Lubna Azabal, premiered at the 2011 Sundance and Berlin Film Festivals and was distributed theatrically by Strand Releasing in 2012. Additional work includes the lyric feature documentary "Dutch Harbor: Where the Sea Breaks Its Back" (co-directed with photographer Laura Moya; also toured with live soundtrack accompaniment), the award-winning shorts "Home Movie" and "National Disintegrations" (released by Laura Poitras' "Field of Vision") and music videos for Cat Power, Glen Hansard, Yo La Tengo, Sparklehorse, Sonic Youth, Bonnie 'Prince' Billy, Laurie Anderson and Dirty Three. Laura Moya is the former Director of Photolucida, organizing their Portfolio Reviews events and overseeing Critical Mass programming for many years. Laura co-curated an independent project, "The Early Works Project," which was shown at Newspace Center for Photography, Rayko Photo Center, the Center for Fine Art Photography, and the Photographic Resource Center, as well as "The Elevated Selfie: Beyond the Bathroom Mirror," which exhibited at LightBox Photographic Gallery and the Griffin Museum of Photography. She has participated in Reviews events including the National Society for Photographic Education and LensCulture in Paris, and participated in talks and panels at international festivals such as the Pingyao International Photo Festival and GuatePhoto Festival. Most recently she curated and designed the exhibition spaces for these major museum exhibitions: "HUMAN/NATURE" (Lishui Art Museum/2021 Lishui Photography Festival, China) and "PERSEPHONE’S EDGE" (Benaki Museum/2022 Athens Photo Festival, Greece). Michael Krassner is an American musician and composer, known for his work in the Boxhead Ensemble and The Lofty Pillars. He has collaborated with numerous musical artists, including Califone, Dirty Three, Gastr del Sol, Fred Lonberg-Holm, Will Oldham, Scott Tuma and Ken Vandermark. Parking and Campus Map: When visiting USD, please plan ahead and allow yourself ample time to park your vehicle, pay at a pay station, and take the tram to your desired destination or event. Campus map: www.sandiego.edu/maps/ Parking: visitors may park in the West Parking Structure/West Lot. Vehicles must have a valid USD parking permit OR pay at a pay station or on the ParkMobile app between 7:00 a.m. and 7:00 p.m., Monday through Friday, including vehicles displaying an ADA placard. After 7 p.m. Monday through Friday and all day on Saturdays and Sundays, payment is not required to park on campus, and guests may park in any non-reserved space. The pay stations on campus accept coins as well as Visa & Mastercard credit/debit cards. They do not accept cash or American Express cards. The rate for parking in metered areas is $2.50 per hour. All paid parking areas at USD operate as pay-by-plate. This means that a license plate number is required when making a payment at the pay station. It may be helpful to take a picture of your license plate after you park your vehicle. Once you have made your payment, there is no need to display your receipt on your dashboard. Payment at all metered space locations above may also be made from your smartphone. Download the Parkmobile App: parkmobile.io/. Tram Service: a Tram service is offered free of charge from West Parking Structure up to the main campus. Take the “West Campus Loop” tram to the top of the hill. Manchester Hall will be straight ahead, third building on your right. The tram runs every 5 to 7 minutes. A complete tram schedule is available on the Tram Services Website. Live Map of the USD Trams: on the PassioGo app https://uofsandtram.passiogo.com/ you can view a live map of each route displaying the vehicle's location. For more information check this page.

Drum Tao is an immersive show features traditional Japanese drumming, enchanting melodies of flutes and harps, martial arts, and stunning visuals in a harmonious celebration of culture, ancient artistry, and performance. Electrifying rhythms and thunderous beats propel this show forward as the skilled performers of DRUM TAO showcase their mastery of this ancient Japanese instrument, creating an awe-inspiring display of power, precision, and passion with synchronized and choreographed movements. Accompanying the powerful drumming are the serene and ethereal melodies of Japanese flutes. Incorporating martial arts techniques and acrobatics, the performers of DRUM TAO display their physical prowess and agility. Through breathtaking choreography and precise movements, they bring an element of excitement and athleticism to the stage. Mesmerizing projections and meticulously designed costumes and set pieces create a visually striking and immersive experience.

This weekend in the arts: Zines and music at the downtown library; Hugo Crosthwaite and more art at Bread and Salt; lowrider art at Mixed Grounds; a Sherlock Holmes-inspired play; "Blanket Sounds" at the Waterfront and more live music picks.

Hola Friends! We kick off our new season highlighting LGBTQ+ stories with a two-part series: The Fight for Marriage Equality in Baja. In this first part, we sit down with Meritxell and Nancy, a queer couple from Tijuana who have fought for LGBTQ+ rights in the state of Baja and Mexico. They share their story of how they fought to have marriage equality in the State of Baja. Don't miss this amazing story! Tune in to listen! @portofentrypod ************** Port of Entry has a whole new set of stories for you, this time centered around LGBTQ+ issues. This season we dive with our guests into what it means to be queer in the borderlands, finding yourself, and fighting for your rights. Follow hosts Natali Gonzalez and Alan Lilienthal as they sit down with these fascinating people who share their stories. Listen in and join us! If you like this episode, show us some love @portofentrypod ************** From KPBS and PRX, “Port of Entry” tells cross-border stories that connect us. More stories at www.portofentrypod.org Find us on Facebook Find us on Instagram Support our show at www.kpbs.org/donate. Search “Port of Entry” in the gifts section to get our sling bag as a thank-you gift. If your business or nonprofit wants to sponsor our show, email corporatesupport@kpbs.org. Feedback is a gift. Text or call the "Port of Entry" team at 619-500-3197 anytime with questions or comments about the show. Email us at podcasts@kpbs.org. “Port of Entry'' is written, produced and directed by Julio C. Ortiz Franco. Adrian Villalobos is our Technical Producer and Sound Designer. Alisa Barba is our editor. Episodes are translated by Julio C. Ortiz Franco and Natali Gonzales. Elma Gonzalez is our Spanish Editor. Lisa Morrisette-Zapp is Director of Audio Programming and Operations and John Decker is the Director of Content Development. This program is made possible, in part, by the Corporation for Public Broadcasting, a private corporation funded by the American people.

President Joe Biden is taking an expansive step to offer relief to potentially hundreds of thousands of immigrants.